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Produced on a budget of $40, this ambitious sequel was able to earn back nearly $300 million
in profit, following its November 22nd release in 1989. The core group of principal actors
reprise their roles from the iconic original, and take us along for another amazing, if
somewhat convoluted time travel journey. Even though director Robert Zemeckis and producer
Bob Gale practically painted themselves into the corner with the original picture's awesome
final scene (which was never intended to setup a sequel), the narrative manages to clumsily
dig itself out of this hole rather quickly. Christopher Lloyd and Michael J. Fox reprise
their famous characters with even more nuanced and enjoyable performances than before. This
time around, the time-hopping duo attempt to fix damages to their future, when they
travel 30 years forward to stop a crime before it happens. Unfortunately, their meddling
accidentally results in creating an unthinkable "alternate timeline" version of their hometown,
to which Lloyd declares, "I can't imagine Hell being much worse!" They conclude the
picture by returning to the exact time and place as the first film, even interacting
with their younger counterparts. This plot mechanics, of revisiting the original film
from an almost behind-the-scenes perspective, is an absolutely ingenious and original one
that pays off dividends - making this sequel completely unlikely any other. Tom Wilson
and Lea Thompson return as well, and easily get the juiciest roles: able to play widely
different and extreme versions of their original characters: resulting in some truly memorable
and humorous scenes. Although Crispin Glover and Claudia Wells were both unable to return
for the sequels, their characters' are able to return, albeit with the help of some clunky
production re-writes. With the majority of actors and production crew returning here,
the level of consistency is to be applauded; Alan Silvestri's score is again impressive
and suspenseful, Zemeckis' directing is spot-on, the jokes are still witty and timeless, and
the dramatic tension remains high throughout the well paced story. The first act shows
off the imaginative and seamless visual effects work by ILM, painting an optimistic and hilarious
vision of the future, complete with sports predictions, hoverboards, flying cars, "Jaws
19", robotic jackets, and automatic weather systems. Particularly worth mentioning is
a sequence where Fox plays three separate characters, all interacting with each other
seamlessly. Created before the advent of computer imagery, this scene helped score the PG-rated
film its only Oscar, for best visual effects. Besides functioning as a satirical outlook
on the future of society, a number of the sight-gags in the 2015-portion of the film
also function as clever references and recurring jokes established in the first film - as dozens
of situations and motifs are repeated, sometimes verbatim. Indeed, much of this picture is
littered with dozens of callbacks, as well as plenty of set-ups for the next picture,
making this trilogy as air-tight as any three-picture story. And in an extremely rare move, this
108-minute movie actually ends with a trailer for Part III. In a tonal shift, this picture
departs from themes of relationship and self-discovery, opting instead for a larger, and more disjointed
narrative that is more action-oriented than its humble predecessor. Ignoring potential
plot-holes, the adventure develops realistically, and provides for great fun on countless viewings.
Although I still take issue with a 28-year-old Fox attempting to pass as a 17-year-old, there
aren't many flaws here, and the result is a totally enjoyable film with characters and
situations we already know and love. "Back To The Future Part II", "Familiar yet inventive.
Supremely amusing." Those are my thoughts on the sequel, now let's see what you had
to say in the comments.
Our scores for Part II... a NINE and a TEN. Your opinions were all positive of this picture,
but decidedly more mixed than Part I. You loved the high-concept plot, but faulted it
for not being as funny and effortless as the original, you thought it was AWESOME. A great
continuation of the story, with even better jokes and set-pieces, it was the emotional
factor that was only slightly lacking for me here, but even still, this picture is AMAZING.