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...with the concerto for piano and orchestra opus 57, in B sharp...
or was it B flat...
B sharp, flatly...
of the Slavic composer Sergei Dimitri...
Mmm... mm...
MMM!.. Pp... pp... kk... kkksss...
...troffffff.
The concerto for piano and orchestra by...
by this composer...
starts with a timpani roll which symbolizes...
the irreversibility of human destinies.
The entry of the brassed suggests that nothing is irreversible,
least of all human destinies.
This seeming contradiction...
This...
seeming...
contradiction...
leads...
to the entry...
of the soloist,
who executes a series...
of descending arpeggios,
with which the author attempts to represent human defenselessness...
and fails.
While the clarinet executes an elaborate counterpoint,
the soloist attacks the main theme,
that comes out of it without a scratch.
A slow adagio...
follows the main theme.
Of course, it never catches up.
Next comes the movement of greatest difficulty to the pianist,
who must play it with his hands crossed over the keyboard,
the following notation by the author:
"Allegro pericoloso, keep right when crossing".
Towards the end...
the concerto finishes.
Hence we will present next,
to conclude the present recital,
the concerto for piano and orchestra by Sergei Dimitri...
Mpkstroff.
But first, before ending this commentary,
two words regarding tonight's soloist:
He...
studied.
Is the black thing.
The key to the piano!
There's no one home, for sure.
I can't talk!