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OK, what I like to do myself, is I like to put big throw lines in it. Then it really
lets people know that it was hand made. So, how you can do that, just take your finger
and just give it one last, just rip. This one, yeah I don't like that one, I'm going
to do another one. Yeah, give it a little movement. You see? And once it's all fired
off, you'll see that since it's got these, this movement going on down there, it really
reacts with the glazes and stuff and gives it a nice, organic, hand made feel to it.
And when you want to come back with your knife and, yeah that's fine, the top's fine. Come
back with your knife. Start putting the bottom on it. Right now, what we're doing is trimming
on the wheel. Because when it comes to tumblers, you don't want to have to come back. Turn
them upside down in the studio and have to trim them and have your little potter buddies
laughing at you because you had to trim a tumbler. This stuff needs to be picked off
the wheel, put on the ware board, dried. You don't even go back to it, you don't even look
at it. Don't even go back and sign it. It's just a tumbler. So what we want to do, I'm
putting a bottom on it right now. This is how it's going to look when it's done. You
see, what I like to do is I use this knife and I'll make a squat little bottom. And I
don't know if you can see that, but it's making the bottom real nice. And it's giving it a
lip right here, so when you go to glaze it, the glaze, you'll stop your glaze line right
there. And the glaze won't drip off of your piece and onto your kiln shelf and you have
to buy another eighty dollar kiln shelf. So this is aesthetically pleasing and it's also
safe.