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[music] And if you listen to the beat and hear what's in your soul, you will never let anyone steal your rock 'n' roll...
>> Laura Sullivan: Memphis, the Tony Award winner for Best Musical,
unfolds amid the underground dance clubs of the 1950s.
It's the story of a forbidden love affair between a rising star
and a DJ determined to change the world. The Center for the Performing Arts'
Christie Black
speaks with Keely Beirne, an actress in the touring Broadway production of
Memphis.
Beirne is making her national tour debut as a member of the ensemble
and an understudy for the lead role of Felicia. The actress, a recent graduate of
Penn State
with a Bachelor of Fine Arts degree in musical theatre, discusses her role in
the high-energy production
and her life as part of the ensemble. She also talks about how her personal
history reflects the story and dreams realized
in Memphis. >> Christie Black: You've been in a number of shows
including Phantom, 42nd Street and Hairspray, but Memphis is your first
national tour,
traveling to many different cities throughout the United States. What's been
your favorite part about being on the road?
>> Keely Beirne: I think it's the company that I have, our cast is really close, we're like, it's like
my second family because I don't get to see my family all
the time. I saw them when I was in New Jersey-in my hometown, and
I mean I didn't even get to spend Thanksgiving with them so
it's just great to have such a close group of people who really
support each other and care
so much about each other. >> Black: Well you've been a part of this ensemble for awhile
now, but you also are the understudy to Jasmine Richardson, so you've
stepped into the lead role of Felicia on the road several times.
How is it that you are able to quickly step into another
role, which I would assume would be very different than the one that you
typically play on stage for Memphis?
>> Beirne: Right, it's completely different.
My normal role is mainly dance and then her role is mainly singing and
acting so, we have rehearsals, like I'll have a rehearsal
later today and then after that four hours we get to
like get up and do it, do the blocking and
the staging, and the singing, full out as if we are running the show just
with the understudies in place and none of the leads come and
we don't even have the full ensemble but we do try to walk through
it as if it were really happening; and then usually we'll have like
costume fittings and stuff like that before the show and make sure everything is
in place.
So, I'm pretty well prepared for it! And I think because her character is so
distinct, it is easy for me to fall into who she is.
Because as an ensemble member, I kinda play multiple roles.
Here I would just have like this one character to think about who she is and then
follow her arc which is really fun. >> Black: This show, for those who haven't seen it,
takes a close look at race relations in the deep south during the 1950s
and we all know that following our dreams can take us through
uncharted territory and in difficult situations at times,
so we can all take something from seeing this show. How has telling this
story, especially in a lot of different roles, how is telling this story
affected you, personally? >> Beirne: Well, it's kind of
incredible because my mother is black and my father's white,
so I kinda put it into myself like
this all happened for a reason and it's so
incredible that I can live the life that I live now. To put it back into their
time and
see how it's truly a struggle, it was
really problematic for them to live like, it's really affected me
thinking about
where I've come from and how our country has progressed so much.
So I try to think about that and how I've been blessed with so many
opportunities,
since our country has progressed.
I'm like, I probably wouldn't have been
born, first of all, because my parents wouldn't have been together. The characters in the show
experience
that, there are laws against them getting married. I'm
lucky enough to be a product of that and
have the opportunity to go to college
and pursue this dream today. I try to think about that.
It's kinda hard when it's been a long day on the road and I know I have to do a
show at night but...
>> Black: It's your motivation to keep going? >> Beirne: Right,
of course!
>> Black: It took Memphis 8 years to make it to Broadway and then once it did, it
cleaned up with 4 Tonys in 2010 including Best Musical
and also Best Original Score written by founding member
of Bon Jovi, David Bryan. With a musical score including rock, jazz, R&B, and I
know you mentioned that you do a lot of dancing in this show as well when you are part
of the ensemble,
it's a very, very high energy show.
What does it take to bring 100% to the stage every night,
especially on the road?
>> Beirne: Before the show, we do a prayer circle
and we all just kind of remind each other why we're there and fortunate
for having this opportunity and this job. So that kind of gets me in the mindset right
before the show to keep me centered and grounded and
like thankful. I always have that prior to the show
and then once the music starts and the opening number
is Underground and the drums kick in, I don't know, my brain switches on and
it's time to perform. Usually we have such an
incredible audience response and we just feed off of the audience.
>> Black: You are originally from New Jersey. How did you get your start in musical theatre?
>> Beirne: I went to a performing arts high school
and I did my first musical when I was a sophomore, it was West Side Story,
and it's still one my favorite shows today, and I kinda of fell in love with it! I
always grew up dancing
and singing, but I didn't put it towards doing musicals and then focusing specifically on musical theatre,
then by the time
I was a junior trying to figure out what I wanted to do for college.
I applied for dance schools and stuff, but once I heard about Penn State
and their program and then I visited I just fell in love
and I knew this is what I wanted to do and I knew that was the school
I was gonna go... and do it!
>> Black: And
so we're excited, we're so excited that you're gonna come back and be a part of
Memphis
and for those who have not yet seen this show and want to
their kind of deciding should I go get a ticket and come to
this show?
What can you tell them is the one thing about the show that they will
take away with it and that they wouldn't want to miss? >> Beirne: I think our show is
extremely unique and it tells an incredible story about American history
and it's just a celebration of our country and
if you think a how far we've come today and to see
what people went through, the turmoil and the danger, it's just
I feel people leave the theater
uplifted and proud! >> Black: We will look forward to seeing you on stage!
>> Beirne: Thank you! I can't wait to be back!
>> Black: It'll be great to have you! Thank you so much, Keeley, thank you for taking this
time to talk with us today!
>> Beirne: Oh of course, anytime, thank you! >> Sullivan: Experience the touring Broadway musical Memphis,
March 27th, 2014, at Penn State's Eisenhower Auditorium.
For tickets or information, visit CPA.PSU.EDU
or phone 1-800-ARTS-TIX.