Nash Bridges S2E7 - English Transcript

(funky rock playing) (train chugging) Ooh! * Yeah, yeah, yeah! * One more normal day with the alphabetic public * * And their marred sensibility, ye-yeah * * Tell those bureaucrats that (yells) * I'm looking for a good time * * And I'm gonna ride this high until the sun shines * * Hearts a-crying, and I'm a-dyin', yeah * * Push me off the rails and I'll hit you with it * * I defy you, like to try you * Shoot me up for what I represent * * Don't push me, baby * * Just another day with the alphabetic public* * While I'm running off the wrong side of the track * * Someone smirking as I start to lose my spirit * * The enemy of danger is my aphrodisiac * Hey! There's never a cop around when you need one, huh? What? OFFICER: Sorry, Nash. So much for cop brotherhood. The BART trains will be running soon. (laughing) The BART train. * One more normal day of political correctness * * As the disenfranchised wallow in their misery * * So much liberty Away from the tracks! * That I'm truly disaffected * * And I've taken leave of my old mortality * * I'm a-dyin', I'm aspiring, yeah * * Angry when I think of what they take from me * * I defy you, like to try you * Pu-pu-pu-pu push me off the rails again * * Oh, that's nice. * * (woman vocalizing over bluesy organ riff ) (chugging) Are you still going on about that stripper? DOMINGUEZ: My dear God. How do you know it's her real phone number? She probably gave you the phone number to the dog pound or Pest Control. (laughs) Between the car strippers and the female stripper, you've had a hell of a night, haven't you, bud? I bet you can't wait to tell your wife all about it. Yeah. We have an open relationship. Oh, yeah. (all laugh) Oh, well, you know, I mean, she lets me flirt. Ah, yeah. Ah, you two look like a nice little couple. Too bad you're moving to Alaska. Maybe you can get Nash to move up to Alaska with you. Um, actually, she's probably better off with an Eskimo. I hear they mate for life. Well, my goals aren't that long-term. Do you realize that in the last three years, I've been the liaison between Narco and S. I. U. , you haven't come to see my apartment once? What do you say? One last nightcap? My place, hmm? That sounds good to me. Hey, sounds good to me, too. Hey, party over at Eve's house. Uh, you two are very lucky I had to hand in my gun already. That's all I'm saying. (chuckles) Secluded charming three bedrooms, two baths, private porch and a sun room. Mm, baby, it's almost ours. Mm. What? You. Yeah, you. What the hell do you think you're looking at? (train whooshing) Mom. Mom! Cassidy?! What's wrong? What's the matter? Mom, my stomach hurts really bad. Where? Where, down low on the right side? Yeah, right there. Right there. Oh, boy, we'd better get you to a doctor. Can you get dressed? Yeah, I think I can. Here. Here you go. Mom, you gave me brown and pink. Can you find me the fuschia top? Well, I guess you aren't dying. Here, put this on. I'll go get dressed, and I'll, I'll try to find something that doesn't clash. Okay, you're gonna be okay. I'm gonna go get dressed. Okay. (train click-clacking) Time. Watch our back, Willie. (tapping on glass) Excuse me, but could you help me out? Here's the situation. We're the mailmen. We're here to pick up your bags. Bags are gone. They left yesterday. Get him out of here now! Sit down and keep your mouth shut. CARRIE: I can't believe this! Everybody hold it. CARRIE: There's nothing here. Kevin, it's Friday, 4:15 a. m. There's no Social Security checks here. What's wrong with this picture? I don't know. I checked the schedule. I don't You are just so pathetic. I can't even believe that I listened to you and your little tip. You stop staring at me. Get him in that cab now! Get up! Get up! Don't you even think about touching that intercom. Settle down, all right? Settle down, it's okay. We blew it. We'll just call it a night, get off at Embarcadero, and we'll go get a room, okay? No way. No, those damn BART tickets are $2. 50 apiece. I'm not going and leaving this train running a deficit. (man groaning) I don't want to strongarm these people. Hmm. Funny. I do. There's no time. The train's gonna be pulling into the station in three minutes. Mm. Oh I'll fix that. (slams on button) What the hell you doing? Hey, don't look at her. (brakes squealing) (train stops) What was that? Probably nothing. Everybody put your hands above your heads! This is a robbery. CARRIE: Just stay calm and break out the wallets. (panic yelling, gun cocking) Get down, Eve! BRIDGES: Joe, hold your fire! Hold your fire! They got guns! Damn it! Where's your piece, man? I didn't wear it, man, because I knew I'd get drunk and I had the bachelor party. Well, looks like we stumbled upon a cop convention here. Put that gun down. I don't think you fully grasp the dynamic here, cop. You drop the gun. Don't, don't do it, Nash. Try me. Come on. Try me. Joe? Yeah, I got her. Drop the gun or I'll blow you away. We gotta give it up. You sure, man? Yeah, I'm sure. Come on, man, drop it. Faster. DENNIS: Up against the wall. Get up! Get up! Move! Wow. How exciting. Now let's have a round of applause for that. That was quite an exuberating experience. CARRIE: Did you people not hear me? I said, a round of applause. Thank you for identifying yourselves. Nash, man, I'm sorry. I Don't, don't worry about it. CARRIE: Excuse me. May I have your attention, please? Let them get their money and get the hell off the train. Everybody up and put your hands over your head. We're moving all down to the first car. We're taking this two animals at a time, like Noah's Ark. Pigs first. DENNIS: Okay, you heard her. Move out! Move, people! All right. Let's go! PASSENGER: All right. WILLIE: Hey, hey, hey! MAN (over intercom): This is Traffic. We have a stall on line Alpha 23. MAN 2: Roger that. Hold for BART Control. Uh-oh, we got a dead one in the tube. Report. Over. Everybody sit down and put your hands above your head! MAN (over intercom): We have power off. Report. Over. Move it. Move it! We have you stationary at A2-3. What's your situation? Over. DENNIS: Go! Go on, move it! Over there. I gotta respond. Sit down! Sit down! Carrie? Kevin, earn your cut here. Make up something good. Come on! Sit down! KEVIN: Tell them we got a, a brake malfunction. Central Control, this is train 324. I have a brake malfunction. I have to visually inspect. Copy that, 3-2-4. Standing by. (giggling) Everybody, just stay calm. (alarm sounding) Dave, order all eastbound trains to hold in Oakland. Listen up, everybody. We've got a Situation Red in the tube. Alert BART Police. There's a place over here. (sniffles) Oh, baby. I'll be right back. Okay. Excuse me. My daughter is sick. She has a pain in her side. Fill out these forms. No, no, no, no, you don't understand. She might have appendicitis. And make sure you print. (siren wailing in distance, phone ringing) God. Mom, it really, really hurts. Oh, baby, baby, I know. How long do we have to wait? I don't know. I've been here an hour-- and I've been shot. It's a fascist country. It's a fascist emergency room, I'll give you that much. MAN: Let go of me! (fierce grunting): Let go of me! (several cops talking at once) COP: Through here. Come on. Well, that's our mistake-- we aren't big, drunken bikers covered with blood. I'll call Daddy. Hold on, hold on. Just breathe, just breathe. (Touch-Tone dialing) Shh, it's okay. ANSWERING MACHINE: This is Nash Bridges. Leave a message. It's, uh Cassidy has a-a bad pain in her side. We're in the E. R. at St. Francis. Where the hell are you?! (phone ringing) (groans) Shimamura. This is Commander Williams of the Transit Police calling from BART Central Control. We have a robbery in progress under the bay. Oakland PD has informed us that three S. I. U. officers are probably on that train. They reported them heading for the first train of the morning. That's the one that got taken. All right, give me 15 minutes. WILLIAMS: Have the coordinates on this changed at all? MAN: No, they're still holding at eight-two-three. They're right at the bottom of the bay. Great. Sweetheart, are these cuffs really necessary? Do you want them tighter? That's no problem. BRIDGES: Come on, sister. You got our attention-- now, calm down. CARRIE: I don't want to calm down. No, I'm too excited! (snorts, laughs) EVE: Ooh, maybe we should leave the room. Don't ruin my fun or I'll ruin your day. Everybody, now it's our time to collect the fares. Get your wallets and all your valuables ready. Excuse me, ma'am, may I borrow your bag? Thank you. Thank you very much. If it weren't for those punks, we wouldn't even be on this train. If it weren't for your cheapness, we wouldn't be on this train. DOMINGUEZ: Hey, Harvey, she's a girl-- why don't you charm her into releasing us? Get her phone number while you're at it. Don't go there, man. Wallet, please. Crap, somebody stole my wallet. Oh, don't job me, cop-- I am not in the mood. I'm not trying to jive you-- I lost my damn wallet. Harvey, I gave it to you when I went to the john, to pay for the drinks. Yeah. I gave it back to you. What do you mean, you gave it back to me? LEEK: I put it down on the bar right in front of you, man. What do you mean, you put it down on the bar? What are you, stupid, man? LEEK: You were sitting there Enough! Get me your wallets and your jewelry and your watches now. What the hell are you doing? I'm helping you. Don't help me. Please, stop it. She's not playing with a full deck. More like a deck and a half. She's angry and dangerous. What what are we chatting about here? Why don't you pick on someone your own sex? And which sex are you, darling? (giggles) The fur's gonna fly now. You think you're so tough? Huh? Show me. Okay, fine. We'll settle this. Drop the gun. Oh, nice try. Sit down and shut up, ***. Five nine, 108 pounds? Is this in your in your dreams? Your taste in wallets is as cheap as your taste in careers. Those are cute earrings. I'll take those. Easy, easy. Take it easy. (exhales) Mind the piglets while I finish business. Sit down. (groans) I got a cramp; I need to stretch. Sit down! I didn't ask your medical history. Just between you and me-- and keep in mind, I deal with crooks every day-- watch your back. What the hell's that supposed to mean? Well, little Miss Muffet is looking out for number one, and that ain't you, friend. I ain't your friend. And by the way, me and her, we share a toothbrush. I'll bet she gets the ends, though, with the bristles. Get in the back! Look, are-are we gonna do something? No, not yet. There's too many targets in there for them to hit. We'll wait until they get off the train, then we'll hit them when they're off the train. I can't wait to get a piece of her. No. Not you. Not you. You're beyond short time. Aw You two are so cute. You sleep with him? That is none of your business. Oh. Why don't you guys give each other a great big kiss. Oh, come on. Come on, just a big a big kiss. I want to see you kiss. Now. You want to see a kiss? I'll show you a kiss. (Carrie laughs) That was not bad. Oh, that's real good, Carrie. Let's go. When are we going to see a doctor? I'm gonna go find a doctor. I'll be right back, sweetie-- you just hold tight. Okay. MAN: Psst. Psst! Hey, little girl. They were supposed to take these restraints off me Can you help me out? I can't do that. (groans): Sure you can. I got 12 or 13 bucks. It's yours. (chuckles): No way. I'd get in trouble. I got a sweet little baby at home. Hey, you want that child to be alone without her daddy? On her first birthday? She's crippled. And it just breaks my heart to think about that little crutch. Here you go. Take these. CORTEZ: Nash, Eve, Harvey and Dominguez, they were at some bachelor party out in Oakland-- you know, Danny Moore-- and, I don't know, maybe they had car trouble or something. Why weren't you there? They know him very well; I don't. How capable are your people? More than capable. Each man's been handpicked for the S. I. U. Now, Bridges, my point man, he's the best-- if you just Look, I'm putting two-man teams at the end of the train-- sniper and observer. We've had trains down there before. They know the lay of the land. No one'll have the green light to shoot. We'll see how your people do first. Uh, is it hot in here, man? Yeah, a little. Oh, you don't look so good, man. (wry chuckle): I have claustrophobia. Just like the one thing I hate about festival seating. Joe, I got to get out of here, man. The walls are closing in. All right, all right, take it easy, man, take it easy. Look, man, the important thing to remember is that if you're gonna ralph, just warn me first, okay? Not a bad haul, Carrie, not bad. There are a lot of tailored suits on this train. All working New York hours, heading downtown to their cushy little jobs in the financial district. That's where the money is, you know. What are you saying? I'm saying let's make this thing really worth our while. Carrie, you're going off the deep end here again. (whispers): No, don't you get it? It's here. I see an end to staying in seedy motels and robbing convenience stores for burritos. I see our perfect home. And I am not leaving this train without it. (exhales) What? What's she talking about? Taking hostages. We're gonna need to make up a list of demands. I'll do that. KEVIN: Dennis, this isn't a good idea. You should try and talk her out of it. I don't know, maybe it'll work. What do you think? BRIDGES: I have a feeling they want to parlay their wager. And we're the chips. Listen up, everybody. We have a slight schedule change. You all need to block out the next hour or two in your appointment book. Hey, cop, you must have taken hostage negotiation 101, right? You know all the buzz words. Get up. You're now working for me. You want to do it, let's do it. Don't you be a hero. Don't be a hero! Slow down! Eve! Eve! (gunshot, women scream) (people gasping, crying) Eve? Nash, I We've got the train in sight. Blue Team moving into position. WILLIAMS (over radio): Scout perimeter units, look alive. Let's not let anything slip by us. Ow. Hang on. Just hang on tight. If you want her to live, get on that phone and get me what I want. Her life is in your hands. One trick, one false move, and everybody dies. BRIDGES: Put pressure on that. Hold it tight. All right, I'll get you what you want. We take you seriously. You don't have to shoot anybody else. (gun clanks on track) SWAT COP: Badger two to badger base, over. Badger two to badger base, over. Badger base, over. It looks pretty volatile. Leader is female. Four bad guys total. Hostages and HTs are blended. Maintain post. We'll give the cops inside a little longer to make a play. BRIDGES: This is train 324. I need to talk to somebody in command there. That's Bridges. This is Commander William of BART Police. Identify yourself, please. This is Bridges, SFPD. In case you haven't already guessed, people are being held hostage down here. SHIMAMURA: That's my man. I'll take the call. He's yours. This is Lieutenant A. J. Shimamura, Mr. Bridges. You say you're a hostage? That's right. One of about 20. Two have been shot. One is wounded. She needs immediate medical attention. I have a list of demands here, so you might want to get a pen and your sticky pad. All right, go ahead. All right. $2. 75 million in cash. Fifties and hundreds, nonsequential. And no SWAT team in the tunnel. That could take some time. Tell him in exactly one hour, we start executing passengers. You've got an hour, exactly an hour before they start executing passengers. $2. 75 million, that could take a couple of days. Tell him to read the city charter. The mayor has the authority to release $2. 75 million for emergency purposes. Also, a helicopter to the San Francisco Airport, a 757 jet, tanks topped off, and I personally want to speak with the FAA about flight clearances. A chopper to SFO, international clearances for a commercial 757. MAN: We got it, we got it. Okay, Mr. Bridges, We'll get to work on it. All right, now it's time for you to show some good faith, Carrie. Let her go. Forget it. I'm not letting any SWAT team in here dressed up like paramedics. She goes when I get my money. Is she right about the $2. 75 million? Affirmative. But it specifically states that it can't be used in a hostage situation. Which leaves us a window of 59 minutes. LISA: What do you mean you don't know who gave you the pills? What pills? Was it a doctor, a nurse, a janitor? (chuckles) Mom, Mom I want you to meet Roadkill. (laughing) Who? Roadkill this is my mom. Mom this is Roadkill. Mom Roadkill has a little baby at home with a crutch. Are you ***? A pleasure making your acquaintance, ma'am. How's about getting these restraints off me? Hey, I got as much as 13 bucks in my pocket. It's yours. I don't think so. Thank you. The department's gonna pick up my dry cleaning bill, right? (chuckles) Oh, yeah. That'll happen. (softly): Don't you worry, baby. I'm gonna get you out of here soon. I'll even help you pack. Okay. Stay right here, I'll be back. Okay. So, what's going on, man? The money ain't coming. It's gonna be like Stockton Street. Full cavalry charge. This could get hairy, Nash. How much time we got? About an hour. Figure a way out. Then get ready to duck. Okay. In the case of you two, get real skinny. (laughing) To be candid, I don't know really what the matter is here. Right now I'm a third year med student. Oh, terrific! Hi, Doc. Hi. You're a babe. Is this thing real? Look, I want you to use whatever influence you have, if any, to get someone with a diploma in here. Now, somebody gave her something. Hey, Doc. Couldn't you use $13? Oh, shut up! Wow, this is thumping like crazy. How old are you, Cassidy? This many. That's way too young for you. Now get me a real doctor. Oh, man, I shouldn't have drank those last two beers. Man, or the one before that, or the one before that, either. Oh, Joe, I can't I got to I got to get out. Boy, do I got a small bladder. Man, last time we drove to Vegas, I must have stopped 15 times. They got some nice facilities in Victorville, you know. What is it with you? Sit down! Man, I got to stretch. (sighs) So, uh, what do you think she's asking for now? Her own talk show? I think she's doing just fine. You don't get it. She's using you, bubba. And when she's done, she's just gonna throw your *** away. That is, unless it gets blown away first. Why don't you just get back in your seat. Sure. Just trying to help. (fretting) Hey! Hey, come on. Watch out, you're gonna dislocate my arm, man. Relax. Hey, come on, get a grip, man. Hey, look, look, all right, uh, visualize something, okay? Okay. All right, like, uh, uh, a beach-- a wide open beach. Calm, calm beach, okay, just Um, okay, all right. Really picture it, though. All right, all right, man, okay. Picture something like a waterfall, okay, ju-just cascading down on me. Come on, come on, Harve. Not a waterfall, Harvey. (panting) Look, all right, sand, okay. You're in the desert. There's nothing but sand, all right? Okay, okay, okay, okay. (exhales sharply) Wide open, wide open sand. Yeah. But there's an oasis, man. You know, real cool water, just, you know, kind of No! Cortez, will you settle? I'm getting winded just watching you. Lieutenant, let me, let me go down there and do something. Let me help. Look, I know how you feel. I feel the same way. Well, let's get off our butts and do something for Nash. Okay, okay, okay. Look, I'm gonna turn my back. I turn around, you're not here, I don't know where you went. Here, use this. All right, this is where we are. You get to here, to there. The only way is through the evacuation tunnels. Got it? Right. Thank you, Lieutenant. Cortez! You mind waiting till I turn my back? Sorry, sir. Okay, go. (whispers): Don't do it. Hey! Hey, sit down! You're a dead man! SWAT COP: Hold your fire. Over here. Thank God you guys are here! Come on. Get down! (gun firing) Kevin! What the hell's going on down there? One hostage got out; we had to take down one perp. I said no SWAT team! Didn't I say that?! (phone rattling) Somebody pick up my friend, and get him to a doctor right now. They're going to pay for this. They're not gonna send cops out into the open. You're gonna have to take him to them. Send two of the passengers to take him over. Then you do it. You do it fast. I know you'll be back. All right, but I'm taking her first. You put her down now. If you're gonna shoot me, shoot me. Okay, let him go. Thanks. You're gonna be okay. Don't go back. I'll see you soon. You take care of her. Yes, sir. Come on, help me with this guy. All right, we got you covered. We got an injured female hostage out, too. Send out an E. M. S. unit for transport. BRIDGES: You got him? I'll see you guys later. You sure you want to go back in there? Got no choice. Well, welcome back. Now let's go. What're you doing now, Carrie? They play cat, and I play mouse. Okay, come on let's power it up. Let's go! Where we going? You know that deserted stretch of track just north of Richmond? There. There's plenty of room to land a helicopter there. CARRIE: With this train going there's no way that the SWAT team's gonna catch up with us. Faster. Faster. Go faster! (laughs) (train whooshing) (train click-clacking) Get us track clearance. We don't want to run into anybody. DISPATCHER: Hijacked train's coming up above ground at East Bay Junction now. WILLIAMS: They're going for the Oakland side. We've only got one train up. Dave, get the 475 off and to a side. She's looking for a better drop spot for the money. C-4, redeploy SWAT and cover all the East Bay stations. DISPATCHER: Roger that, Control. Train proceeding north towards Richmond. (power tool running) Uh, SFPD. I'm supposed to be here. I'm Dustyn. Dustyn-- Evan. How are you? Listen, can you get me down to the train, like here? Where they're being held hostage? Sure. RADIO DISPATCH: Heading north on Blue Line past McArthur Junction. What, what? What's going on? Train now passing Berkeley Station. The bad guys are moving the train. I need to get down there now. All is not lost. My wheels are right over here. This is your ride? Don't worry. I race these on weekends. Get on. DISPATCHER: Train proceeding north toward Richmond Station. They're going to be coming to the end of the line soon. (brakes squealing) There's no way they could get SWAT or any kind of cop presence here for an hour. Mmm, but the money and the chopper better come in 15 minutes or we start assigning bullets. You're first, honey. Take the money you've got and get off the train. It's the last best chance you've got. Quitters never win and winners never quit. Didn't you learn that in school? BART DISPATCHER: Train is stopped on side service track north of Richmond Station. There's no movement on the track. You know, you're gonna give me a hematoma on that arm. I'm gonna break it unless you get in here and help my daughter. Okay. Okay. All right, let's see. How are you doing, young lady? All right. Well, now, how's that, uh bowel obstruction? No, it's not a bowel obstruction, it's a pain in her side. Do you know you're right? This isn't her chart. (giggles) Here, now, I want you to just look right here at the tip of my nose, huh? (giggling) This girl is suffering from a drug overdose. (giggling) Okay, dear, now, I want you to listen to me and I want you to talk to me. Okay, now, what did you take? Hey, hey! You idiots overdosed her! Now, find out what you put in my daughter's system and get it out of her! Gabrielle! Excuse me. Are you sure these aren't some German shepherd's X-rays? Hmm? No, this is only the two legs. Well I think that what I see is yes, muscle spasms. Has she been doing some kind of heavy exercise? Yes, she had a dance recital. Well, that'd do it. How're you feeling now, huh? Great. Well, you know, the Demerol was exactly what she needed. It's a painkiller. Just make sure that she warms up better next time, that's all. That's it? That's all? We have suffered rudeness, neglect, malpractice and now, just because of a fluke, you're getting off the hook? Don't thank me. Somebody captured a BART train under the bay. This officer was shot. Nash. DISPATCHER 1: Train still shows no motion. The system's up and running and it could move at any moment. DISPATCHER 2: Roger that. BART SWAT is deployed and en route. (engine idling) Thanks for the ride. Any time. You know what the Germans say when they send in their anti-terrorist tactical teams? Shoot the women first, because they're more cunning and dangerous. Do you believe that? Makes good sense. Hmm. CARRIE: Everyone stay still. This is all gonna be over with soon. Hey, lady! Hey, lady. Hey lady! Please, I gotta go really bad. I can't hold it anymore! Ever been forced to wait for your public defender to show for eight hours and had to pee in a corner in front of 20 strange women? I don't know, sheesh, no! Come on, Dennis. Show a little mercy, man. Let him go, baby. He didn't do anything to us. You know, I'm not having a real great day here, either. Well, you can test her now or you can find out later. Do it, Carrie! Fine. (keys clatter) Take him to the second car. I have to go, too. Me, too. I gotta go, too. This is like a nursery. One at a time. This is a courtesy call. Your time's up. Start the body count. You. Get up. What's going on, Carrie? I'm releasing a hostage to show good will. Why do I have a hard time believing that? No, please. I don't want to go. CARRIE: No, you're going. Oh, God, that feels good. DOMINGUEZ: I thought I was going to explode. Quit talking and hurry up. Yeah. No problem. Come on, let's go! Yeah. Okay, thanks. Hey, hey, hey. 'Kay, 'kay, 'kay, hey! All right, let's drop it! (gunshot) (gunshot) BRIDGES: Evan! You got him? Got him. CORTEZ: You okay, Harve? LEEK: I am now. Good to see ya, pal. DOMINGUEZ: Harve, let me get those cuffs off you. LEEK: You okay, big guy? Watch that guy, Evan, he's bad news. Next time, let's take the bus. (pats Cortez's back) LEEK: Good work, man. I'm here to punch your ticket, buddy. All right, A. J? Yeah, we got it under control down here. We're taking the train in to Richmond Station. It's all yours, bubba. Take us home. (patient coughing) Hey. Hey. How you feeling? Mmm, pretty good, actually. So you pulled it off, huh? Yeah, well. I had a lot of help. I never doubted it. I guess, uh fate's conspired against us, huh? You know, maybe you can, um, visit me in Alaska. Maybe I will. How about a good-bye kiss? Or do you only do that at gunpoint? 'Bye, Nash. 'Bye, Eve. I'm just glad it's over. (overlapping chatter) Whoa! What're you doing here? Hi, Daddy. Is everything okay? Oh, my God, Nash, you wouldn't believe our night. Are you okay? Yeah, I just feel a little hung over. What did I miss? You didn't get our phone message? No, no, I was on the BART train and we got into this thing That was you? I knew it. Are you okay? It's what's all over the news. Yeah, we're fine. It was no problem. "No problem. " What happened? Listen, Cassidy. Hey. I was hoping, uh We have these Saturday parties, and I was hoping maybe you could Sure. Don't even think about it, and he has a gun. Yeah. Thank you. So, uh, you want to flip to see whose, uh, story goes first? I'm gonna beat you. Just wait. How about some breakfast? Great. I'm famished. Let's go. Your little girl has the munchies. The munchies? Mm-hmm. The munchies. Hmm. Your story's starting to get real interesting.