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What somebody's playing
is some kind of product.
behind the instrument.
It's a complicated situation
because I really need to get
the result that I want,
the players are not happy,
they aren't playing so well.
The biggest challenge for me
to motivate.
I'm Osmo Vanska,
of the Minnesota Orchestra.
5th Symphony plays
call me
is rehearsing,
the orchestra.
from the musicians,
they might say
that I'm demanding.
put things together.
is playing together,
it sounds better.
to play at the same pace,
and I say this because sometimes
people might be playing
the same symphony,
versions of that,
and I am very, very happy
if I can hear
in a concert one version,
or my heart.
often, as very physical.
the same piece,
be able to see
how to play.
I'm a clarinetist,
like I'm a musician.
I started in Finland with the
Lahti Symphony Orchestra, '85,
as a principal guest, and then
I started as a music director.
Since 2003, I've been with
the Minnesota Orchestra.
place for art in the U.S.
compare this place
to many places in Europe.
They care of culture here,
and it means something.
it is my home.
One part of the conductor's life
is to guest conduct,
all over the world.
strange to speak about music.
it's saying more than 500 words.
and so obviously Sibelius
or his music.
I have recorded a whole cycle
of symphonies of Beethoven.
since I was a small boy.
A good piece of music is
always connected to life.
We would like to dedicate
tonight's concert
to the people of Japan.
our emotional feelings.
the same piece,
my feelings might be different
than the last time.
have to play always
better than the previous one.
That's the only thing I have had
in my mind when I arrived here,
what I know as a conductor,
and better way
for music to speak to us.
loud applause