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Writing about violence in families requires the courage to move beyond
silencing taboos. Shame and fear of retribution create powerful deterrents
to speech. In this poem, the speaker addresses her deceased sister, telling
her about the "old man" she would not recognize now that time and age have
diminished him. I chose the "stepped" three-line stanza with many enjambed
lines to suggest movement and instability.
Something to consider: What experiences have you shared with siblings that
remain difficult to discuss or explore?
Late Words for My Sister
You did not want to remember with me how he raged up the stairs
unbuckling the black leather
strap we called the belt. How our four thin legs danced
up and down on the bed like
the jointed limbs of marionettes while the burning lariat of his anger
seared our legs; how his face blazed and his eyes
glowed as he took the whip back in a tight circle to strike again. And again. We begged
him to stop. Remember? And when he relented, panting like
an animal
that has run a great distance, he paused, and we could see
the sweat on his lip and under his arms. He hung there,
his bulk suspended from his shoulders
by a power greater than he, and as we crept past him
he slapped me, hard across the face, sparing you
that humiliation
because you were weak and the youngest and had only followed my example into evildoing.
I tried to make myself small, to pass him, or no,
I'm remembering wrong. Maybe I sneered. Maybe I had not yet learned to cower before the
bully, to bare my neck, to admit when I had lost.
How surprised you would be to see him now, an old man checking the price
of milk at the supermarket against
the price in his head. The difference is a conundrum, a fracture in continuity,
the way his daughters broke from his plan.