Best Bass Guitar Lessons - Learn bass - Jazz standards - Tony grey

best bass guitar lessons cool room them learn bass in this lesson we're gonna be analyzing a chord progression based on the changes of the famous just standard all the things you are now I've been getting a lot of requests for this kind of lessons like what kinda vocabulary do I need to have a what kinda material cannot be using to solo over some changes awesome just and its softball you know if you want to get into this stuff you've really got to understand how harmony works and where these calls are coming from and where they going in what you probably called scales are so I thought I would start by using this progression it's based again on learn bass all the things you are very sweet famous just standard and the best way to start is to really analyzed progression so we can see exactly what's going on. harmonically alright so what I'm gonna do is right now the big question for you and I'm gonna talk about the courts kinda as I get to them you know I'm gonna play to professional piano C can can if he had a harmony and then we're gonna look at summer called scales in start getting into some material to play over this stuff alright is going to be a document available for you to download so you won't have to kinda really squint your eyes to see what I'm writing here because it's gonna be available for you to download she can sit with it by yourself and really kinda get stuck into it I listed this call and F -7 second call is it B-flat -7 he flood 7 a fart major 7 I'll just write a whole progression this d-fla made just seven G-seven see May 27 bass guitar lessons online to bars C minus seven s -7 B-flat 7 he flopped major 7 and I recommend to do this yourself you know where the time you can have gonna work on a song really helps you internalize and memorize the progression if you actually write it out and analyzer like this you know she can really see what's going on you know it's Mon ideal to just kind of flick through to reopen contest point which you to stop playing over you really want to get inside these changes and see exactly what's going on and of course you know you wanna be remember rising this stuff you know so it's it comes a lot more fluent in no kinda bogged down by looking at the to leach eat all the time next school year a file nature 7 the 7 she major said will start the season patten's as well that very common in just and its sonar points in his stuff out to a my 7 d7 GE may just certain have sharp -7 p7 he may just sent them c7 Fla 9 flock 30 now you might see that court re in a few different ways of scenery and as a CEO men det cord or c7 flat 9 I'm gonna put in both tensions here slot 9 flood 13 so when I get into the court scale you can Kenneth see what's going on next we have half -7 be flower -7 he slots at one seems that this for pass here off 55 balls deflower May 27 wrister d-fla -7 moto in to change course gonna get into that stuff too be diminished begins and diminished harmony I'm gonna talk about functional diminished harmony and you know the different chords scales are involved in not and kinda dispel some myths about diminished harmony a.m. of course over any dominant chord or diminish Cody out several top choices but I'm gonna really look and bebop way of approaching stuff here and can't get into the appropriate functional court scales last four paws be fought -7 he flask 7 a flat major 7 law school c7 of mine Fla 30 how to play bass guitar now the first thing I'm gonna point out is due the movement of the route up the court now it's very common in jazz music or in any kind of music really the idea the room motion on the base motion moves in cycle 5 now if you understand you key signatures in how to cycle if it works then you can it kinda see this stuff is gonna jump out to immediately and because the court quality the quality of the courts is gonna kinda dictate to you what key were actually n so we look at the fist for bosnian Afcon would be flat to in if lott to end a flat major 7 so what i'm looking for now is the movement of the dominant court to the one court so this Eve plus seven going to a flat major 7 it's such a strong sound enough to play on the keyboard here the genie flat 7 County a flatmate on you know that really something arrested court that a flutter so this tells me that this has to be in it here a flat major and so it is called is a6 -7 the menus Roman numerals here did B-flat -7 cue a flight is to -7 emir of 5721 now very strong progression it just kinda wants to move away from that dominant chord and resolve to DM more in court money get too much into harmony year that's for another lesson but it's just very important that you understand these puns you know very common movement is the 251 you know that we have to be fought -7 going to be flushed 7 going to a flat May 27 that's up to 51 which tells us without without a word here a flight here you don't have to think that the courts like having some kinda energy you know he's caught up a lot of energy in that poll in us all the way from the beginning we're getting pulled right to this a flat major 7 so to play he's caught in a piano isn't s -7 are the Sun -7 I'm class Evan a drum major 7 you know it sounds like we've landed now landed at home on I'm on and then the next closest D flat major 7 again we can analyze it in the Kia a flat major is to fall caught but what kind of moving away from not strong one called now in our next call it is it G-seven on which is a tritone away the 9.7 toward resolving now this sounds like home this d-fla May 27 the fall majors 7 now this G-seven played again on sounds like a 52 want me so 571 so now we're in a new key next with gonna look at the progression again you can see it's moving in cycle 5c 2f to be fighting he flopped and we can see the quality of course can immediately Picone to 251 here at minus-seven beef at seven he thought major 7 so is exactly the same as the first five bars really pisses in a different key you know so 6 -7 to -7 5 7 warn major 7 now for major 7 this a flat major and again we're gonna try it on a way as we did with D flat major 7 to the G-seven now a move in a flat major 7 to d7 and they're not resolved down a perfect fit to the G May 27 so again change keys in it definitely tells me we're in the key of G major here since FY 721 next pause it T-minus 757 1 in G major and then again the next three balls we can see is another 251 but this time in the key are email check so s shot -7 again to -7 the 757 one major 7 and then we get to this dominant chord with these alter tensions to flight nine and the flower 30 how to play this Court three years full intentions lotta attention here lot nine's shop 9 lot 38 sewers the way we analyze that is because I see where it's going so it's going to end F minor so again dominant clouds moving down a perfect fifth which is a very strong sound and at this class it tells me that were in the Kia F mine here it's a 5 going to want you know one minor but let me continue looking at bass guitar chords that is the same as the first four paws more actually in the key of a flat major again so this F minus seven za 6 -7 to -7 5 7 one major seven and the way we're gonna analyzed at c7 it's actually a 57 of 6 now that's called a secondary dominant minute to another lesson later on on secondary dominants in all the court skills but for now learn the bass and is gonna talk about this one caught its 57 of six and when we're done with all this with a look at the year court still to go with because I'm gonna show you how to build it and hear how it sounds so fight Sat Nov 6 going to six to 5-1 in the Kia a floods now we r for May 27 again now we have another interest in court halted a C-minus first he said 3 -7 and you know these what is he not changing key year but obviously did default -7 is in form a flat major so what this is is a mole in to change court borrowing it from a different mode rocky borrowing it from the relative minor so thinking of a flat minor other minor mods this will be our for court and they will be a Fort Minor court so we kind of shifted to the a far minor territory here and we'll look at again look at the court scale is appropriate for that now we get to are diminished called modern analyze not just yet I'm gonna move on to this B-flat -7 which is to -7 5 7 want again very strong in the queue a flock and bring this again to this secondary dominant which brings us back to top so 257 6 now is diminished chord here you know diminished call it it's all about where they're coming from where they going really is about where they going and it's going to a B flat minor sat in court here so you listen to be diminished on and listen to the next court are know is there's only one no different me and that's det DDS 500 dominant chord going to didn't deflate after %uh my name so it's very strong Saudi it %uh and what that is is because it's chromatic motion here from the seated at the two B-flat very strong motion with the pace here we're gonna call is set lot 3 diminished and that's because it's going down this descending down from the 33rd Court 23 court three -7 fluff three deal that you could call it the seafloor diminished 7 going to to so it's very strong progression that and again we're gonna get into the court scale what that is you know some people play symmetrical diminish stuff over this but you know he's functional diminished chords definitely up there on court scales and we're gonna get into that material alright so 13 for analyzes progression we can now look at the different keys were in so we can see the first five powers here at minus-seven B-flat -7 evil at seven a flat major 7 D flat major 7 his all a flat major harmony any move keys for three bars tutsi major to come from a flat major 25 pause to see major three past now we move on to the next five bars which is all in the key of B flat major and then again we ship keys 2g major now we had is 521 three pass and then we have the 251 four paws in G sorry was staying on the key of G here for seven pars now moving on to this at shop -7 that's the cue he flat major for three bars and every artist secondary dominant to takes his back into a flat major so a-flat major here for another four paws to me at this model interchange called and I'm thinking a flight aliens for this and then went back to the three called which is definitely unique enough a flat major Dennis functional diminished I'm still thinking a flat major here and then we have up to 51 he dnt a going to a secondary dominant to take us back to the top so we have cue a flood here see major teenager bass guitar lessons online he major back to a flat major and then back to top so now let's get into somebody's court scales okay and then used to the white board here manifest talk about this c7 flat 9 lot 30 so what you wanna do thursday's must spell out the cold so we have a/c he G and B-flat as Arco toms and what we want to do is kinda fill in the gaps with notes from the a flat major scale because we're kinda in a flat major so the cord is gravitating towards Stockton Rd so the way we do is we just basically fill in the gaps with diatonic notes to be a flat major and is going to be some exceptions and we're gonna talk about them when we come to them so we can start with a fart B-flat see has of court on next three other def lot okay he flopped he natural F and G now since 8 notes scale 1234 5678 and now lets analyzed degrees so this is actually called a flyout because really cute if we're gonna corn a flight chord scale source a flood I only in hard shop 5 Canada at shop fight is important we're not replacing the five were adding the shop 5 and that's because he here is part of our called c7 alright in the reason why we haven't the flat as well is because we have a default here which is our flight nine and if we have a flat 9 on a dominant chord we also can have the shark Night so that's what's going on here we are of lot 9ad flock now the flat which is basically an anharmonic of shop 9 so we have our route a flat B flat see def lot he fart SNG it's all a fly only in which is adding this shot five here because it's part of the year call tones for c7 flock ninth floor 13 a fun up of course consists of luck 30 so and basically how you spell out these a.m. secondary dominant court scales so we 5706 is I only in powered shop far K in this is gonna be really important when we start calling for cutlery to this progression you know we're going to use this is our scale to pick notes from right now let's get into thier diminished chord of be diminished and we finalized in as fluff 3i diminished someone right to be diminished seven here and again I'm gonna spell out the call be d hair a flushed or sheesh opportunity is a flat so I'm gonna keep it is in a flash and again you know we're gonna start to scale from a plot pataki and again we're gonna fill in the gaps here so we have a flat beef lot be natural to court on see d he fart F G and back to a flat and again he's diminished skills for the most part her 8 notes so me analyzer we'll see third in relationship to a plot will notice that it's a a flat piece not see the plots on scandal Indian sound so it's in a flocked Lydian gosh race for agree it's party a be diminished chord so that's why we have a tea here an oddity lot so it's Lydia inserts a flat million hot shop to and as RP natural SOES one to 3 shop four five six seven so it's a a leading a flat lid you know what adding DA shop to which is that the which is of course part 2 that P diminish 7 alright so I'm now gonna move on to actually playing some material over this June learn bass guitar lessons and you can hear how D's court scales really function