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Welcome to ChessOpenings.com. Today we're going to take a look at a solid
defense to the Queen's pawn opening known as the Queen's Indian defense. In
this opening, Black's key idea is to restrain White in the center, and to
develop his pieces quickly and only later launch a counter attack against
White center. Let's take a look.
The Queen's Indian is a response to the Queen's pawn opening so, Queen's
Indian games tend to start with the move pawn to d4. And now, to aim for a
Queen's Indian, Black plays Knight to f6, and after White's most common
play c4, Black plays the move pawn to e6. This up which Black is using is
extremely solid here. The goal is to answer White's play Knight to c3 with
this pen Bishop to d4 and this would be called the Nimzo-Indian.
By penning the Knight on c3, Black gains a grip on this e4 square which is
a critical square since it makes it difficult for White to complete his
expansion in the center with pawn to e4. At the same time, Black remains
flexible with his central pawn so he can always choose between d5 or c5 in
these positions depending on which setup White chooses.
The Nimzo-Indian has such a great reputation that many players prefer to
avoid it with the move Knight to f3, which is actually the slight favorite
for White in this position. And now, Black can play the Queen's Indian with
pawn to b6 and this is the starting position of the Queen's Indian.
The Nimzo-Indian and Queen's Indian are sister openings that were made
popular by ideas of Aron Nimzowitsch. One of the famous chess thinkers of
the 20th-Century. Nimzowitsch proposed that it's possible to play without
occupying the center immediately with pawns, but instead to attack it with
pieces from a distance and here, Black's going to be using his pieces in
order to restrain White's options.
Restraint was also another concept which Nimzowitsch was very fond of. He
thought that positional play largely boiled down to taking away options
from the opponent. And one of Black's key ideas in the Queen's Indian is to
make it more difficult for White to advance his center and only later to
attack it.
In the Queen's Indian, Black is going to aim his light square Bishop and
his Knight at this point on e4 and this is in order both to restrain the
moves onto e4 and also there's this cramping move d4 to d5 which Black is
also looking out to prevent. If White plays Knight to c3 at any moment,
Black will still often use this pen Bishop before in order to further
strengthen his grip over the light squares.
Now, in this position, White's most popular move is pawn to g3 and this
known as the Classical Variation in which White aims to simply complete his
development on the King's side in a logical fashion and develop a counter
weight across the long diagonal. Essentially, White contents himself for
the time being with this more modest pawn duo on d4 and c4 and just focuses
for now on completing development.
Now traditionally, Black simply plays Bishop to b7 and after these
standards move Bishop g2, Bishop g7, castles, castles, and Knights e3, we
reach an interesting key position and I really want to devote some time to
getting acquainted with some of the rich strategic content of this
position.
Now if you were asked what would be the most logical move in this position,
you could very easily make the mistake of suggesting the move pawn to d5.
This is not a very good move for a couple of reasons. First of all it's
against the spirit of the opening which says that Black should be waiting
until the most opportune moment to make this kind of occupation moves in
the center, these moves which occupy the center with a pawn. He needs to
restrain himself from making moves like these until the timing is just
right.
This is the first thing but secondly in the Queen's Indian, there's a very
common concept which arises which is that after the taking, capture, or
exchange of pawns on d5, Black finds himself with two unique problems here
in the Queen's Indian which is that the Bishop on b7 is now hemmed in and
secondly, the C pawn is on an open file and becomes vulnerable to attack
very easily.
For example, White often continues Bishop f4 in this position so that's a
logical square for the Bishop and it already starts to put an eye on this
vulnerable pawn on c7. Sooner or later, Black will want to play c5 in order
to free his position and move his pawn to a less vulnerable location. Let's
imagine Black does this now as he sometimes has.
This does not really solve his problems since after the moves D takes c5
now or later which leaves Black in what's called a "hanging pawns"
formation. The D and C pawns are both extremely vulnerable to direct
attack. If the pawns were able to just simply roll down the board they
could be an asset so the "hanging pawns" formation isn't always bad, but,
if White can generate quickly an attack on these pawns it's very possible
that Black could end up losing material.
It turns out that in this position, for example, we can show some methods
which White could use to gain some big advantage against these pawns.
Knights to e5, a great move here, this would unveil a third attacker on the
d5 pawn and it simultaneously pins the pawn so the pawn cannot advance so
this is a great move here this Knight to e5.
Of course at the moment White only has three attackers and Black has three
defenders so White still needs more firepower. Black say, continues with
this move Knight e6, and now White has a wonderful maneuver here Knight to
c4 taking advantage of this bin in trying to bring this Knight to some
square where it would be useful in attacking this pawn perhaps Knight e3,
for example, putting up the final pressure on this pawn. If its White to
move in this position and he was able to play Knight e3, we would already
have serious issue for Black in defending this pawn, perhaps it's not even
possible.
So, Black instead has often played this move for example, Queen to d7. And
now White found this move Knight to a5, still finding a way to include the
Knight into the attack just to show with this move Queen d7 the idea is
that if Knight e3, well I'm always ready to bring one of the rooks to d8
and bring this next defender to this square and at the same time, in fact
even more importantly, I'm just ready to play d4. Look at that, the Bishop
is defended.
So in fact, this move Knight a5, it increases the pressure on b7, prevents
the pawn from moving, and also threatens to capture the Bishop and gain the
pawn. Of course, White has a big initiative here. Of course you don't
always get such a beautiful attack like this against an any pawn formations
but it's surprising how frequently the pawns can come under attack in
positions just like these.
Rolling back to the position after Knight to c3 we just showed with this
little digression that this move pawn to d5 is not a very good idea for
Black, in fact, it typically is not a good idea in the Queen's Indian for a
couple of the reasons we just showed. So how does Black continue his
development here and solidify his grip over the light squares. It turns out
he has the outstanding move Knight e4.
With this move he just directly occupies the e4 square making it impossible
for White to play e4 and most importantly, he has a second idea in mind
which is to use the F pawn to strengthen his hold over the e4 square. In
this way he will not be blocking the diagonal of his Bishop.
There are a lot of ways this position can go but they are all super solid
for Black. For example, since White will want to avoid double pawns on c3,
the most direct is Knight takes e4, Bishop takes e4. And now in order to
gain the chance for e2 to e4, White typically plays Knight e1, just trying
to get rid of these Bishops.
After the trade, Bishop takes g2, Knight takes g2, and Black finally says,
"Well, I'm willing to play D-5 now, why not? I don't have this Bishop
sitting on b7." For Black we can say that his strategy has mostly been
successful. The exchange of two pairs of pieces and the ability to now gain
a reasonable share of the center makes this position just about equal.
So, after this move Knight to e4, White really needs to out on his thinking
cap to figure out how he can set Black some new problems here. One way
which has been found to do this is this move Queen to c2 and this sets a
little trap for Black which is that f5 looks like the natural response here
which is exactly what we said is the goal and we are solidifying control of
this square.
However, the properties of the Queen and the Bishop allow that White is now
able to simply play this excellent move Knight e5. This is because if
Black tried pawn to d6 in this position, he would quickly find himself in
trouble after the move Knight take e4 and pawn takes Knight, and now
simply, Bishop takes pawn. Because of the pressure down this diagonal,
Black will never actually have time to capture the Knight.
The net affect of all this is that after this move Knight to e5, White
simply has few attackers on this point on e4 and it's going to be very
difficult for Black to arrange an appropriate defense of the Knight. He
needs to avoid this direct move pawn to f5 and instead he captures on c3,
Queen takes c3, and now plays pawn to f5.
But, White still has in mind one last little factor which he's going to try
to use in order to gain an advantage in this position. In addition to still
playing for the move pawn to e4, he's also going to count on the fact that
eventually the e6 might turn out to be weak if Black plays d6 eventually as
he most likely will.
So for example, the main line runs pawn to b3, Bishop f6, Bishop b2, pawn
d6, very natural. What Black would like to do in such a position is play
Knight d7 and then either e5 or c5. However, as we pointed out there is a
weakness left behind on e6 so we have this move rook A d1, Queen e7, and
now White just picks up with this aim of Knight e1 playing for e2 to e4 at
some point trading off this Bishop. And now after Bishop takes g2, Knight
takes g2, Knight d7, and Queen c2 preparing the move e2 to e4, White is
looking forward to some kind of small initiative based on the weakness of
the e6 pawn.
So you can see that even this far into the game there is still a battle
raging in which White is doggedly trying to pursue this aim of achieving e2
to e4 while Black tries to avoid it or at least trade off a couple pairs of
pieces and pawns in order to neutralize the affects of this move. We see
that this fight for e4 is the major theme which is holding the entire
Queen's Indian together.
I hope this video has given you insight into some of the key concepts of
the Queen's Indian and insight into some of the key variations. I highly
recommend this opening for players of both colors as the strategic content
of this opening is very rich and it's very solid for both sides. Until next
time.