Detox, Dear, Detox

- PREVIOUSLY ON BLOOD, SWEAT & HEELS... - YOU'RE NOT GOING TO THE HAMPTONS. - NO, I HAVE TO HOST A PARTY HERE. DO I WANT TO DO IT ANYMORE? HELL NO. BUT THERE'S NOTHING WORSE THAN BEING WELL-KNOWN AND BROKE. - HIM TO APOLOGIZE AND TO EXPLAIN WHY. HE'S ABOUT TO DIE, AND I'M LOOKING FOR CLOSURE. - HOSPITAL PARKING RIGHT HERE. - I WENT TO STROKE HIS HAIR LIKE THAT, AND HIS WHOLE FOREHEAD FROWNED UP, LIKE, "GET OFF ME." I WAS THERE LOOKING FOR A FATHER, AND IT WASN'T THERE AGAIN. TOMORROW IS THE END. IF--IF AT THIS HOUR, YOU HAVE NO LOVE FOR ME, I DON'T NEED TO BE THERE. - THE FAMILY WAS THINKING ABOUT TAKING HIM OFF OF LIFE SUPPORT. - BUT SHE'S GOING TO THE HAMPTONS THIS WEEKEND? - DO YOU GUYS THINK SHE HAS A DRINKING PROBLEM? - IF YOU CAN'T HANDLE YOUR LIQUOR, YOU HAVE A DRINKING PROBLEM. [laughter] - WHEN IS MS. MICA COMING? I'M HUNGRY. - IN ABOUT TEN MINUTES, LET'S HEAD OUT. - MICA IS LATE AS HELL. - ♪ NEW YORK, WHAT UP ♪ ♪ IT FEELS SO GOOD TO BE HOME ♪ ♪ I SAID NEW YORK, WHAT UP ♪ ♪ IT FEELS SO GOOD TO BE HOME ♪ ♪ I SAID WHAT UP ♪ ♪ B.K., WHAT UP ♪ ♪ Q.U., WHAT UP ♪ ♪ B.X., WHAT UP ♪ ♪ HARLEM ♪ ♪ FEELS SO GOOD TO BE HOME ♪ ♪ I SAID NEW YORK, NEW YORK, NEW YORK ♪ [gentle orchestral music] ♪ ♪ - THE HOUSE IS SO NICE, BRIE. - THANK YOU. IT'S SO PEACEFUL OUT HERE. I LOVE IT. - WELCOME TO THE GOOD LIFE. - [sighs] [car door slams shut] - THAT WAS A CAR DOOR. - I LOVE THE SMELL OF GRASS, GREEN-- [squealing] HEY, GIRL! THERE'S NOTHING LIKE LEAVING NEW YORK. - RIGHT NOW, MY PARENTS ARE RUNNING TO THE WINDOW LOOKING--AND BE LIKE, "WHO THE HELL IS THAT?" - HONEY, THEY HAVE HOUSEGUESTS. KEEP IT LOW, BABE. - WHAT? - THEY HAVE HOUSEGUESTS. KEEP YOUR VOICE DOWN. - IN THAT HOUSE? WHAT, THEY AIN'T HEARD NOBODY SAY IT SMELL GOOD? - MY PARENTS ARE HOME, AND THEIR HOUSEGUESTS ARE HERE. ACT LIKE YOU HAVE AN OUNCE OF CLASS. - [sputters] - I'M SORRY. - AND SO IT BEGINS. - I'M JUST SAYING. OH, MY GOSH. THERE'S NO NEED FOR HER TO YELL. - THIS IS BEAUTIFUL! - SHE'S AT, LIKE, A LEVEL 12. OUR SCALE GOES TO ABOUT A LEVEL 7. - HOW Y'ALL DOING? HI, GREG! IT'S BEEN A WHILE, RIGHT? - SHH. - WHY Y'ALL TELLING ME TO SHUT UP? - BECAUSE MY PARENTS ARE HERE, AND THEY HAVE HOUSEGUESTS. AND THEY DON'T WANT A LOUD SCENE. - I'M JUST SAYING HI. - YOU ARE MAKING A SCENE. - HEY, GIRL! - SHH! - I'M JUST SAYING HI, AND THEN I'M GONNA SHUT UP. - I KNOW. WELL, YOU JUST SAY HI. - DAMN! I'M SO HAPPY TO BE HERE. AM I TALKING TOO LOUD? - YOU'RE IN SOMEONE ELSE'S HOME. RESPECT THAT. - I'M NOT DISRESPECTING ANYTHING. ALL I'M SAYING IS-- I WAS SAYING HI TO Y'ALL. - EASY. - OKAY. [deep voice] DARLING. - [laughing] OH, JESUS. [all laughing] - ALL RIGHT. WHERE IS TERRY? 'CAUSE WE ARE NOT EVEN USED TO YOU WITHOUT TERRY. - ERR-- NO, HE'S NOT COMING. - WHY ISN'T HE COMING? - HE HAS, UH-- SOME STUFF TO DO FOR WORK. - BUT LET'S NOT TALK TOO LOUD. - WHAT YOU SAY, BIRD? - WHAT WERE YOU-- WHERE WERE YOU BEFORE HERE? - I'M, UH, AT THE HOUSE I'M STAYING AT IN BRIDGEHAMPTON. - THERE YOU GO. - Y'ALL BEIN' REAL QUIET. THANK YOU, BOO! - MICA'S SOMETIMES CRAZY WHEN THERE'S ALCOHOL INVOLVED. BUT I THINK IT'S GREAT THAT MICA IS COMFORTABLE ENOUGH TO COME, YOU KNOW, ESCAPE THE REALITY, WHICH IS THAT HER FATHER IS DYING. - ALL RIGHT, WHERE CAN I SIT... - COME ON AND SIT HERE. - AND BE QUIET? I'M GONNA BE REAL QUIET. FIRST, I'M GONNA SAY A PRAYER. I'M JUST PRAYING. - ARE YOU SOBER? THAT'S A REAL QUESTION. I'M NOT BEING FUNNY. AND NO SHADE. - WHY CAN'T I PRAY? - OKAY, JUST CHECKING. - LORD, HAVE MERCY. - I'M ACTUALLY GENUINELY CONCERNED ABOUT MICA'S DRINKING. WHEN SHE'S DRUNK, SHE IS COMPLETELY UNPREDICTABLE. - WHAT'S BEEN GOING ON? WHAT'S UP? - WELL, HOW ARE YOU? HOW ARE YOU DOING? - LOOK, I JUST WANT TO HAVE A GOOD TIME AND-- - EVERYTHING'S OKAY, THOUGH? LIKE, IT'S-- - NO, IT'S NOT OKAY. - OH. - BUT I DON'T WANT TO DISCUSS OR FOCUS ON THAT. HONESTLY, THIS IS BEAUTIFUL. - CAN WE GET READY TO START HEADING TO THE RESTAURANT? - WE WAS WAITING ON YOU A LONG TIME, BOO. - YEAH, WE HAVE BEEN WAITING FOR YOU TO COME. - NOT ME. I'M NOT LATE. - ***, YES, YOU IS. - NO, I'M NOT. Y'ALL ARE ALWAYS LATE TO MY [bleep]. I'M NOT LATE. - WHO'S LATE FOR YOUR STUFF? - LOOK, I'M NOT TRYING TO GET ONTO ALL THAT. - OH, NO, YOU THREW IT OUT THERE-- - I THINK THIS IS A BEAUTIFUL POOL AND A BEAUTIFUL BACKYARD. - SO I THOUGHT, YOU KNOW, MAYBE YOU HAD SOMETHING TO SAY ABOUT IT. - I DIDN'T SAY [bleep]. - WHEN YOU'RE RUNNING LATE, JUST SAY YOU'RE RUNNING LATE. YOU SHOULD HAVE CALLED OR TEXTED SOMEBODY, BABY. - IT'S NOT AN ATTACK. IT'S NOT AN ATTACK. DON'T FEEL IT THAT WAY. - LOOK, I'VE NEVER DONE THAT WITH ANYBODY WHO'S SHOWED UP LATE TO MY PARTY. - SEE, NOW, THIS IS WHY I'M GOING TO GET ANNOYED. BRING YOUR VOICE DOWN. - NO, I'LL DO WHAT THE [bleep] I WANT TO SAY. - CAN I FINISH? - NO. - BRIE, I'M GOING TO GO FRESHEN MY MAKEUP. GENEVA, DO YOU NEED A MAKEUP FRESHEN, OR ARE YOU GOOD? - GIRL, I NEED TO ***. - OH, YOU'RE ALWAYS ON TIME. - I NEED TO GO TO THE LAVATORY. - I'LL FIND OUT WHERE GREG IS. OH, GREG! I UNDERSTAND I HAVE A VERY STRONG PERSONALITY, SO I'M MORE OF A HINDRANCE THAN I AM TO BE HELPFUL. - [voice breaks] I'VE BEEN THROUGH TOO MUCH. - DON'T YOU DARE CRY, 'CAUSE YOU'RE GONNA MAKE ME HUG YOU. AND YOU'RE GONNA MAKE ME HUG YOU FOR TOO LONG, AND-- - IT'S NOT ABOUT YOU. - NO. YOU GET OVER HERE AND GET A HUG, BECAUSE YOU'RE CRAZY SOMETIMES, BUT THAT'S WHAT I LOVE YOU FOR. - I DON'T GIVE A [bleep] WHAT ANYBODY SAYS. - BECAUSE YOU ARE THE INNER ME-- - BRIE-- - EVERYTHING THAT I WISH I COULD BE OUTWARDLY, YOU ARE. - DON'T. THAT? I'M, LIKE, "REALLY?" - I DON'T KNOW WHY SHE GOT SO AGGRESSIVELY UPSET WITH DEMETRIA AND GENEVA. BUT I AM NOW LEGITIMATELY CONCERNED, BECAUSE I DON'T KNOW WHAT ELSE IS GOING TO SET HER OFF. FUN-- - "LET'S [bleep] PUSH HER." - NO, WE'RE NOT PUSHING YOU ANYWHERE. WE'RE GOING TO HAVE FUN. IT'S A GIRLS' WEEKEND. - OTHERWISE EVERYONE WILL [bleep]-- I'M GOING HOME NOW. I'M GOING HOME. THIS IS IT. I SWEAR TO GOD. THIS IS IT. [bleep]. - WHOA, WHOA, WHOA! [clattering] - [bleep] Y'ALL. [bleep]. - MICA-- - NO, PLEASE, DON'T, 'CAUSE SHE'S TOO RECKLESS. I DON'T WANT HER [bleep] HERE. [doorbell chimes] - HI! - HI! - HOW ARE YOU? - GOOD. HOW'S IT GOING? - MWAH! - HI. HOW ARE YOU? - WELCOME! - MM! - OH, WHO'S THIS? - OH, THIS IS MY HAIRSTYLIST, SHAKAI. - I'M SORRY. - OH, HI! HOW ARE YOU? - AND THIS IS THE FABULOUS DAISY. - YOU KNOW, I SAID, "IT'S SUPPOSED TO BE MEMORIAL DAY." - MM-HMM. - WE AIN'T GRILLIN' IN THE HAMPTONS, BUT I CAN PULL OUT SOME INDOOR GRILL FOR THE GIRLS. - DAISY AND I CHOSE TO STAY BEHIND BECAUSE WE HAVE PAYCHECKS TO COLLECT. FOR TWO SINGLE WOMEN, THAT'S PRIORITY NUMBER ONE. - I'M SO EXCITED THAT I'M GOING TO SOMETHING THAT YOU'RE HOSTING, BUT I DON'T REALLY KNOW WHERE WE'RE GOING. SO WHERE ARE WE GOING? - IT'S THIS PLACE CALLED PARK ST. BART'S. - OH. - YEAH. - DO YOU LIKE DOING THE PARTIES? ARE THERE A LOT OF WEIRDOS AND STUFF? LIKE, "HEY, MELYSSA, WHAT'S UP? "LET ME--I GOT YOUR POSTER OVER MY-MY-MY BEDROOM! YOU WANT TO TAKE A PICTURE?" YOU'RE, LIKE, "OKAY," AND YOU'RE JUST, LIKE-- THEY'RE A STALKER OR A *** OR SOMETHING? - WELL, I MEAN, I'M KIND OF USED TO IT. I AM HOSTING A PARTY. THEY PAY ME AN EXORBITANT AMOUNT OF MONEY-- $5,000 TO $10,000-- TO SHOW UP. AND FOR THE NEXT TWO HOURS, I AM, BASICALLY... THEIR PROPERTY. HONEY, I HAVE STORIES UPON STORIES. CERTAIN PARTIES, I'M JUST NOT GONNA DO, BECAUSE... - RIGHT. - IT JUST LOOKS LIKE IT'LL JUST BE WAY TOO MUCH DRAMA FOR THE PAYCHECK. - BUT YOU'RE PROTECTED THERE AND STUFF. LIKE, THEY HAVE YOU IN A SECURE SPACE. - I HAD SOME REAL SHADY THINGS HAPPEN ON THE ROAD. SHOOT, I HAD A GUN PULLED OUT IN A ROOM WHEN MONEY WAS BEING EXCHANGED. THOSE KINDS OF THINGS HAVE LED ME TO ASSESS RISK IN A VERY DIFFERENT WAY. THIS EVENT TONIGHT, IT'S, YOU KNOW, THE YOUNG PROFESSIONAL CROWD. - OH, REALLY? - YES. REAL ESTATE IS REALLY SAFE, BUT I DO WORRY ABOUT WHAT'S GONNA HAPPEN IF I CONTINUE TO NOT MAKE MONEY. THE REASON WHY I CHOOSE TO DO THIS PERSONAL APPEARANCE IS BECAUSE BILLS DON'T STOP COMING. - IT MUST BE A PRETTY LUCRATIVE BUSINESS FOR YOU, THOUGH. - I'VE HAD A FEW SHOEBOXES FILLED WITH RUBBER BANDS. - [laughs] ARE YOU A SAVER OR A SPENDER? - I'M A SPENDER. I'VE BEEN WORKING ON IT NOW. NOT HAVING ANY MONEY REALLY, REALLY MAKES YOU SAVE. [both laughing] - IT MUST BE HARD FOR MELYSSA TO WALK AWAY FROM MONEY, BUT SHE SAID SHE WAS INTO REAL ESTATE. REPUTATION'S EVERYTHING IN THIS CITY. I THINK IT'S TIME FOR HER TO HAVE, LIKE, AN AHA MOMENT OF "REST IN PEACE, VIDEO GIRL." - HEY, LISTEN. SO HAVE YOU TALKED TO ANYBODY? - I TALKED TO MICA WHEN SHE WAS EN ROUTE. I WAS LIKE, "MELYSSA THINKS IT'S GONNA BE JUICY THIS WEEKEND." AND SHE WAS LIKE, "WHAT FOR?" LIKE-- - SHE'S GOING DOWN THERE WITH THE INTENTION TO FORGET HER ISSUES AND HAVE FUN, I'M SURE. - RIGHT. - I LEAVE YOU ALONE FOR FIVE MINUTES... - I FEEL BAD, BECAUSE I KNOW SHE'S GOING THROUGH SOMETHING EMOTIONALLY, AND I-- - BRIE! - YES? - MICA, STAY AWAY FROM THE POOL. MICA, RELAX. - I NEED A CAB. - MICA, MICA-- - HERE'S THE THING. I'M GONNA GET YOU A CAB. HAVE A SEAT, CHILL. - MICA. - NO. - STAY WITH MICA. AND I'M GONNA GO CALL A CAB OR SOMETHING. - MICA, SERIOUSLY, RELAX. MICA, MICA-- - NO, PEOPLE WHO DON'T CARE ABOUT HUMAN EMOTIONS OR PEOPLE'S LIVES-- IT'S NOT ME. - MICA, COME ON. SERIOUSLY. SERIOUSLY. LET IT GO. RELAX. - HI, IS IT POSSIBLE TO GET A TAXI GOING BACK TO BRIDGEHAMPTON? 15 MINUTES? OKAY, THANK YOU. - IT'S LIKE, "[bleep] HER. YOU'RE LATE." THEY ALL KNOW WHAT'S GOING ON. THEY ALL BEEN INFORMED. - YOU SAID, WHEN YOU CAME IN, YOU DIDN'T WANT TO TALK ABOUT THE FACT THAT WHAT HAPPENED WITH YOUR FATHER HAPPENED. SO MAYBE THEY WAS JUST TRYING TO DEFLECT FROM THAT. I MEAN, IT WASN'T SERIOUS. - DEFLECT? BY MAKING ME FEEL LIKE [bleep]? - THEY WEREN'T REALLY TRYING TO MAKE YOU FEEL LIKE [bleep]. - AND GET UP AND WALKING AWAY? - DON'T GO OUT THERE. SHE'S NOT HAPPY WITH YOU GUYS. MY BEST ADVICE IS, YOU GUYS STAY HERE. - NO, NO, NO, NO, NO. JUST LET THEM TALK. SO SHE CAN VENT TO SOMEONE. - BUT YOU KNOW WHAT... - MY LINE IN THE SAND IS DRAWN MUCH FURTHER IN THAN GREG. SO I WASN'T REALLY SURPRISED TO SEE THAT HE WAS TRYING TO HELP HER. HE'S A NICE GUY, YOU KNOW? THAT'S WHY I LOVE HIM. - [sighs] - HONESTLY, WE--WE'RE LIKE-- REAL TALK, HONESTLY, WE WERE ALL CONCERNED ABOUT YOUR SITUATION AND WHAT HAPPENED; WE'RE-- - WHEN YOU SAY "PEOPLE," ARE YOU LOOKING AT ME AND SAYING THAT? I WOULD EXPECT MORE FROM YOU, BRIE. - TELL ME--TELL ME WHAT-- WHAT? FOR WHAT? WHAT WAS I SUPPOSED TO DO? - I'M EXPECTING MORE FROM YOU FROM THIS. - THIS IS NOT ME. THIS IS NOT ME. I DON'T DO THIS. - REALLY? - THIS IS YOU AND THEM. I'M CONFUSED AND IN ABSOLUTE UTTER SHOCK. WHAT DID I EVER DO TO HER? WHAT IS SHE YELLING AT ME FOR? IT'S NOT MAKING SENSE TO ME. SHOW ME-- - HAVE SOME [bleep] COMPASSION! - WHO ARE YOU TALKING ABOUT ABOUT COMPASSION? WHY ARE WE--WHY ARE YOU TAKING YOUR AGGRESSION TOWARDS THEM OUT ON ME? - BABY? WE DON'T INVOLVE OURSELVES IN THIS FOOLISHNESS. COME ON. - I'M DONE. I DON'T NEED YOUR GRAPES. - THIS HAS NOTHING BUT YOUR-- - I DON'T NEED YOUR OLIVES. I DON'T NEED YOUR POOL. I DON'T NEED YOUR ANY-- YOUR--YOUR--I DON'T NEED A *** THING. - WHO THE HELL YELLS AT BRIE? BRIE, LIKE, THE SWEETEST PERSON I EVER MET IN MY LIFE. - THE SWEETEST. - SHE SHOULD HAVE STAYED IN D.C. WITH HER FAMILY AND GRIEVED PROPERLY. SHE'S CLEARLY NOT IN A WELL EMOTIONAL STATE, AND HER LIQUOR HAS ELEVATED THAT TO ANOTHER POINT. GROWING UP, I DEALT WITH PEOPLE WHO DRANK TOO MUCH, WHO HAD PROBLEMS WITH ALCOHOL AND GOT OUT OF CONTROL. IT'S A REALLY BAD THING TO WITNESS AS A KID, AND I DON'T INTEND TO DEAL WITH IT AS AN ADULT. - YOU DON'T GIVE A [bleep]. AND NOBODY ELSE GIVES A [bleep]. - THAT'S NOT FAIR FOR YOU TO SAY. - NO, YOU DON'T GIVE A [bleep]. YOU DON'T GIVE A [bleep]. - THAT'S NOT FAIR. - GENEVA. GENEVA. - I'M JUST TRYING TO MAKE SURE SHE DON'T START SWINGING. - COMING UP... - NO! GIVE ME THE [bleep] DOOR! - NO! NO. - WHAT IS WRONG WITH YOU? OH, MY GOD! OH, MY GOD! - GENEVA. - I'M JUST TRYING TO MAKE SURE SHE DON'T START SWINGING. - NOT FAIR FOR YOU TO SAY. - I THOUGHT YOU WOULD GIVE A [bleep] [bleep]. - WHY DO YOU SAY THAT I DON'T? - BECAUSE YOU SITTIN' HERE WITH YOUR LEGS CROSSED, LIKE-- - MICA, I HAVE TO PEE LIKE A [bleep] RACEHORSE. I WOULD RATHER STAND HERE AND TALK WITH YOU THAN TO LEAVE YOU TO GO TO USE THE RESTROOM. - [sighs] JESUS. I CAN'T TAKE IT. - OH, BOY. WHERE GENEVA GOING? - GENEVA-- - MICA, WHAT'S WRONG? - GENEVA, SERIOUSLY, CHILL. - GENEVA. - GENEVA. - JUST CHILL. - I'M JUST ASKING WHAT'S WRONG. - GENEVA, I ASKED YOU RESPECTFULLY-- JUST DO ME A FAVOR AND JUST STAY OVER THERE. JUST-- - BRIE, YOU'RE BEING AN ENABLER. IT'S BRIE'S NATURE TO WANT TO HELP, BUT SHE IS BEYOND OUR HELP. SHE NEEDS A PROFESSIONAL'S HELP. WE NEED TO JUST GO. WE HAVE BEEN HERE ALL DAY. WE'RE HUNGRY. - [bleep] YOU! - DON'T EVEN-- - YOU ARE THE MOST INSENSITIVE [bleep] HUNGRY *** I HAVE EVER [bleep] MET IN MY LIFE. - ALL RIGHT, BABE. - WHERE'S THE [bleep] CAB? - DETOX, DEAR, DETOX. - GENEVA! - WHAT IS SHE DOING? - SHE'S GOING IN. - DETOX. MICA, YOU BETTER NOT COME OVER HERE. - MICA, CALM DOWN, SERIOUSLY. - MICA, CALM DOWN. CALM DOWN, SWEETIE. - I'M NOT GOING OVER THERE. YOU CAN LET ME GO. I'M NOT GOING NEAR THERE. - NOBODY WISHES ILL ON YOU, SWEETIE. MM-MM. - WHAT WERE YOU SAYING WHILE I WAS WALKING OUT? - DETOX. AT SOME POINT, YOU HAVE TO BE HONEST WITH PEOPLE. SHE HAS A PROBLEM WITH ALCOHOL, FOR REAL. DON'T SHOW OUT, MICA. - OH, 'CAUSE YOU DON'T DRINK, RIGHT? - DON'T SHOW OUT, MICA. - EXCUSE ME! YOU ARE IN SOMEBODY'S HOUSE. HAVE YOU LOST YOUR MIND? YOU ARE IN SOMEBODY'S HOUSE! YOU ARE IN SOMEBODY'S HOUSE! - [squealing] - BRIE-- - YOU ARE IN SOMEBODY'S HOUSE! - WHOO! - IT'S ABOUT TO GO DOWN. IT'S UNRAVELING, DEAR, AT YOUR HOME. - YO, YOU AIN'T GOT NO *** HOME TRAINING. I'M SORRY. YOU ARE IN SOMEBODY'S HOUSE. MICA, YOU NEED TO STEP OUTSIDE. I'M REALLY SORRY ABOUT YOUR FATHER, BUT ENOUGH IS ENOUGH. SHE NEEDS TO GET IN A CAB, AND SHE NEEDS TO GO HOME, AND SHE NEEDS TO DO IT NOW. - I KNOW THESE PEOPLE BETTER THAN YOU. - THAT DOESN'T MATTER-- - I'M BRINGING THE REAL [bleep]. - AND I WOULDN'T DISRESPECT THEM-- - THE REAL [bleep] IS, YOU BROUGHT THE DRAMA. YOU BROUGHT THE DRAMA. I WOULD NEVER BRING THIS TO A HOUSE OF PEOPLE I ALREADY KNOW. - BABY, I PRAY FOR YOU. I PRAY FOR YOU. NAMASTE. NAMASTE. - AND I'LL PRAY FOR YOU TOO. AND I'LL PRAY FOR YOU TOO. - I HAVE NO PART IN THIS. - YOU NEED TO GO. LISTEN, WHAT YOU WON'T DO IS CATCH ME OFF-GUARD. I HAD TO COME OUT OF THE LOUBOUTINS, HONEY, AND PUT ON MY SANDALS BECAUSE I NEEDED TO MOVE QUICKLY. YOU NOT GONNA CATCH ME IN MY RED BOTTOMS, HONEY. BRIE, YOU NEED TO COME AND DEFUSE AT YOUR HOME. - OKAY, BABY. AND LIKE I SAID-- DETOX. - YEAH, ***, AND HOW ABOUT... - I HAVE NOTHING TO SAY. I TRIED TO HELP HER, BUT NOW I'M PISSED. WE HAVE LONG-STANDING, DEEP ROOTS IN THIS NEIGHBORHOOD. THIS IS AN EMBARRASSMENT. - I'M DONE. [bleep] ALL Y'ALL. - OH, MY GOD. HOW MANY TIMES IS SHE GONNA SAY THAT? [bleep] GO HOME, THEN. - I KNOW SHE NOT COMING UP IN HERE. - SHE JUST WALK IN MY [bleep] HOUSE? LOCK THAT DOOR. [latch clicks] NOBODY! NONE OF Y'ALL. - THE DOOR! - NAH, NAH. CHILL, CHILL, CHILL, CHILL, CHILL, CHILL, CHILL. - NO! GIVE ME THE [bleep] DOOR! - OH, MY GOD! WHAT IS WRONG WITH YOU? - YOU! - OH, MY GOD! OH, MY GOD! - MICA! - OH, MY GOD. - MICA, MICA! - OH, MY GOD. - MICA, MICA, YOU'RE NOT COMING IN THE HOUSE. - I WILL NOT. I WILL NOT. I WILL NOT. I WILL NOT. THIS CRAZY *** DONE RAN UP IN BRIE'S HOUSE. THIS CHICK IS LITERALLY TRYING TO BREAK DOWN THE DOOR. THIS IS THE KITCHEN. LIKE, THIS IS WHERE THE KNIVES AND THE HEAVY PANS ARE. AND HAVE YOU EVER SEEN, LIKE, A HORROR FILM? BLACK PEOPLE ALWAYS GO FIRST. LIKE, THIS IS NOT HAPPENING ON MY WATCH. LIKE, I-- THIS IS NOT HOW I'M GOING OUT. - MICA, MICA, YOU'RE NOT GOING IN THE HOUSE. MICA, YOU'RE NOT GOING IN THE HOUSE. - MY [bleep] FATHER PASSED AWAY LAST NIGHT, AND THEY THINK IT'S [bleep] FUNNY. THEY THINK-- THEY THINK IT'S FUNNY. MY FATHER PASSED AWAY AT 12:45 A.M., AND THEY THINK IT'S FUNNY! [crying] WHY? BECAUSE THEY'RE [bleep]-- THEY THINK THAT [bleep] IS FUNNY. - I JUST CAN'T BELIEVE THAT SHE WOULDN'T HAVE TOLD US THAT. I CAN'T BELIEVE THAT SHE CAME TO THE HOUSE, AND SHE DIDN'T TELL US THAT HER DAD HAD DIED. - MY FATHER PASSED AWAY. I DIDN'T EVEN WANT TO BRING IT UP. [sniffs] I WANTED TO FORGET AND HAVE A GOOD TIME WITH YOU GIRLS AND JUST, LIKE, ENJOY... [sniffs] THE HAMPTONS AND HAVE FUN. [sniffling] I'M IN THE CAR, AND THE DOCTOR CALLED AND SAID, "YOUR DAD PASSED AWAY, 12:45 A.M." [sniffs] I WAS TOTALLY IN SHOCK, AND I JUST WANTED TO HAVE AN EVENING WHERE I COULD DEAL WITH IT IN MY OWN WAY. I JUST DIDN'T EXPECT TO WALK INTO AN AMBUSH, WHICH IS WHAT IT WAS. - ARE YOU OPEN TO TALKING OR NO? - OF COURSE I'M OPEN TO TALKING TO YOU. - THEN WALK WITH ME AND TALK WITH ME. PLEASE? I'M SERIOUS. WALK WITH ME. - SHE'S GOING CRAZY! THE CAB IS OUTSIDE. JUST GET HER IN THE CAB! - LISTEN, WE ARE HERE. WE ARE BEING ENTERTAINED. - I SHOULD HAVE HELD ON TO MY SUITCASE LIKE-- - WE ARE BEING ENTERTAINED. LISTEN, I TOLD YOU. - LOOK-- - MY POCKETBOOK AND MY MILK DUDS. WE WILL NOT DEPART. - MICA, COME HERE. SERIOUSLY? I HAVE KNOWN YOU WAY TOO LONG FOR YOU TO NOT KNOW THAT I CARE ABOUT YOU. - [sniffling] - COME OVER HERE. 'CAUSE YOU KNOW THAT I'VE KNOWN YOU THE LONGEST, AND I LOVE YOU TO DEATH. DESPITE EVERYTHING AND ANYTHING, YOU KNOW THAT I LOVE YOU. - SHE'S COMING. GIVE HER A SECOND, OKAY? ALL RIGHT. THANKS. - IT WAS A [bleep] SHOW. - I WOULD NEVER DO THIS TO YOU, BRIE... - LISTEN TO ME. - EVER. - I DIDN'T KNOW THAT YOUR FATHER PASSED AWAY, AND I'M VERY SORRY THAT YOUR FATHER PASSED AWAY. AND YOU KNOW--LOOK. YOU KNOW THAT I WOULD NEVER EVER, EVER, EVER, EVER SAY ANYTHING OTHER THAN, "I LOVE YOU," "I'M SORRY," AND, "I'M HERE FOR YOU." AND YOU KNOW THAT, AS A FRIEND. AND DON'T YOU EVER QUESTION MY FRIENDSHIP TO YOU, 'CAUSE YOU KNOW THAT I'M A FRIEND TO YOU. I HAVE BEEN A VERY GOOD FRIEND TO YOU. - I'M NOT DOING THIS ANYMORE. - NO. - YOU SHOULD HAVE. - IT'S ALL RIGHT. THE CAR'S OUTSIDE. TAKE YOU BACK. AND WE'LL SEE--SPEAK TO YOU TOMORROW, OKAY? WHERE'S THE CAB? - IT'S IN FRONT. GIVE ME A HUG BEFORE YOU GO. - [sniffs] BYE. - BYE. - I'M MAD AT THEM, AND I'M MAD AT MYSELF. BECAUSE I'M LIKE, WHY WOULD I EVEN TAKE THE TIME TO COME OVER HERE WHEN THESE GIRLS, THEY DO NOT GIVE A DAMN. YOU ALL HAD THE SAME ENERGY, WHICH IS, "WE DON'T LIKE YOU, AND WE'RE GONNA MAKE YOU MISERABLE." - IT WAS A [bleep] SHOW. - THAT SOUNDED LIKE A CAB DOOR CLOSING. - THE HARDER YOU FALL. - JUST SO YOU GUYS KNOW, AT 12--12:45 A.M., MICA'S DAD PASSED AWAY. - I DON'T--THAT'S-- NO, NO, NO. THAT'S NO [bleep] EXCUSE. DON'T TELL ME THAT. THAT'S NO [bleep] EXCUSE. - I JUST WANT TO LET YOU KNOW. - THAT'S VERY UNFORTUNATE, BUT THAT'S NO [bleep] EXCUSE TO ACT LIKE THAT. FRIENDS DON'T ACT LIKE THAT. - THANK YOU. - FRIENDS DON'T COME TO YOUR HOUSE AND MAKE A *** SCENE. - SHE'S NOT EVEN FRIENDS-- OF COURSE MY HEART GOES OUT TO HER. MY MOM AND DAD ARE MY EVERYTHING, SO I CAN'T IMAGINE LOSING A FATHER. BUT THERE IS NO EXCUSE, NO EXCUSE, FOR THAT KIND OF BEHAVIOR. LIKE, YOU CAN'T JUST BE, LIKE, GOING RAMBO AT SOMEBODY HOUSE. - SHE'S ON HER WAY BACK-- - BRIE, HONEY, I APPRECIATE YOUR HOSPITALITY. I'M THINK I'M GONNA HEAD BACK TO NEW YORK TONIGHT. - MM-MM. - YEAH. I THINK THAT'S BEST FOR ME. I THINK THAT'S BEST FOR ME. - WHY? - 'CAUSE THAT WAS-- THAT WAS A LOT. AND I JUST NEED TO-- I NEED TO BE IN MY OWN. I'M JUST SUPER STRESSED AND OVERWHELMED. THAT FLIP-OUT-- IT WAS VIOLENT. IT WAS CRAZY. LIKE, IT'S BEEN A LONG TIME SINCE I SEEN SOMEBODY ACT LIKE THAT. - THAT CHICK REALLY TRIED TO BREAK IN THE DAMN HOUSE LIKE SHE WAS RAMBO. - [laughing] - WHOO! - THIS AIN'T NO FLOYD MAYWEATHER FIGHT. WE DON'T NEED TO DO RECAPS ALL NIGHT. - COMING UP... - GUYS PRACTICALLY HUMP MY LEG IN THE PHOTO. I DON'T WANT TO BE ME ANYMORE. I WANT TO WAKE UP AND BE SOMEBODY ELSE. - WHOO! THIS DRESS IS TIGHT! THESE HEELS ARE SO HIGH, I'M GOING TO DIE. - HEY! - HELLO. MELYSSA. BE CAREFUL GETTING UP THE STEPS. - YOU KNOW I LOVE A GOOD RUNWAY. OKAY, SO THIS IS THE SECTION? - YES. - YES, THAT'S YOU. - AWESOME. PERFECT. WONDERFUL. - SO WE'VE GOT ABOUT 400 PEOPLE COMING OUT. I MEAN, IT'S GOING TO BE POPPIN' ALL NIGHT. - AWESOME. THANK YOU. THANK YOU. - WE'RE, LIKE, READY FOR OUR CHRISTMAS PORTRAIT. RED AND GREEN. - [laughing] - ALL WE NEED IS SANTA. - I'VE BEEN PAID TO BE THERE BECAUSE PEOPLE WANT TO TAKE PHOTOS. THEY WANT TO SIT AND CHAT. IT'S PART OF WHAT COMES ALONG WITH FAME. SEVERAL YEARS AGO, I WOULD SOMETIMES BE IN SIX STATES IN SEVEN DAYS. I WOULD GO, COLLECT MY MONEY, JUMP ON A PLANE. THAT WAS IT. - OH, HELLO. - HELLO. - THE ***. - [laughs] NOW, IT'S NOT AS EASY FOR ME TO COMMAND THE SAME PAYCHECK AS I WAS GETTING WHEN, EVERY TIME YOU TURNED AROUND, I WAS ON THE COVER OF A MAGAZINE. [whispering] BOY, THOSE WERE THE DAYS. - CHEERS TO YOUR PARTY! - IT'S GONNA BE POPPIN' TONIGHT. [mellow dance music] ♪ ♪ I NEED SOMEBODY. I NEED SOMEBODY TO PAY ATTENTION TO ME. - THIS ROOM IS EMPTY. I DON'T KNOW WHAT KIND OF PARTY IT IS, BUT IT'S A PARTY. - MELYSSA? SOME OF YOUR FANS WHO WOULD LIKE TO TAKE PICTURES WITH YOU ARE DOWN. - IS IT TIME FOR YOUR PHOTOGRAPHS? - COME SAY HELLO. OH, WOW. KILL THAT. KILL THAT! YOU READY? COME ON, DEAR. DON'T FREAK OUT. - YEAH, YEAH. - IT'S ALL GOOD. - NO, NO, NO. IT'S NOT THAT. IT'S THE HEELS. - OH, OKAY. WELL, I'LL WALK WITH YOU REAL SLOW. - OKAY. HI! NICE TO MEET YOU. HOW ARE YOU? THANK YOU. YOU ARE BASICALLY SELLING YOURSELF, AND YOU FEEL THE NEED TO LIVE UP TO THE PERCEPTION THAT THEY ALL HAVE OF YOU. DO YOU WANT TO... - RIGHT OVER HERE. - STEP AND REPEAT? - YES, STEP AND REPEAT. - OKAY, PERFECT. - YES. - COME ON! I DO THINK MELYSSA IS IN CONFLICT, BECAUSE I DON'T THINK REAL ESTATE AGENTS, LIKE, HOST PARTIES FOR MONEY. I THINK SHE JUST SOMETIMES LETS WHAT PEOPLE THINK ABOUT HER AFFECT HER PROGRESS, AND SHE HAS TO REALLY ESTABLISH THAT, "IT'S NOT ABOUT MY BODY ANYMORE. IT'S NOW ABOUT MY BRAIN." - I WAS TOLD I HAD TO TAKE A PICTURE WITH YOU, RIGHT? - YES. WELL, I MEAN--I MEAN-- - WHICH WAY YOU WANT ME? - DO YOU THINK HE WAS ABOUT TO KISS HER? - YEAH. - SHE'S LIKE, "NO, DON'T KISS ME ON THE LIPS." - GUYS PRACTICALLY HUMP MY LEG IN THE PHOTO. IT MAKES ME UNDERSTAND THAT, TO HIM, I AM ONE-DIMENSIONAL. I'M THAT PIECE OF PAPER ON HIS WALL. IN THE END, I NEED THE MONEY. BUT IT'S NOT A HABIT THAT I WANT TO CONTINUE WITH. BRIAN...GOOD? YES? OKAY? ALL RIGHT. [line ringing] - HEY, BABE. - HEY. - HOW YOU DOING? - UM, I'M OKAY. BETTER NOW. LAST NIGHT WAS A COMPLETE, UH, DISASTER. - IT WAS JUST LIKE AN AMBUSH. - I AM SORRY THAT HER FATHER HAS PASSED AWAY. - NO, ME TOO, AND I-- - I AM GENUINELY SORRY. BUT IT'S NOT AN EXCUSE FOR HER BEHAVIOR. - NO, IT'S NO EXCUSE. THAT'S NO EXCUSE. TO MAKE AN ABSOLUTE MOCKERY OF MY FAMILY-- IT BREAKS MY HEART. OF ALL OF THE GIRLS, I'VE ACTUALLY KNOWN MICA THE LONGEST. MICA AND I HAVE HAD SOME GREAT TIMES TOGETHER, SO I NEVER EXPECTED THAT MICA AND I WOULD EVER END UP IN A SCREAMING MATCH THE WAY THAT WE DID. I'VE NEVER BEEN SO LET DOWN BY A FRIENDSHIP. SHE WAS TELLING ME THAT, LIKE, I'M NOT A FRIEND, AND I DON'T MATTER. AND THEN, WHAT SHE SAID TO YOU, LIKE, THAT INSULT, LIKE, THE WESLEY SNIPES THING. - MICA HUGHES IS TRASH TO ME. TRASH. HONEY, CALL ME A ***, CALL ME EVERY NAME BUT GENEVA S. THOMAS. THE WESLEY SNIPES COMMENT, I'M NOT SO SURE WHAT SHE MEANT BY THAT. DETOX. - YEAH, ***, AND HOW ABOUT-- - WERE YOU TRYING TO MAKE A COMMENT ON ME BEING A DARK-SKINNED PERSON? ARE YOU TRYING TO SAY THAT I'M NOT ATTRACTIVE? IF WESLEY SNIPES LOOKED THIS GOOD, CHILD, I DIDN'T KNOW. - I HAVE SAID TIME AND TIME AGAIN, "SHE DOESN'T HAVE A PROBLEM. SHE JUST CAN'T HANDLE HER LIQUOR." WE ALL KNOW SHE HAS A PROBLEM. - IT'S COME TO A POINT WHERE YOU HAVE TO STOP BEING HER ENABLER. - WELL, EXACTLY. I KNOW-- - YOU CAN'T TRUST A DRUNK. - EXACTLY. - SHE'S AN ALCOHOLIC. LOOK, WE JUST NEED TO COME TO TERMS WITH THAT. - GENEVA--SHE'S YELLING, "DETOX. DETOX. DETOX." AND I LOOKED OVER AT HER-- - SHE'S YELLING, "DETOX." - YOU CAN CALL ME DRUNK, DETOX-- GUESS WHAT? I CAN DRINK WHEN I WANT. I CAN STOP DRINKING WHEN I WANT. BUT YOU GONNA ALWAYS LOOK LIKE WESLEY SNIPES. GOOGLE IT. CHECK OUT THE BANGS AND THE RED LIPSTICK. IT'S TO WONG FOO. AND YOU KNOW BRIE. SHE DIDN'T STRIKE ME AS THIS TYPE OF A JUDGMENTAL PERSON. SHE'S HANGING AROUND THESE GIRLS. - SHE SHOULD HAVE BEEN NEUTRAL, IF ANYTHING. NEUTRAL. - I DON'T KNOW WHAT I'M GOING TO DO. I'M JUST GOING TO THINK ABOUT THAT. - I'M GOING TO WISH HER THE BEST, FROM A DISTANCE. I HOPE SHE DON'T GET HIT BY A BUS. GOOD LUCK. - OH, GOD, NO. - YOU KNOW? BUT I CAN'T ASSOCIATE WITH HER. I CANNOT BE BOTHERED. - I DON'T WANT TO ASSOCIATE WITH HER AFTER WHAT HAPPENED YESTERDAY. HONESTLY, I DON'T NEED TOXIC PEOPLE IN MY LIFE. SO NOT ONLY DO I NOT KNOW IF WE CAN RECOVER FROM THIS, I DON'T REALLY KNOW IF I WANT TO. THE ONLY WAY THAT I ENVISION MYSELF EVER SPEAKING TO MICA AGAIN IS IF SHE WERE TO CALL ME AND SAY, "BRIE, PLEASE, WILL YOU GO WITH ME TO TAKE ME TO AN A.A. MEETING?" - WHAT CAN I GET FOR YOU? - A GRIGIO, PLEASE? - SURE. - OKAY. - I'LL BE BACK WITH IT. - GREAT. THANK YOU. HI, DR. DYSON. - OHH! HEY! - HOW ARE YOU? - MM. GOOD TO SEE YOU, BABY. - IT'S GOOD TO SEE YOU TOO. - OH, MY GOD. YOU LOOK GORGEOUS. - THANK YOU! I MET DR. DYSON BECAUSE WE WERE ON A PANEL TOGETHER TALKING ABOUT CHAUVINISM AND MISOGYNY IN THE URBAN MUSIC INDUSTRY. I LOVE THAT YOU ALWAYS MAKE SOME TIME FOR ME. - GOT TO GO SEE THE PRESIDENT TOMORROW, HANG OUT A LITTLE BIT, YOU KNOW? - OH, YEAH. OKAY. WELL, I-- - BUT, YOU KNOW, BEFORE OBAMA, MELYSSA FORD. - ESPECIALLY WHEN I'M FEELING, LIKE, UGH. HE HAS BEEN MY MENTOR FOR ABOUT SIX OR SEVEN YEARS. I REGULARLY CALL ON HIM WHENEVER I'M EXPERIENCING A LOW POINT IN LIFE, JUST BECAUSE HE OFFERS A SENSE OF POSITIVE REINFORCEMENT. OH, THANK YOU SO MUCH. THE ENTERTAINMENT INDUSTRY HAS EXHAUSTED ME. I'M TIRED. AND I DO NOT, YOU KNOW, THUMB MY NOSE AT IT. - RIGHT. - I'M VERY GRATEFUL. BUT AT THE SAME TIME, PEOPLE ONLY SEE ME AS THIS ONE-DIMENSIONAL PIECE OF PAPER ON THE WALL. - YEAH. YEAH. - AND I'M LIKE, "WHEN ARE YOU GONNA LET ME GROW OUT OF THAT?" - WELL, WE KNOW IT'S SEXIST, AND IT'S GENDERED. WE KNOW THAT WOMEN ARE OFTEN TRAPPED IN THE ROLES THAT THEY WERE FORCED TO OCCUPY AND THEN SECONDLY, THAT THEY EARLY TOOK ON TO HUSTLE AND MAKE ENDS MEET. AND IF YOU'RE NOT A HUSTLER, YOU'RE NOT ANYTHING. AND "HUSTLER" IN THE GOOD SENSE. - I KIND OF FEEL LIKE AN ELEPHANT BEING STUFFED INTO AN ENVELOPE WITH THE LABEL OF "VIDEO MODEL" OR "VIDEO ***." THERE'S NO SHAME BEHIND IT, BECAUSE I DIDN'T DO ANYTHING TO BE ASHAMED OF. I WAS A UNIVERSITY STUDENT AT THE TIME, AND I'M STANDING NEXT TO JAY Z ON A $3-MILLION YACHT, AND I'M MAKING ALL THIS MONEY. I DARE YOU TO SAY YOU WOULDN'T DO THE SAME THING. BUT IT WAS TEN YEARS AGO. I'D LOVE TO HAVE MY PERSONA GROW IN PERCEPTION AS MUCH AS I HAVE. - FIVE MINUTES AFTER MEETING YOU, ANY MAN WORTH HIS SALT KNOWS, "SHE'S GOT A LOT MORE DEPTH. SHE'S GOT A LOT MORE SUBSTANCE." - I FEEL LIKE I'M A WASTE. - OH, NO. - I'M, LIKE, A WASTE OF A BRAIN. I FEEL LIKE I'M A WASTE-- - ARE YOU KIDDING? - I FEEL LIKE I'M A WASTE BECAUSE I CAN'T-- - NO. - I JUST CAN'T--CAN'T. CAN'T. - BUT YOU'RE DOING SO MUCH. LOOK AT YOU. - SORRY. - DON'T BE SORRY. DON'T APOLOGIZE. - IN ALL HONESTY, SOMETIMES, I DON'T WANT TO BE ME. I DON'T WANT TO BE ME ANYMORE. I WANT TO WAKE UP AND BE SOMEBODY ELSE. - ALL OF US FEEL THAT. ALL OF US HAVE THAT FANTASY THAT THE GRASS IS GREENER ON THE OTHER SIDE. BUT WHEN YOU LOOK AT PEOPLE WHO "HAVE IT TOGETHER," THEY'VE ARRIVED THERE. I'M 54 YEARS OLD. THERE ARE SOME THINGS I'M JUST NOW LEARNING. I'M GOING, LIKE, "OH! RIGHT!" - REALLY? - OH, ABSOLUTELY. - FOR THE LAST 13 YEARS, EITHER IT'S REALLY, REALLY GOOD, OR IT'S REALLY, REALLY BAD. I THINK I'M LOOKING FOR STABILITY. I THINK THAT SHOWS MATURITY AND GROWTH AND OLD AGE. I'M TRYING MY HAND AT REAL ESTATE. - RIGHT. RIGHT. - AND I REALLY, REALLY LIKE IT. IT IS VERY, VERY TOUGH. MY FEET ARE LOOKING PRETTY INTERESTING THESE DAYS. - THEY STILL LOOK GOOD. I SAW 'EM. THEY LOOK GOOD. - BUT... I WANT TO MAKE A CAREER BASED ON MERIT AND HARD WORK. - YOU'RE AN EXTRAORDINARY PERSON. I'VE BEEN TEACHING 20 YEARS. I GOT A PhD FROM PRINCETON. I THINK I KNOW WHAT I'M TALKING ABOUT. YOU'VE GOT TO BELIEVE THAT THE PATH YOU'RE ON IS THE PATH GOD WANTS YOU TO BE ON, AND YOU CANNOT DOUBT YOURSELF. - COMING UP... - YOU'RE SO UNFORGIVEABLE. THAT'S MY FAMILY'S HOME. - I JUST EXPECT SOME LEVEL OF COMPASSION. - SO THE LINE'S DRAWN IN THE SAND. - THERE IT IS. - DAISY, I'M FINDING YOU A HUSBAND TONIGHT. - OH, DID THEY INVITE AFRICANS? - [laughing] I THINK THERE MIGHT BE A FEW. - HAKEEM? OLA--OLAJUKAWAY? - [laughing] - [clicking tongue] I DON'T ALWAYS DATE AFRICANS, BUT THEY LOVE ME, AND I LOVE THEM. WE JUST--WE JUST MESH WELL TOGETHER. DO YOU GO, LIKE, FRICKA-FRICKA, FRICKA-FRICKA-FRESH? - NO, SIR. NO, SIR. - OH, YOU'RE GONNA BE SCRATCHING TONIGHT. - WANT TO TRY? WANT TO TRY? - YAY! I DO. ♪ IF YOU GOT A WEAVE IN YOUR HAIR, SAY AHH ♪ FOR A LONG TIME, I JUST FELT LIKE I WAS GONNA MARRY AN AFRICAN. MY CHILDREN WOULD HAVE AFRICAN NAMES. I'D GET BACK A DOWRY. BUT WE'LL SEE. WELL, MAY THE BEST ONE WIN. [door alarm trills] - COMING! - HI! - HI! - MAY I GIVE YOU MY SCARF, DARLING? - YES. - RED OR WHITE? WANT RED? - I'M RED, DARLING. - YEAH, OKAY, RED. - THE THREE MUSKETEERS ARE BACK AGAIN. - [laughs] I KNOW! - YES, GIRL! YES! - YOU'RE A HEAVY POURER, NO? HEAVY POURER. - CHEERS, GIRLS! - CHEERS. - CHEERS. - CHEERS. - WHAT'S GOING ON, GIRLS? - WE PARTIED AND PRETTIED. - YEP. - PRETTIED AND PARTIED. - I SHOULD HAVE PARTIED AND PRETTIED TOO. - WHAT HAPPENED? - OKAY, SO ON THE WAY OUT, I DIDN'T TELL YOU THAT ACTUALLY MY FATHER HAD PASSED THAT MORNING. - WOW. I'M SHOCKED. SHE'S KIND OF CALM, SO I'M TRYING TO BE CALM, WHERE I REALLY WANT TO BUST OUT CRYING. MICA IS STRONG. - SO WHEN I GET OUT THERE, OF COURSE, I'M KEEPING THIS TO MYSELF, BECAUSE I'M LIKE-- I WANT TO RELAX. AND YOU KNOW ME. I'M LIKE, "HEY, GIRLS!" FIRST THING I GET FROM BRIE IS, "SHHHH!" - BUT WHY WAS SHE SAYING THAT? WAS SOMEONE PRAYING AND-- - LET ME FINISH. - OKAY, SORRY. SORRY. - THEN GENEVA AND DEMETRIA, THEY CAME AT ME HARD. - NO, WAIT. I'M SORRY. DID I MISS SOMETHING? LIKE, WHY ARE THEY BEING, LIKE, MEAN GIRLS? - WERE THEY AWARE THAT HE PASSED? - THEY KNEW HE WAS TERMINALLY ILL. - RIGHT, YEAH. WE-- - JUST AS YOU ALL DID. - WE ALL DID. - WHAT GOT INTO THESE GIRLS? - IT WAS AN AMBUSH. I'M LIKE, "YOU KNOW WHAT? "I AM OUT OF HERE. I'M NOT DEALING WITH THIS [bleep]." - THIS IS ALL ON NIGHT ONE? - GENEVA IS LIKE, "DETOX, ***! DETOX!" - [gasping] - YEAH. - WHAT? - WHICH SENT ME INTO A WHOLE DIFFERENT LEVEL. - OH, SHE'S OUT OF LINE. THAT IS COMPLETELY UN-- - BECAUSE I'M ALREADY EMOTIONAL. - MICA. - I SAW RED WHEN THEY WERE JUST BEING NASTY. - I HAVE NOTHING BUT SYMPATHY FOR MICA. I'VE BEEN IN THAT SITUATION WHERE I'VE LOST A PARENT. YOU PRETTY MUCH LOSE YOUR BEARINGS AS TO WHAT'S GOING ON. - THE BOTTOM LINE IS THAT EVERYONE WAS AWARE OF YOUR SITUATION WITH YOUR FATHER... - AND THAT'S THE BOTTOM OF IT. - AND THAT UPSETS ME. GUESS WHAT? IF YOU WANTED TO BE DRUNK ALL NIGHT, THAT WOULD BE UNDERSTANDABLE. - I CAN DO WHAT THE HELL I WANT TO DO! - OH, WELL! OH, WELL! - AND SHE'S ALWAYS DRINKING! SHE IS GLASS FOR GLASS EVERY TIME I'VE BEEN WITH HER. - WE ALWAYS DRINK! - AND EVEN MORE! - YEAH! GENEVA, I AIN'T NEVER SEEN YOU SIPPIN' WATER WHEN WE'RE SIPPIN' WINE. - SOMETIMES YOU JUST WANT TO SLAP SOMEBODY. SOMETIMES. ALL THE TIME. I'M VERY SORRY THAT THAT HAPPENED TO YOU, BECAUSE I THINK IT WAS REALLY RUDE AND UNCALLED FOR, AND THEY ALL OWE YOU AN APOLOGY. - I AM MOST CONFUSED BY BRIE. WTF? - DID SHE APOLOGIZE TO YOU? - BRIE SAT THERE LIKE THIS. LIKE, SHE WAS JUST, LIKE, DEER IN A HEADLIGHT. - HAS SHE TRIED TO CONTACT YOU SINCE? - NO. - [gasps] - NOT A DAMN WORD. SILENCE. - I WANT TO CALL HER RIGHT NOW. I'M REALLY UPSET WITH BRIE. - YEAH, CALL HER. - CALL HER. - I-I DIDN'T-- - IT'S ON SPEAKER. HOLD ON. - I CAN GO HOME. - HEY, BRIE. - DAISY DOES PUT HER ON SPEAKERPHONE. MM, WHOOPS. [laughing] - HOW ARE YOU? - GOOD. HOW WERE THE HAMPTONS? - HOW--HOW COULD THE HAMPTONS BE STRESSFUL? THAT'S SUPPOSED TO BE PURE BLISS. - FROM MICA? - I DON'T KNOW WHO BRIE IS ANYMORE. I EXPECT CERTAIN THINGS FROM HUMAN BEINGS. WHEN SOMEONE LOSES A MOTHER OR A FATHER, I JUST EXPECT SOME LEVEL OF COMPASSION. - I MEAN, I JUST-- I FEEL CONFUSED BECAUSE IT'S, LIKE, YOU AND MICA HAVE KNOWN EACH OTHER FOR THE LONGEST OUT OF EVERYBODY, YOU KNOW? - WAH-WAH-WAH, WAH-WAH-WAH. WAH-WAH-WAH. WAH-WAH-WAH, HAMPTONS, MICA, WAH-- I'M, LIKE... [sighs] MICA'S STORY WAS MUCH SHORTER THAN THIS. - OKAY, CIAO. BYE-BYE. - 30 MINUTES AND 28 SECONDS LATER, THEY WANT YOU TO GO TO REHAB. - OH, GIRL. WHAT THE HELL IS WITH THESE THREE WANTING TO POLICE EVERYBODY'S BEHAVIOR FOR? - RIGHT. - 'CAUSE THEY'RE THE BUTTON-UPS. - THE BUTTON-UPS. - [laughs] - THEY'RE THE BUTTON-UPS. - I THOUGHT WE WERE ALL IN THE SANDBOX, PLAYING TOGETHER. BUT NOW IT SEEMS LIKE GENEVA, DEMETRIA, AND BRIE ARE ON ONE SIDE, AND THEN THERE'S ME, MELYSSA, AND MICA. - SO THE LINE'S DRAWN IN THE SAND. - THERE IT IS. - THIS IS SOME NEW FALL STUFF. WE GO FROM FLATS ALL THE WAY TO 6-PLUS-INCH HEELS. - LOVE IT. GENERALLY, FOR MEMORIAL DAY WEEKEND, YOU WANT THE HOLIDAY TO BE, LIKE, FOREVER. BUT I AM SO HAPPY, AT THIS POINT, JUST TO BE BACK IN NEW YORK. - HELLO! - HI, HONEY! - HI, SWEETIE. HOW ARE YOU? - WELCOME TO RUTHIE DAVIS. THIS IS MY FRIEND DEMETRIA. THIS IS RUTHIE DAVIS HERSELF. - HOW ARE YOU? IT'S A PLEASURE. I AM IN HEAVEN. OH, MY! - YES. - HELLO, LOVERS. HELLO! SHE'S VERY NAUGHTY, BUT SHE'S ALSO A LADY. - YEAH, THAT'S A GREAT WAY TO SAY IT. I LIKE THAT. AND THIS IS HER COUSIN, WHO I THINK IS JUST PLAIN NAUGHTY. - WHOO! - OH, YEAH, THE SPIKES. YEAH, THAT'S CUTE. THAT'S FOR LATE NIGHT. I DON'T KNOW IF I COULD GET OUT THE HOUSE IN THOSE. - YEAH. - GREG MIGHT BE LIKE, "COME ON BACK." I'M NOT, LIKE, A WANNABE CARRIE BRADSHAW OR ANYTHING, BUT, YOU KNOW, SISTER LIKES A GOOD SHOE. I CAN'T EVEN WALK IN THESE. I CANNOT WALK IN THESE. - YOU CAN. GO AHEAD. - NO. - TAKE A WALK. - NO, I WILL FALL OFF. I'M, LIKE, WALKING LIKE A LITTLE PIGEON. I'VE GOT, LIKE, BIG THINGS COMING UP. I MEAN, THERE'S, LIKE, THE-- - YEAH. - THERE'S THE POLO CLASSIC, WHICH I'M SUPER, SUPER EXCITED ABOUT. - AND WE HAVE V.I.P. ACCESS. THE VEUVE CLICQUOT POLO CLASSIC IS AN ANNUAL EVENT. GENERALLY, TICKETS SELLS OUT VERY FAST. I, HOWEVER, HAVE AN INSIDE HOOKUP, AND I CAN GENERALLY GET TICKETS EVERY YEAR FOR ME AND MY FRIENDS. I GOT US TICKETS. IT WAS SOLD OUT, BUT I GOT US TICKETS. - SOLD OUT IN A DAY. - GIRL, THAT IS THE FASHIONABLE KENTUCKY DERBY, AND SO, YOU KNOW, I HAVE TO GET MY FASCINATOR AND... - I THINK I'M GONNA KEEP MY HAIR PULLED UP. SO I CAN PUT, LIKE-- - YOU SHOULD! - ALL THAT AND THEN A HAT? - YOU SHOULD GIVE A WHOLE LITTLE COUTURE HAIR MOMENT AND JUST SET THE FASCINATOR RIGHT ON TOP OF YOUR AFRO. JUST ON THE SIDE, HONEY. BE A LITTLE EDITORIAL MOMENT. - JUST, LIKE, BOOP. I NEVER MISS THE POLO CLASSIC. I DON'T REALLY KNOW ANYTHING ABOUT POLO, BUT I LOVE TO SEE WOMEN JUST GET ALL FANCY. AND I THINK HORSES ARE CUTE. - I'M NOT INVITING MICA. SHE WILL NOT BE COMING WITH ME TO THE POLO CLASSIC. I CAN'T BE ASSOCIATED WITH THAT. - I WOULDN'T GO. CHILD, THEY GIVING OUT BOTTLES THERE. - RIGHT. IT'S ALL ABOUT ALCOHOL. AND I THINK THAT IT SHOULD JUST BE YOU, BRIE, AND I. DAISY AND MELYSSA SHOULD ALSO SIT IT OUT TOO. I DON'T HAVE A PROBLEM WITH DAISY AND MELYSSA, BUT THEY'RE LIKE MICA. THEY TEND TO BE... [high-pitched] HI! HOW ARE YOU! OH! [incoherent squealing] IT'S NOT THAT KIND OF EVENT. IT'S REALLY NOT THAT KIND OF CLIENTELE. - WHAT ARE YOU GETTING? - I AM LOVING THESE. WHAT DO YOU THINK? - THOSE ARE CUTE. - CUTE AND DEMURE, RIGHT? - I WOULDN'T CALL A 6-INCH STILETTO WITH A PLATFORM "DEMURE." THIS WAS LIKE SITTING IN A LITTLE SLICE OF HEAVEN. - ISN'T IT? AND AFTER ALL THE THINGS THAT WE'VE GONE THROUGH, HONEY, WE NEEDED TO COME TO-- - WE NEEDED SOMETHING. - THESE WRETCHED SOULS OF LIFE... - COMING UP... - DO YOU THINK THAT IT'S WORTH A CONVERSATION WITH MICA ABOUT THE WAY SHE BEHAVES WHEN SHE'S DRINKING? DOES THIS REQUIRE-- - YOU THINK SHE NEEDS AN INTERVENTION. - "INTERVENTION" IS A STRONG WORD, AND I DON'T LIKE THE WORD "INTERVENTION." - BUT THAT'S WHAT YOU'RE KIND OF INSINUATING. - ARE YOU HAVING A DRINK? I'M GONNA GET A DRINK. - YEAH! - OKAY, GOOD. - WHY WOULDN'T I? - COLD PINOT GRIGIO. - USUALLY IT'S NOT, "ARE YOU HAVING A DRINK?" IT'S... - WHAT ARE WE HAVING TO DRINK? - RIGHT. - THAT'S THE QUESTION. "WHAT ARE YOU HAVING TO DRINK?" - HEY, LADIES. - HI, BRIE! HOW ARE YOU? - HOW ARE YOU? OH, LIKE YOUR DRESS. - GOOD. - YOU LOOK BEAUTIFUL. - THIS LOOKS SO PRETTY. - THANK YOU. - WELCOME TO AQUAMARINE. - THANK YOU. - EXCELLENT. - WE CAN PUT THE WINE ORDERS IN. - ABSOLUTELY. - PINOT GRIGIO. - OKAY, I'LL TAKE PINOT AS WELL. DO YOU WANT-- - YOU'RE IN AS WELL? - NO. I NEED TO GO BACK TO MY OFFICE. SO LUNCH AND THEN BACK TO WORK, SO-- - NO WORRIES. - OH, GIRL, I'M WORKING. - AND I DON'T JUDGE, SO FEEL FREE. - THIS IS NEW YORK CITY. WE DRINK IN THE MIDDLE OF THE DAY. NO ONE CARES WHAT TIME YOU DRINK HERE, AS LONG AS YOU ORDER THEM ONE TOO. - HERE'S TO BEING A FUNCTIONAL ALCOHOLIC. - [laughing] - ABSOLUTELY. - SO WHAT'S UP, BRIE? WHAT'S THE SCOOP? - I GUESS I JUST ASKED YOU GUYS TO MEET WITH ME BECAUSE I SEE A VERY DIFFERENT SIDE OF MICA THAN I'VE EVER SEEN. AND THE MICA THAT I SEE APPEARS TO BE A MICA SPIRALING OUT OF CONTROL. MICA'S FUN WHEN MICA'S...FUN. - "SOBER." IS THAT WHAT YOU WANT TO SAY? SOBER? - NO, 'CAUSE I DON'T REALLY-- NO, BECAUSE MOST TIMES-- - 'CAUSE YOU DON'T KNOW MICA SOBER? - DO YOU KNOW MICA SOBER AT HER APARTMENT? - YEAH, I ACTUALLY DO. - 'CAUSE I DON'T. - I DO. - HONESTLY, I WISH YOU GUYS WOULD HAVE BEEN OUT EAST, 'CAUSE IT WAS OBVIOUS THAT SHE WAS DRUNK WHEN SHE SHOWED UP. - BUT IT'S THE START OF A HOLIDAY WEEKEND. WHY CAN'T SHE HAVE ALREADY HAD A COUPLE OF GLASSES? - HONESTLY, IF YOU WERE THERE, YOU WOULD GET IT. THIS WAS HORRIFIC. - I THINK THAT MICA'S UNDER FIRE RIGHT NOW BECAUSE MICA LIVES WHOLEHEARTEDLY IN MICA'S WORLD. I DO NOT THINK MICA HAS A DRINKING PROBLEM. - DO YOU THINK THAT IT'S WORTH A CONVERSATION WITH MICA ABOUT THE WAY SHE BEHAVES WHEN SHE'S DRINKING? DOES THIS REQUIRE-- - YOU THINK SHE NEEDS AN INTERVENTION. - "INTERVENTION" IS A STRONG WORD, AND I DON'T LIKE THE WORD "INTERVENTION." - BUT THAT'S WHAT YOU'RE KIND OF INSINUATING. - I'M NOT INSINUATING. I'M SAYING MAYBE SHE SHOULD SPEAK TO SOMEBODY. - BUT WE DON'T THINK-- - MAYBE SHE-- - YOU THINK THAT. - I THINK THAT. - WE DON'T THINK THAT. - OKAY. - SO YOU SHOULD TALK TO HER. - AS FAR AS-- - MICA AND I AREN'T SPEAKING. LIKE, IT WAS SO DETRIMENTAL TO ANY LEVEL OF FRIENDSHIP THAT WAS IN THAT ROOM. - SO MAYBE SHE NEEDS TO HEAR FROM THE LAST PERSON SHE EXPECTS TO HEAR FROM. DO YOU NOT THINK THAT THAT WOULD HAVE A GREATER EFFECT ON HER THAN US TALKING TO HER? BECAUSE WE'VE BEEN TALKING TO HER, AND SHE KNOWS HOW WE FEEL. - CAN I FINISH? - BRIE. BRIE... - I RES--I'M NOT-- - LISTEN TO YOURSELF. - NO, I'M NOT BEING INSENSITIVE. I'M BEING REAL, AND I'M SPEAKING TO MICA FROM AFAR VIA YOU GUYS, WHO ARE HER FRIENDS RIGHT NOW. AND YOU GUYS ARE CAPABLE OF HAVING THE CONVERSATIONS WITH MICA THAT-- - BUT, BRIE, YOU ARE MICA'S FRIEND TOO. MAYBE YOU GUYS ARE GOING THROUGH A TIFF, BUT DON'T SAY THAT YOU'RE NOT SOMEONE'S FRIEND BECAUSE-- FRIENDS HAVE ARGUMENTS. - JUST LET IT-- - DON'T SAY YOU'RE NOT HER FRIEND. - JUST LET IT-- I DON'T KNOW WHERE-- - THAT'S A BIG REMOVAL FROM LIFE. DON'T SAY-- SAY, "RIGHT NOW, WE'RE HAVING A ROUGH PATCH." - WAIT, WAIT, WAIT. HOLD ON. NO, NO, NO. LET'S NOT-- LET'S NOT EVEN ASK HER TO DEFINE WHAT IT IS RIGHT NOW, SINCE IT'S SO FRESH. - THE COMPASSION AND THE LOVE IS ZERO. MICA DOES NOT NEED AN INTERVENTION. WHAT SHE NEEDS RIGHT NOW ARE HER FRIENDS. - LET'S LEAVE IT AT THAT. WE KNOW WHERE WE STAND. WE KNOW WHERE WE STAND. - NEXT TIME ON BLOOD, SWEAT & HEELS... - THIS IS GORGEOUS! I'M HAVING THIS REALLY BIG DINNER TO CELEBRATE THE DIGITAL RELAUNCH OF MY BOOK. - AS A FATHER, I'M VERY HONORED. - I LOVE YOU. - I KNOW THAT YOU'RE GUNG HO ABOUT THIS WEDDING. WHAT IF WE JUST GET MARRIED? - CHEERS TO THE POLO CLASSIC! WHOO! OH, THERE'S BRIE! I SEE BRIE! BRIE! - DEMETRIA AND BRIE CHOOSE TO IGNORE ME. IT FEELS LIKE THE SAME KIND OF BULLYING FROM JUNIOR HIGH. - IF YOU BROKE [bleep] AT MY PARENTS' HOUSE, I WOULDN'T BE, LIKE, "OH, MOM AND DAD--" - SO YOUR PARENTS' HOUSE IS MORE IMPORTANT THAN THE DEATH OF A PERSON'S-- - I'M SORRY. SO YOUR CRAZINESS AND YOUR-- - MY FATHER IS PASSING OR MY FATHER IS ILL-- - IT DOESN'T MATTER. - FOR MORE INFORMATION ON BLOOD, SWEAT & HEELS, GO TO BRAVOTV.COM.