Hell's Wind Staff Scene Set to Egberto Gismonti

Once I started writing. Other friends of mine actually started pointing out that there was a symmetry to out dialog, to some degree or another. But, the funny thing about Paddy Chayefsky was It was almost via Paddy Chayefsky that I actually realised I was a pretty good writer and I might want to consider exploring this a little bit. Because how I actually discovered writing dialog is, I used to be in acting classes. So part of the thing you do in acting classes is you drum up scenes to do. And I always wanted to do scenes from movies. And then I didn't have access to scripts or anything like that, so I would go and watch a movie. They I could remember, I had a good memory, so I would remember the scene. Then I'd go home, write the scene down, and whatever I didn't remember I would fill in the scene myself. Well, little by little I would start filling in more blanks and more blanks and kind of go off and do my own thing. That was my first attempt at writing dialog, stuff like that. And I had forgotten, I was doing a scene from "Marty", Paddy Chayefshy's "Marty", in class. Later I was talking to the guy I had done the scene with and he goes, I mentioned what I just mentioned, and he goes "Quinton, you're as good as Paddy Chayefsky." And I say "what are you talking about?" "Well remember when we did 'Marty' and there was the monolog about the fountain?" "Yeah.." "That's not in 'Marty' that's you! You gave me your hand written version, I have the original at home, and I'm going there's no monolog about a fountain 'Marty'. But it fit in perfectly with the scene. And it's just as good as the Paddy Chayefsky stuff." And literally, it was him, his name was Ron Coleman, Ronny Coleman, and when he said that, it was like the first "ding", a little tiny dinner bell, like on the side of a table. It was the first little ring where I was like "Maybe I should pay attention to this. Maybe I should explore this a little bit more."