Out on a Limb

>> male narrator: NOW ON AX MEN... >> [gags] >> DAMN, BRO. >> DOES THAT HURT? >> narrator: HEADACHES... >> DAMN. THAT'S MY FUTURE EX-WIFE. >> narrator: AND HEARTACHE... [horn honks] HAVE EVERYTHING GOING DOWNHILL. >> HEY, GET THE [bleep] OUT OF THERE! >> GET OUT OF THERE! >> [screaming] >> ADRIENNE. >> HOLY [bleep]! >> MAN, THIS SON OF A *** IS GETTING BAD. >> narrator: IN THE BAYOU... >> JUMP OUT. >> NO. >> narrator: SHELBY'S IN OVER HIS HEAD. >> [shouts] >> SHELBY! >> narrator: WHILE IN FLORIDA... >> YOU GOT IT? >> GOT IT. >> narrator: TEAMS ARE GUNNING FOR GOLD... >> HE COULDN'T FIND HIS *** WITH BOTH HANDS. >> narrator: AND EACH OTHER. >> IF YOU'D JUST GET IT RIGHT, MAN. [overlapping arguing] [rock music] ♪ ♪ >> AAH! >> AAH! >> narrator: THREE WEEKS INTO THE SEASON, THE PRICE OF LUMBER IS STILL SKY-HIGH, THANKS TO A NATIONWIDE BUILDING BOOM. AND IN THE RACE FOR KING OF THE MOUNTAIN... >> TIMBER! >> WHOO! >> narrator: PAPAC'S TAKEN THE LEAD, WHILE RYGAARD'S HARDLY MADE A DENT IN THE 85-ACRE SNAG HILL SITE. >> I GOT A LOT TO PROVE, AND THE STAKES HAVEN'T EVER BEEN HIGHER. >> narrator: IN THE PACIFIC NORTHWEST... >> YEAH, NOW WE'RE LOGGING! >> narrator: RYGAARD'S STRUGGLING TO DEFEND THEIR TITLE. >> I KNOW I'M IN A BATTLE. I KNOW EVERYBODY'S REALLY GUNNING FOR ME. I KNOW EVERYBODY WANTS TO TAKE ME OUT. NOW I'M HOPING THAT WE CAN MAKE A GOOD PUSH, GET OURSELVES RIGHT UP IN THE MIDDLE OF THIS THING. I WISH I HAD MY OLD MAN, BUT I DON'T. SO I GO FOR THE NEXT BEST THING, HOPEFULLY. >> narrator: LOOKING TO FILL THE SHOES OF HIS FATHER IN THE PROCESSOR... >> I'M AVAILABLE TO WORK WITH YOU IF YOU'RE NEEDING SOME HELP. >> narrator: GABE RECRUITED BROTHER JASON. >> I APPRECIATE IT. >> YEAH, NO PROBLEM. >> LET'S GET SOME [bleep] LOGS, DUDE. >> narrator: BUT BRINGING IN ANOTHER RYGAARD COMES WITH ITS OWN SET OF CHALLENGES. >> MY BROTHER, HE'S ALWAYS HAD HIS PREROGATIVES ABOUT HOW THINGS NEED TO GO, AND THEY'RE USUALLY, 99.9% OF THE TIME, NOT ANYTHING WHAT I'M DOING. >> MY MAIN REASON I WENT OVER TO HELP WAS BECAUSE MY DAD ASKED ME. IF MY DAD HADN'T ASKED ME, I'D HAVE STAYED RIGHT WHERE I WAS AT. >> narrator: NOW... ALONG WITH TWO OF JASON'S CREW, JONATHAN BLACK AND JEREMY BABKE... [horn honks] THE TEAM'S TRYING TO GET RYGAARD BACK ON SCHEDULE. >> OVER HERE NEXT. DON'T BE AFRAID OF A LITTLE BIT OF BARK. >> narrator: BUT THIS MORNING... >> [gags] >> WHAT'S THE MATTER, ALBEY? >> [bleep]. AS [bleep]. >> narrator: NOT EVERYONE'S MOVING AT TOP SPEED. >> LOOK AT THAT DRUNKEN... HE AIN'T GOT NO BUSINESS BEING HERE. >> I WENT OUT LAST NIGHT AND ENDED UP HAVING A FEW TOO MANY AND WAS PRETTY [bleep]-FACED. [retching] >> DAMN, BRO. >> [retching] >> ALBEY! ALBEY! GET UP HERE! TAKE YOUR DRUNK, HUNGOVER *** AND GET UP TO THE LANDING. MOVE IT! HEY! HEY! GUYS, SHUT HER DOWN. COME HERE FOR A SECOND. >> I'M [bleep] SO HUNGOVER. >> WHAT IN GOD'S GREEN EARTH WERE YOU THINKING? >> I WASN'T THINKING AT ALL. OBVIOUSLY, I [bleep]-- THE *** GOT TO ME, AND... I WAS BEING [bleep] STUPID. >> WHAT DO YOU WANT OUT OF LIFE? 'CAUSE WHAT DID I TELL YOU IN THE CREW BUS WHEN YOU STARTED HERE? DO YOU HAVE ANY CLUE? YOU--YOU DON'T REMEMBER? >> NOT RIGHT NOW, I DON'T. >> SAID, "YOU GO [bleep] CHASE [bleep] AND GET [bleep] DRUNK AND DO STUPID [bleep] ON THE [bleep] WEEKENDS. YOU DON'T DO IT ON MY [bleep] TIME DURING THE WEEK." SOME GUYS HAVE TO LEARN THE HARD WAY. ALBEY'S ONE OF 'EM. DOES THAT HURT? DOES THAT HURT YOUR HEAD A LITTLE BIT? 'CAUSE THAT AIN'T NOTHING COMPARED TO THE PAIN YOU'RE GONNA BE FEELING WHEN YOU START TO SOBER UP. I'M GONNA TAKE ALBEY WHILE HE'S DRUNK AND HUNGOVER, AND I'M GONNA PUT HIM DOWN IN THE RIGGING WITH JOHN AND JEREMY, AND THEY'RE GONNA RUN HIM TILL HE PUKES AND HOPEFULLY TEACH HIM A LESSON. AND HE'LL NEVER DRINK AGAIN DURING THE WORKWEEK. GET YOUR *** DOWN THE HILL. >> I DON'T KNOW WHAT THE HELL GABE'S THINKING. THAT POOR SUCKER, HE HAS NO BUSINESS EVEN BEING OUT THERE ON THAT JOB OR TRYING TO DO ANYTHING AROUND ANYBODY TODAY. >> ALBEY! >> GO. >> ALBEY, SET A [bleep]DAMN CHOKER. GO. GO, GO, GO, GO. HURRY UP. COME ON, ALBEY. NOW, ALBEY, GRAB THAT CHOKER. >> MOVE IT, ALBEY! I'LL FIRE YOUR *** RIGHT NOW. >> THAT. WRAP THAT UP RIGHT THERE. HURRY UP. >> COME ON, ALBEY! HURRY UP! >> [grunts] [retching] >> I WAS 20 YEARS OLD ONCE AND LOGGING, AND IF YOU PLAYED HARD, YOU HAD TO WORK HARD, AND THERE WAS NO IN BETWEEN. MY DAD TAUGHT US THAT, AND THAT'S THE WAY ME AND MY BROTHER HAVE ALWAYS DONE IT. >> [retches] >> DAMN IT, DUDE. >> [vomits] >> YOU KNOW, I DON'T KNOW WHAT THE HELL GABE'S THINKING. >> DON'T TELL ME YOU'RE PUKING ALREADY, YOU [bleep]. >> YOU KNOW, THIS IS A SERIOUS BUSINESS OUT HERE. THERE AIN'T NO ROOM FOR A GUY STUMBLING AROUND OUT HERE ALL HUNGOVER. >> ALBEY, GET YOUR HEAD OUT OF YOUR *** AND GET OVER HERE. >> DANGER! >> ALBEY, GET THE [bleep] OUT OF THERE. >> ALBEY! GET THE [bleep] OUT OF THERE! >> HEY, ALBEY! >> narrator: 2,100 MILES TO THE SOUTHEAST, ON THE SHORES OF LAKE PONTCHARTRAIN... >> SHELBY, I CAN'T WORK TODAY. MY BACK AND MY LEG. MAN, I'M HURT. >> narrator: WITH SHELBY'S COUSIN BELINDA DOWN AND OUT, THE SWAMP MAN'S GOT A NEW HIRED HAND. >> BELINDA GOT ME A NEW ASSISTANT TO HELP ME, MAN, WHILE HER BACK'S HURTING, MAN, BUT SHE'S KIND OF SMALL. HER NAME'S BRITTANY. I HOPE SHE WORKS OUT, DON'T HAVE TO DROWN HER OR NOTHING. >> WHAT DO YOU WANT TO DO? >> I WANT YOU TO DRIVE THAT PADDLEBOARD. >> ALL RIGHT, THEN. I'LL DRIVE A PADDLEBOARD. >> AND HAND ME STUFF. GIVE ME CHAIN SAWS. GIVE ME WRENCHES, GAS. >> I'M A PRETTY TOUGH GIRL. I CAN DRIVE A BOAT, I CAN DIG A DITCH, AND I CAN SHOOT A GUN. AND I'M JUST HERE TO MAKE SOME MONEY. >> IS SHE GETTING ANY OF YOUR-- ANY OF YOUR MONEY, BRITTANY? WHAT KIND OF MONEY SHE TOLD YOU? >> WE AIN'T TALKED NO MONEY. >> YEAH, WE AIN'T TALK ABOUT NO MONEY. >> GET IN THE BOAT THEN. >> I'D TALK MONEY BEFORE I GOT IN THE BOAT. [laughing] >> LITTLE GORILLA. IT'S GONNA COME OUT OF YOUR PAY IF THE--IF THE JOB DON'T COME OUT RIGHT. >> [laughs] >> YOU HEAR? >> WE'LL SEE. >> GONNA DOGGONE GET IT NOW, JUNIOR. HERE WE GO, JUNIOR. HOLD ON. WE HAVE TO GET OUT TODAY, PULL SOMETHING BIG, MAN. I GOT THIS BIG LOG ORDER, AND I FEEL LIKE I'M GETTING BEHIND. SEE IF WE CAN'T GO GET A BIG-- A BIG LOG, MAN. GET SOME MONEY. >> narrator: A FEW WEEKS AGO... >> WHAT YOU LOOKING FOR? >> ABOUT 200,000. >> 200,000 BOARD FEET? >> narrator: SHELBY LANDED THE BIGGEST JOB OF HIS LIFE. >> THANK YOU. OH, MAN. [both shout] >> narrator: BUT SO FAR, HE'S FAILED TO IMPRESS THE BUYER... >> I DON'T THINK YOU'RE GONNA GET IT, MAN. >> narrator: AND HE'S STILL GOT TO FILL ALMOST ALL OF THE 200,000 BOARD FOOT ORDER. >> WELL, SOMEHOW, I GOT TO PULL THIS [bleep] OFF. IF I DON'T GET THIS ORDER, I DON'T KNOW WHAT THE HELL'S GONNA HAPPEN TO SWAMP MAN LOGGING. IT COULD BE THE BEGINNING OF THE END OF MY EMPIRE. BRITTANY... WE GOT TO GET SOME GOOD LUCK, MAN. WE CAN'T TURN AROUND NOW, MAN. [thunder rumbles] OH, AND IS IT A BIG ONE. >> narrator: THE TEAM'S COME ACROSS A CYPRESS THAT'LL PUT THE SWAMP MAN ONE STEP CLOSER TO MAKING GOOD ON HIS PROMISE... >> IT LOOK LIKE A SOLID LOG, MAN. >> narrator: IF HE CAN BRING IT HOME. >> JUMP OUT, BRITTANY. SEE HOW DEEP IT IS. >> NO. >> NO? >> NO. >> YOU'RE WORKING. >> NO! >> JUMP OUT. GET OUT OF THE BOAT. BRITTANY DON'T UNDERSTAND, MAN. SHE THINK SHE'S THE DAMN BOSS, I THINK. SHE NEVER LOGGED BEFORE. SHE DON'T KNOW WHAT THE [bleep] IS GOING ON. GET OUT ON THE LOG. >> WAIT. HOLD ON. >> WHAT THE HELL IS WRONG WITH YOU? WE'RE WORKING. >> OH, MY GOD. >> GET IN THE WATER, THEN PUT THE ROPE AROUND THE LOG. PUT IT ABOUT 4 FOOT BACK ON THE END. 4 FOOT, NOT 10 FOOT. 4 FOOT. COME UP HERE NOW. >> OH, MY GOD. >> narrator: WITH THE LOG CHAINED UP, SHELBY'LL TRY TO FREE IT FROM THE MUD. >> WHAT'S THE MATTER WITH THIS THING? >> narrator: BUT THIS ONE AIN'T GOING WITHOUT A FIGHT. >> WE GOT TO GET THIS LOG AND THIS BOAT FACING THAT WAY. >> HOW ARE YOU SUPPOSED TO DO THAT? >> NEED TO GET OUT IN THE WATER AND PUSH THIS BOW AROUND REAL SLOWLY TILL WE GET FACING THAT WAY. >> SHELBY'S GOT TO BE KIDDING ME THAT HE WANTS TO ME TO GET OUT INTO THIS WATER RIGHT NOW. DOES HE NOT SEE THE WHITE CAPS? >> DON'T GET BETWEEN THAT LOG AND THE BOAT. >> NO [bleep]. >> narrator: SHELBY'S PLAN-- HAVE BRITTANY REPOSITION THE BOAT, HOPING A DIFFERENT ANGLE WILL GET THE LOG MOVING. >> TELL ME WHEN YOU'RE PUSHING. >> I'M PUSHING. >> PUSH ON THE BOW. >> I'M PUSHING. >> ON THE BOW. >> I'M PUSHING. >> ON THE BOW! THE FRONT OF THE BOAT. NOW, KEEP PUSHING! >> I CAN'T TOUCH BOTTOM. >> GET OUT OF THE WAY THEN. GET ON THE BOAT. >> I'M TRYING TO GET THE [bleep] ON THE BOAT. >> GO DOWN THE BACK OF THE BOAT AND GET ON. LISTEN. YOU HAUL THAT SON OF A *** RIGHT IN HERE. DON'T LET THAT BOAT GET WAY OVER HERE, AND DON'T LET IT GET WAY OVER THERE. IF IT TRIES TO GET WAY OVER HERE, YOU GIVE IT A LITTLE GAS AND STRAIGHTEN IT UP. >> YEAH. >> DON'T SAY, "YEAH." I MEAN, THIS IS [bleep]DAMN-- THIS SOME BAD [bleep], MOTHER[bleep]. >> WHAT ELSE DO YOU WANT ME TO SAY, OKAY? >> STRAIGHT INTO THEM WAVES. HEY, YOU STUPID MOTHER-- NO! >> SHELBY! >> narrator: COMING UP... >> DAMN. THAT'S MY FUTURE EX-WIFE. >> narrator: PAPAC GETS A NEW HIRE. >> I AIN'T GONNA BE ANY MORE EASY ON YOU THAN I AM THIS FAT [bleep] HERE. >> narrator: AND THE DREADKNOTS... >> JUST GET US SOME MARKS, SO WE KNOW RIGHT HERE. >> narrator: OPEN FIRE. >> WHOO! SWEAR THERE AIN'T NO BETTER JOB IN THE WORLD. SHOOTING TREES AND MAKING MONEY. >> narrator: ON LAKE PONTCHARTRAIN... SHELBY STANGA'S TRYING TO KEEP HIS LOGGING EMPIRE AFLOAT. >> LISTEN. YOU HAUL THAT SON OF A *** RIGHT IN HERE. IF IT TRIES TO GET WAY OVER HERE, YOU GIVE IT A LITTLE GAS AND STRAIGHTEN IT UP. >> YEAH. >> HEY, YOU STUPID MOTHER-- >> SHELBY! >> YOU IGNORANT MOTHER[bleep], SLOW IT DOWN. >> MAN, YOU FORGOT IT'S MY FIRST TIME DOING THIS [bleep]? >> GIVE IT A LITTLE GAS NOW, MOTHER[bleep]. MOTHER[bleep]. [shouting indistinctly] I'M GONNA GET ON THAT BOAT. >> HURRY UP. >> YOU MOTHER[bleep], YOU CAN'T SEE ME THROWING A [bleep]DAMN WHITEWASH ON THE--ON ME. >> NO, 'CAUSE I'M TRYING TO MAKE SURE I STAY STRAIGHT. >> WELL, YOU GOT TO [bleep] LOOK WHAT'S GOING ON. YOU CAN'T BE THAT [bleep] IGNORANT. >> NO, I'M NOT, BUT-- >> EVIDENTLY YOU ARE. >> FIGURE OUT HOW TO-- >> "FIGURE OUT"? FIGURE OUT YOU'RE [bleep] DROWNING ME BACK THERE? >> NO. >> narrator: THE SWAMP MAN MAY HAVE TAKEN A BATH, BUT HE'S ALSO TAKING HOME A PRIZE, A 40-FOOT CYPRESS LOG. >> WHEN ALL THAT WATER WAS HITTING YOU IN THE FACE... >> YOU GONNA KILL ME IN THE BACK. >> narrator: 2,800 MILES TO THE NORTHWEST... ON ALASKA'S KUPREANOF ISLAND... >> THIS SITE'S NO JOKE. IT'S ONE OF THEM SITES THAT EVEN GET THE BEST OF A VETERAN MAN LIKE ME OR JOE. I MEAN, EVERYBODY'S GONNA HAVE TO BE ON THEIR TOES. >> narrator: THE PAPAC CREW'S BATTLING A SITE THAT'S BEEN CALLED UNLOGGABLE. >> THIS IS THE KIND OF SITE YOU HAVE NIGHTMARES ABOUT. THIS IS THE NASTIEST SITE WE'VE LOGGED YET. IT'S THE WRONG UNIT TO BE BREAKING IN ON. >> narrator: TENSIONS HAVE RUN HIGH ON THE DANGEROUS TERRAIN. >> I'M SCARED, JOEY. I'VE HAD ENOUGH. I [bleep] QUIT. >> narrator: AND THE SITE ULTIMATELY PROVED TOO MUCH FOR GREENHORN ANTHONY LIVELY. SO TODAY... >> I BROUGHT YOU A NEW CHOKER SETTER, SO... >> narrator: OWNER MIKE PAPAC'S BROUGHT IN A REPLACEMENT. >> HER? >> THAT'S ADRIENNE. >> I WAS LIKE, "DAMN. THAT'S MY FUTURE EX-WIFE." >> BRINGING ADRIENNE IN TO MIX THINGS UP A LITTLE BIT. SHE'S NOT AFRAID TO WORK, AND HOPEFULLY, THEY'LL WORK A LITTLE HARDER THEMSELVES. ADRIENNE, THIS IS MIKE. >> HELLO. NICE TO MEET YOU. >> HOW ARE YOU, ADRIENNE? >> JOEY. >> ADRIENNE'S A BOY'S NAME. >> IT CAN BE A GIRL'S NAME. >> JASON. >> MY DAD'S KNOWN MIKE PAPAC FOR A LONG TIME, AND HE'S KNOWN ME MY WHOLE LIFE. AND HE BROUGHT ME OUT HERE TO GIVE 'EM SOME HELP IN THE RIGGING. JUST A CHALLENGE FOR ME. I LIKE TO DO THINGS THAT ARE NOT SO GIRLY AND, YOU KNOW, SOMETHING THAT'S TOUGH. >> WELL, I HOPE YOU CAN WORK LIKE A MAN. >> I GOT THIS. I CAN DO THIS. >> I WAS SURPRISED AT FIRST. THEN I GOT TO THINKING ABOUT IT. THERE'S NOBODY OUT HERE WHO'S GONNA PUNCH A GIRL, SO MAYBE WE'LL ALL GET ALONG NOW. >> WELL, LET'S GO FIND OUT. >> COME ON. COME ON, GUYS. LET'S GO GET SOME LOGS. >> KEEP HER SAFE, GUYS. >> THIS IS YOUR ANSWER? I DON'T THINK IT'S WHAT WE NEED, BUT IT'S YOUR CALL. >> WELL, JUST KEEP HER SAFE, IS ALL I ASK. SHE'LL WORK HER *** OFF. >> ALL RIGHT. WELL, WE WON'T LET HER DIE TODAY. >> OKAY, GET IT DONE TODAY. >> 10-4. >> narrator: TIGHT QUARTERS FORCED THEM TO LOG THIS SECTION DOWNHILL. >> THERE'S NOTHING SAFE ABOUT THIS SITE. WHAT YOU WANT TO DO IS, YOU WANT TO PAY ATTENTION AND STAY AWAY FROM THE HAUL BACK AND THEM CHOKERS--THAT'S WHAT'LL KILL YOU THE FASTEST. >> narrator: SO ADRIENNE'S STARTING WITH A CRASH COURSE IN THE MOST DANGEROUS TYPES OF LOGGING. >> THE LINES'LL HOOK UNDERNEATH A BIG SPRUCE LOG, AND IT'LL COME FLYING DOWN AND SMASH YOU. ALL RIGHT, ONE ON THE SPRUCE. CROSS LEADER. >> WHICH ONE'S THE SPRUCE? >> IT'S THE ONE WITH THE BLUE BARK. GOT IT? >> I THINK SO. >> NOW, DON'T [bleep] SMILE AT ME, ALL RIGHT? THIS IS SERIOUS. YOU BETTER PAY ATTENTION. I AIN'T GONNA BE ANY MORE EASY ON YOU THAN I AM THIS FAT [bleep] HERE. THE NEW GIRL LOOKS GREAT, BUT IT'S A MAN'S JOB. SO WE'LL SEE HOW IT GOES. WATCH YOUR HEAD. >> NOW WE'RE TWISTED. >> [bleep]. THEN GO UNDERNEATH THE LOG. GET THE HELL OUT OF THE WAY. >> narrator: FIRST LESSON... >> CAN YOU SEE IT? >> YEAH. >> narrator: SETTING A CHOKER. >> OKAY, NOW, COME ON. PULL ON IT. >> [grunts] >> narrator: BUT MANHANDLING THE STEEL CABLE IS ALREADY WEARING OUT THE NEWCOMER. >> NOW, PUT IT IN THE HOLE. THERE YOU GO. ANOTHER ONE IN THE HOLE. THERE YOU GO. >> I'M DEFINITELY HERE TO PROVE MYSELF, AND THIS IS MY FIRST DAY, AND I'M GONNA WORK MY *** OFF. I'M GONNA DO WHATEVER I CAN TO GET ON JOE AND COATSY'S GO--GOOD SIDE. THEY DEFINITELY ARE THE PEOPLE THAT I WANT TO IMPRESS. >> ARE YOU CLEAR OVER THERE? >> narrator: BEFORE JOE CAN SEND THE TURN... >> COME ON, GUYS! >> narrator: THE CREW HAS GOTTA CLIMB UPHILL AND OUT OF THE WAY OF THE AIRBORNE LOGS. [horn honks] >> HERE WE GO! [horn honks] >> WHOA. >> DAMN, THAT'S A BIG LOG. >> COME ON, ADRIENNE. QUIT DRAGGING YOUR ***. COME ON, GRAB IT. OVER THERE, SLIM. SHE--SHE CAN GET IT. DON'T WORRY. I'M NOT GONNA HELP YOU. DON'T LOOK AT ME. HE'LL HELP YOU, BUT I AIN'T. >> DON'T LET JOE GET TO YOU. HE'S A JERK ALL THE TIME. SO IS THIS YOUR FIRST TIME IN ALASKA? >> YEAH. >> YEAH? YOU LIKING IT? >> MM-HMM. YEAH, IT'S BEAUTIFUL. >> WHERE'D YOU COME FROM? >> MONTANA. >> RIGHT ON. YOU GOT A BOYFRIEND BACK HOME? >> NO, I DON'T. >> NO. [horn tooting] >> HEY, WHAT THE HELL ARE YOU DOING? YOU GUYS, GET IN HERE, AND GIVE HIM A HAND! DAMN IT, I GOT LOGS FLYING EVERYWHERE, AND SLIM'S OVER THERE TRYING TO GET INTO ADRIENNE'S PANTS. >> [laughs] HOW DO I DO THIS? >> THIS IS CALLED AN OVER-UNDER. >> OKAY. >> RIGHT HERE. >> OKAY, DO YOU WANT ME TO HAND THAT OVER? >> YEAH, HAND THAT THROUGH TO ME, THANK YOU. >> YOU GOT IT? OKAY. >> SO, ADRIENNE... >> YEAH? >> WHEN YOU AIN'T BEING A LOGGER, WHAT DO YOU LIKE TO DO FOR FUN? >> I DO A LITTLE YOGA. >> SLIM, SLIM! GET THE HELL OUT OF THERE! >> WELL, I HAPPEN TO LIKE YOGA TOO, SO MAYBE WE CAN HIT A YOGA CLASS OR SOMETHING. >> YEAH. >> [groans] [horn honks] OH, GREAT. LOOKS LIKE WE LOST ONE. I GUESS, YOU KNOW, WE GOT 500 LOGS IN THIS DECK. WE'LL JUST GET 'EM ONE AT A TIME, ALL RIGHT? >> OH, MAN. >> COME ON, GUYS! GET YOUR *** IN GEAR. [horn honking] >> narrator: WITH A BIT OF TRAINING UNDER HER BELT... >> [grunting] >> COME ON, PULL ON THAT-- PULL ON IT LIKE YOU GOT A PAIR. >> narrator: ADRIENNE TRIES SETTING A CHOKER ON HER OWN. >> I THOUGHT YOU WANTED TO BE A LOGGER. >> IT IS EXTREMELY HEAVY. [grunting] >> COME ON, GUYS! HUSTLE! COME ON UP HERE, SLIM. YOU DON'T GOT TO HELP HER. HEY, JUST CLEAR OUT OVER THERE. >> ALL RIGHT. >> ARE YOU CLEAR OVER THERE? >> YEAH. >> OKAY, HERE WE GO. [horn honks] >> OH, OH, OH! >> ADRIENNE! >> HOLY [bleep]! >> narrator: ON RYGAARD'S SNAG HILL SITE... >> [gagging] >> narrator: GREENHORN ALBEY'S HUNGOVER... >> [gags] >> ALBEY, GET YOUR HEAD OUT OF YOUR ***. GET OVER HERE. >> narrator: AND IN THE LINE OF FIRE. >> DANGER. >> ALBEY, GET THE [bleep] OUT OF THERE. >> ALBEY! >> GET OUT OF THERE! >> GET THE [bleep] OUT OF THERE! >> ALBEY! >> WHY DIDN'T YOU GET OUT OF THERE? DO YOU GOT A DEATH WISH? >> NO. >> GET THE [bleep] OUT EVERY TIME I [bleep] TELL YOU. GET OUT OF THERE WHEN I TELL YOU TO GET OUT OF THERE. >> narrator: GABE'S SET ON TEACHING ALBEY A LESSON BY KEEPING HIM ON THE JOB... >> YOU KNOW, I DON'T KNOW WHAT THE HELL GABE'S THINKING. THIS IS A SERIOUS BUSINESS OUT HERE. THERE AIN'T NO ROOM FOR A GUY STUMBLING AROUND OUT HERE ALL HUNGOVER. THAT'S DANGEROUS. >> narrator: BUT HIS TACTICS ARE RUBBING JASON THE WRONG WAY. >> HEY, ALBEY. HOW MUCH SLEEP YOU GET LAST NIGHT, HUH? HUH? >> [gagging] >> LET'S GO. GET THE [bleep] OUT OF THERE. >> COME ON, ALBEY. GET YOUR *** MOVING. >> COME ON. >> YOU KNOW, BACK WHEN MY DAD WAS AROUND, WE WOULDN'T BE PUTTING UP WITH SOMEBODY OUT HERE IN THAT KIND OF SHAPE. WE'D JUST LEAVE THEIR *** HOME. >> DUDE, YOU'RE SLOW SOBER. YOU'RE [bleep] EVEN SLOWER NOW. >> IT'S ALL FUN AND GAMES NOW, AIN'T IT, ALBEY? >> [gags] >> COME ON, ALBEY. YOU GOT TO PUSH YOURSELF ALL DAY. >> I'M ABOUT FED UP WITH THIS CRAP. I DON'T EVEN KNOW WHY I'M STILL HERE. I CAME TO GET LOGS, NOT SCREW AROUND AND BABYSIT. >> MOVE YOUR *** RIGHT NOW. >> [gagging] >> ABSOLUTELY RIDICULOUS. YOU KNOW WHAT? TO HELL WITH THIS. I DON'T NEED IT. HEY! >> WHAT? WHAT ARE YOU DOING? >> I'VE HAD IT. I'M OUT OF HERE. >> DON'T YOU [bleep] GET OUT OF THAT MACHINE. >> I'M GOING HOME. >> NO, YOU'RE NOT. >> YEAH, I AM. >> NO, YOU'RE NOT. >> I'M DONE. I AIN'T GOT NO MORE PATIENCE LEFT FOR ANY OF THIS. PUTTING EVERYBODY ELSE IN DANGER JUST TO TRY AND TEACH ALBEY A LESSON. THIS IS JUST GETTING TOO STUPID FOR ME. >> HEY. THAT'S [bleep] BULL[bleep]! >> WHAT'S GOING ON, JASON? >> I'M OUT OF HERE. >> YOU'RE OUT OF HERE FOR GOOD? >> MAYBE. I KNOW THIS: I DON'T NEED THIS. >> WHAT'S THE PROBLEM? YOU JUST DON'T WANT TO WORK WITH YOUR BROTHER ANYMORE, OR WHAT? >> I JUST DON'T WANT TO-- I DON'T WANT TO PUT IN THE TIME AND THE HOURS AND ALL THE CRAP THAT IT'S TAKING TO GET THIS DONE THE WAY WE'RE DOING IT. IT JUST--IT AIN'T WORKING. WHAT WE'RE DOING JUST AIN'T WORKING. ONE GUY'S COMPLETELY WORE OUT AND EXHAUSTED. TAKE THAT. I DON'T WANT IT. >> WAS THIS A BAD IDEA FROM THE START? >> MAYBE. MIGHT BE A BAD IDEA RIGHT FROM THE GET-GO. >> HEY. >> I'M TIRED OF BEING A BABYSITTER FOR YOUR CREW. I CAN'T KEEP DOING THIS, SHOWING UP WITH ALL THE STUPID CRAP THAT THEY GOT GOING ON DOWN THERE ALL DAY, EVERY DAY. I JUST--I DON'T WANT TO DO IT. I DON'T WANT TO DEAL WITH IT. I WANT TO GET OUT OF HERE AND GO BACK TO DOING WHAT I LIKE DOING. I'M READY TO BE DONE. I'M READY TO BE DONE. >> WELL, I GUESS I GOT BIGGER PROBLEMS THAN WHAT I THOUGHT. >> I DIDN'T WANT TO COME OVER HERE. IF DAD HADN'T COME OVER AND ASKED ME TO COME OVER HERE AND WORK WITH YOU, I WOULDN'T BE HERE. >> I DON'T GOT NOBODY. I'M--I AM--I'M-- I NEED SOME HELP. I JUST WANT TO GET THROUGH THE DAY, GET SOME LOGS OUT, GET THIS DONE. >> ALL RIGHT. >> YEAH. >> ALL RIGHT. >> YEAH. >> I'LL GO GIVE IT A SHOT. >> I'M IN A TIGHT SPOT. I GOT MY *** AGAINST A WALL, NOWHERE TO GO, AND I DON'T KNOW WHAT IS GONNA HAPPEN. >> narrator: 2,500 MILES TO THE SOUTHEAST, IN THE FLORIDA LOG-OFF, THE DREADKNOTS HAVE FALLEN BEHIND CHAPMAN. >> HEY, CLINT, MAN. PUT US IN THE WATER, SON. >> narrator: SO TODAY, CLINT AND KRAKEN ARE LOOKING TO GET BACK ON TRACK. >> I TELL YOU WHAT, MAN. THIS YEAR AIN'T BEEN THE BEST FOR US. JUST SEEMS LIKE EVERYTHING THAT COULD GO WRONG HAS GO WRONG. THE BOAT SHEERED ON THE WINCH, DUDE. >> OW! >> [groaning] >> DAMN PROPS ALL MESSED UP, MAN. >> WE GOT LEGIT COMPETITION. IT--IT AIN'T LOOKING GOOD. WE GOT TO WIN, AND WE'RE BEHIND. PULL UP RIGHT UP HERE, WHERE THIS BIG LIVE OAK TREE'S COMING OUT. KRAKEN, GO AHEAD AND GET YOUR GEAR ON. WE'RE GONNA POP YOU OUT A NICE LITTLE GRID. I'M GONNA GO ABOUT 1/2 MILE UPRIVER AND START POPPING OUT. WE GOT TO COVER MORE WATER. >> narrator: TO DOUBLE THEIR CHANCES OF FINDING SUNKEN TREASURE, THE CREW'S SPLITTING UP TO COVER TWICE AS MUCH GROUND. >> PLAN IS, HE'S GONNA FIND A BUNCH OF LOGS UP HERE. I'MA FIND A BUNCH DOWN THERE. WE'RE GONNA MEET IN THE MIDDLE, AND WE'RE GONNA START PULLING LOGS. YOU KNOW I'M GOING TO FIND 'EM. YOU BETTER GET ON YOUR-- YOU BETTER GET ON YOUR HORSE. >> WHEN YOU'RE--WHEN YOU'RE IN A COMPETITION, YOU GOT TO DO WHAT YOU GOT TO DO, MAN. >> ALL RIGHT, CUZ. WE GOT TO FIND MORE THAN HIM. THAT WAY, WE CAN LISTEN TO HIM CRY ALL THE WAY HOME. >> YEAH. >> narrator: WITH KRAKEN ALREADY ON THE HUNT, CLINT AND KATELYN HEAD TOWARDS A POTENTIAL HOT SPOT. >> WANT YOU TO GET THE PAINTBALL GUN OUT AND RIG UP. GET SOME PAINTBALLS IN IT. >> MM-HMM. >> WHEN I START POPPING LOGS, YOU JUST START MARKING TREES. WHAT WE DO, WE SEND THE KRAKEN WITH ALL THE BUOYS. AND WHAT I TELL CUZ--I'M LIKE, "LOOK, EVERY TIME I POINT ONE OUT, YOU TAKE THE PAINTBALL GUN OUT, PUT SOME PAINT ON THE TREE, MARK IT, AND I'LL COME BACK AND FIND IT AGAIN." YOU GOT IT COVERED? >> I THINK SO. I GOT FAITH IN YOU, BUDDY. LET'S GO GET US SOME MONEY. MAMA NEEDS NEW SHOES. COME ON. >> JUST GET US SOME MARKS, SO WE KNOW, RIGHT HERE. YOU GOT IT? >> GOT IT. WE'RE ON TO THE NEXT ONE. SWEAR THERE AIN'T NO BETTER JOB IN THE WORLD. SHOOTING TREES AND MAKING MONEY. >> CUZ! >> WHAT? >> THAT'S NUMBER TWO RIGHT HERE. >> ALREADY? HELL YEAH. THAT'S NUMBER TWO. >> SKILL, SKILL. MAN, PEOPLE JUST DON'T OPERATE ON THE LEVEL OF AWESOME I DO. IT'S JUST, "HERE'S A LOG. HERE'S A LOG." >> WHOO! HE JUST KEEPS FINDING 'EM. I DON'T KNOW HOW HE DOES IT. >> WE ARE KICKING ***, TAKING NAMES. >> THERE WE GO. >> CUZ! >> YOU GOT IT? HOLY [bleep]. >> THAT'S IT, SON. YEAH, THEM BOYS JUST DON'T KNOW WHAT THEY'RE ABOUT TO GET. >> ALREADY? >> START FIND 'EM LAYING IN HERE LIKE THIS, THEY'RE GONNA BE RIGHT HERE EVERYWHERE. WE ALREADY GOT MORE THAN WE GONNA BE ABLE TO HAUL. >> ALL RIGHT. >> LET'S GET THESE--GO GET THE KRAKEN AND GET THESE PULLED, AND LET'S GET THESE THINGS UP-- DOWN PAST THE SHOALS. >> OKAY. >> narrator: AFTER MARKING A TREASURE TROVE OF LOGS... >> THERE'S ONLY SO MUCH AWESOME TO GO AROUND, AND WE GOT IT ALL. >> I AGREE. >> narrator: IT'S TIME TO CHECK ON THE CREW'S BIGGER HALF. >> AND I KNOW MY BOY'S GOT US COVERED ON THE OTHER END. >> YEAH. >> HELL, IF HE'S GOT HALF OF WHAT WE GOT. >> I AGREE. >> HEY, WE DONE WENT FAR ENOUGH? >> WE SHOULD'VE ALREADY MET UP WITH HIM SOMEWHERE. I DON'T EVEN SEE-- >> MAN, I DON'T--I AIN'T MISSED THEM BUBBLES. I'VE BEEN LOOKING. WE HEAD UPRIVER. HELL, WE UPRIVER ABOUT 1/2 MILE. CAN'T FIND HIM. I KNOW WE AIN'T SEEN NO BUBBLES. DON'T KNOW WHERE THE HELL HE'S AT. ACTUALLY STARTING TO GET A LITTLE WORRIED ABOUT WHERE THE HELL HE'S AT. BOY MAKES ME NERVOUS, NOW. >> narrator: COMING UP... >> HE COULDN'T FIND HIS *** WITH BOTH HANDS. >> narrator: TENSIONS SPILL OVERBOARD. >> IF YOU'D JUST GET IT RIGHT, MAN. [overlapping arguing] >> narrator: ON ALASKA'S KUPREANOF ISLAND... >> I'M DOING IT. >> THERE YOU GO. >> narrator: THE FIRST DAY FOR NEW GREENHORN ADRIENNE... >> ARE YOU CLEAR OVER THERE? >> YEAH. >> narrator: IS QUICKLY GOING DOWNHILL. >> OKAY, HERE WE GO. >> OH, OH, OH! >> ADRIENNE! >> HOLY [bleep]! >> ARE YOU OKAY? >> OH, MY GOD. OH, MY GOD. >> WHAT THE HELL ARE YOU DOING STANDING ON THE DECK? THAT'S THE WORST SPOT TO STAND. >> I DIDN'T [bleep] KNOW. >> YOU CANNOT BE ON THE DECK OR ANYWHERE NEAR IT. >> YEAH, YOU TOLD ME YOU WERE CLEAR. >> JOSEPH, EVEN IF SHE SAYS SHE'S CLEAR, IT'S HER FIRST DAY. YOU GOT TO TELL HER WHERE TO BE. SHE DON'T KNOW WHAT THE HELL'S GOING ON. YOU GOT TO PAY A-[bleep]-TTENTION TO YOUR PEOPLE! >> WHATEVER, DUDE. >> "WHATEVER, DUDE," MY [bleep] ***. YOU'LL THINK "WHATEVER, DUDE," WHEN A [bleep] HELICOPTER'S HERE PICKING SOMEONE UP, ***. >> IT WAS A BAD SITUATION. IT WAS A REALLY CLOSE CALL. SHE SHOULDN'T HAVE BEEN STANDING--I SHOULD'VE MADE HER STAND OVER HERE NEXT TO ME, BUT I TOLD HER TO CLEAR OUT ACROSS THE LINES, AND I ALMOST KILLED HER. >> I SUGGEST YOU PULL YOUR [bleep] TOGETHER AND FIGURE OUT WHAT'S GOING ON, BECAUSE YOU'RE GONNA LOSE HER. THEN YOU'LL HAVE NOTHING TO LOOK AT, BESIDES LOGS, AND THEN MAYBE YOU'LL KNOW WHEN TO JOKE. >> GET AWAY FROM ME, YOGA BOY. >> I KNEW THIS WAS GONNA BE A BAD IDEA. EITHER EVERYBODY'S LOST IN LA-LA LAND OR GOGGING AT HER, OR--I DON'T KNOW. IT'S JUST STUPID. >> TODAY WAS ABSOLUTELY TERRIBLE. IT WAS SCARY. IT WAS HARD. BUT YOU KNOW WHAT? I'M GONNA KEEP COMING OUT HERE, AND I'M GONNA DO THIS. >> narrator: 3,100 MILES TO THE SOUTHEAST, IN CENTRAL FLORIDA... >> ALL RIGHT, MAKE SOME MONEY. PUSH OFF. LET'S RIDE. >> THE CHAPMAN CREW HITS THE ST. JOHNS RIVER, THE DARK, MURKY WATERS THEY'VE DOMINATED FOR YEARS. >> I'LL FIND IT. IF IT'S DOWN THERE, I'LL FIND IT. I'LL SWIM THAT CIRCLE, AND THEN I'LL--IF I DON'T FIND IT, I'LL CUT BACK AND SWIM THE HALF CIRCLE. >> narrator: BUT NEWEST CREW MEMBER, PATRICK SWILLEY, IS STILL TRYING TO MAKE HIS MARK. >> ALL I WANT TO SEE OUT OF SWILLEY IS [bleep]HOLES AND ELBOWS. I THINK WE CAN GO AHEAD AND WORK THE EAST SIDE OF THIS RIVER. THAT'S KIND OF ON THE INSIDE. THOSE LOGS PROBABLY, AS THEY CAME AROUND, WOULD'VE WENT TO THE--MAYBE TO THE INSIDE HERE IN THIS BEND. >> YEAH, THAT SOUNDS LIKE A GOOD IDEA. >> narrator: MOST CREWS WOULD STRUGGLE IN THE BLACK WATERS OF THE ST. JOHNS. >> HOOKED UP, JETER? >> YEP. >> narrator: BUT WITH AN ARSENAL OF HIGH-TECH WEAPONS, LIKE THEIR $50,000 SONAR, THE CHAPMAN TEAM DOESN'T MISS A BEAT. >> THAT'S ONE. >> YEAH, YOU SEEN ME CHECKING IT OUT. THAT'S A DANG GOOD ONE. >> THAT'S A BAD BOY RIGHT THERE. THAT'S A GOOD LOG. ALL RIGHT, JETER, BE READY. COMING UP ON IT. JUST 10 FEET. THAT'S A GOOD MARK. WE GOT IT. DEAD ON IT. GOOD--GOOD JOB, JETER. >> THROW THE ANCHOR OUT. YOU WANT TO GO AHEAD AND GET SUITED ON UP. JETER, HELP SWILLEY GET SUITED UP. WE NEED TO GET ON IN THE WATER AND GET THIS DONE. >> narrator: THE BOSS GIVES SWILLEY ANOTHER CHANCE TO PROVE HE BELONGS. >> YOU GONNA PUT THIS MOTHER[bleep] ON OR NOT? >> I'M TRYING TO. YOU ACTING CRAZY. >> narrator: BUT JETER'S ALREADY GOT HIS MIND MADE UP. >> MAN, GIVE ME THIS DOGGONE THING, MAN. BEING A PAIN IN MY ***. >> SWILLEY, HE'S NOT GOOD FOR NOTHING. HE'S JUST USELESS AS [bleep] ON A BOAR HOG. >> HEY. >> WHATEVER HE'S GOT ANY PROBLEMS WITH, HE NEEDS TO GO AHEAD AND GET OVER IT, YOU KNOW? 'CAUSE I'M OUT HERE TRYING TO FIND LOGS AND MAKE US BOTH A PAYCHECK. >> HOW ABOUT IT, SWILLEY? HAVE YOU FOUND ANYTHING? OKAY. >> NEED TO PICK UP THE PACE. SWILLEY, HE THINKS HE KNOWS EVERYTHING ABOUT LOGGING. I GOT NEWS FOR HIM. HE DON'T KNOW [bleep]. THAT'S GONNA TAKE HIM ABOUT DAMN FOREVER TO FIND THAT DAMN LOG. >> narrator: VISIBILITY IN THE RIVER IS LESS THAN A FOOT. >> ALL RIGHT, GO AHEAD AND SWIM BACK TO THE ANCHOR. YOU'RE--YOU'RE NORTH OF THE ANCHOR. I DON'T KNOW WHAT IN THE HELL HE'S DOING, JETER. >> DAMN IT, BOY. THAT AIN'T GOOD. HE SHOULD'VE HIT IT ON-- ON ONE RUN. HE SHOULDN'T HAVE TO SHORTEN UP. >> HE SHOULD'VE BEEN ON THAT LOG. >> YEAH, HE SHOULD'VE BEEN-- BEEN ON IT. >> I TOLD YOU HE DIDN'T KNOW WHAT THE HELL HE WAS DOING. YOU GOT TO BRING HIM ON UP. HE'S GONNA RUN OUT OF AIR SOON. >> SWILLEY, LET'S GO AHEAD AND--AND COME ON UP. WE'RE GONNA MAKE A MOVE UP HERE AND LET ROGER GO DOWN. ROGER, WE'RE GONNA GO AHEAD AND GET YOU SET ON UP. >> ALL RIGHT. >> WHAT THE HELL'S GOING ON, SWILLEY? >> I COULDN'T FIND NOTHING. >> YEAH, SWILLEY. YOU DIDN'T FIND THE LOG? IT'S DOWN THERE. >> I CAN'T SEE NOTHING DOWN THERE, MAN. IT'S DARKER THAN DARK, MAN. >> I KNEW YOU WEREN'T GONNA FIND NOTHING. HE COULDN'T FIND HIS *** WITH BOTH HANDS. >> WELL, WHAT THE HELL'S GOING ON, MR. GUNTER? >> IT'S NOT MY [bleep]DAMN FAULT. >> WHAT? NO, YOU AIN'T GOT TO LISTEN TO HIM. >> YOU'RE SUPPOSED TO HELP ME OUT. >> IT'S NOT MY DAMN FAULT. YOU DON'T KNOW WHAT THE HELL YOU'RE DOING. >> IF YOU'D JUST GET IT RIGHT, MAN. [overlapping arguing] >> narrator: ON FLORIDA'S ST. JOHNS RIVER... >> YOU DON'T KNOW WHAT THE HELL YOU'RE DOING. >> narrator: TEMPERS ON THE CHAPMAN CREW HAVE BOILED OVER. [overlapping arguing] >> THAT CRAZY SON OF A ***. >> GET--GET JETER. >> COME HERE, [bleep]. >> GET HIM, ROGER. THEY'RE CRAZY SON OF A ***. LORD HELP ME. >> GIVE ME YOUR HAND, JETER. ALL RIGHT. HANG ON TO THAT JUST A MINUTE. >> COME ON, SWILLEY. GET ON UP TO THE FRONT OF THE BOAT. GIVE ME SOME ROOM BACK HERE. JETER, YOU ALL RIGHT? >> I'M ALL RIGHT. >> HOLD ON, Y'ALL BACK OFF. WE CAN'T HAVE NONE OF THIS BULL[bleep]. WE'RE LOGGERS, [bleep] DAMN IT. WE GOT TO MAKE IT HAPPEN. Y'ALL GOT TO QUIT THIS BULL[bleep]. AIN'T THAT RIGHT, MR. GUNTER? 'CAUSE I DON'T NEED THAT [bleep]. >> MAN, I AIN'T NEVER HEARD OF A MAN THAT LIVES ON THE RIVER, A LOGGER THAT COULDN'T SWIM. >> AND YOU AIN'T GOT ARTHRITIS EITHER. MAKE IT CUT NEXT TIME. >> WELL, YOU BETTER CUT DEEP. >> IT'LL BE DEEP. >> Y'ALL ABOUT GOT ME TO HAVE A DAMN HEART ATTACK. I DON'T NEED THAT [bleep]. WE GOT TO RESPECT EACH OTHER OUT HERE. OUR--OUR LIVES IS IN EACH OTHER'S HAND. Y'ALL AIN'T GOT TO BE FRIENDS, BUT LET'S STAY AWAY FROM EACH OTHER THIS AFTERNOON. SIT DOWN BACK HERE. GET YOUR *** BACK THERE, AND SIT DOWN. I HAD ALL THE [bleep] I COULD TAKE. >> ALL RIGHT. >> [muffled speech] BOTH OF YOU. ALL RIGHT? >> ALL RIGHT. >> WHERE'S MR. GUNTER AT? ROGER? THERE HE IS, RIGHT THERE. PULL IT IN. >> BOSS MAN, I FOUND THE DAMN LOG. IT'S A BIG SON OF A ***, I'M TELLING YOU. >> START WINCHING. ALL RIGHT. IF IT'S AS GOOD AS I THINK IT IS, IT COULD HAVE 500 TO 600 BOARD FEET IN IT. SEE, THAT'S THE DIFFERENCE WITH A MASTER LOGGER. THE OLD MAN KNOWS WHAT HE'S DOING. >> I WAS LOGGING, BOSS MAN, BEFORE THAT DAMN BOY WAS EVER BORN. >> THE ONLY WAY HE'LL EVER BE WORTH A DAMN IS, WE HAVE A PROFESSIONAL MAN TEACH HIM. BUT LET'S GET OFF THIS RIVER AND GET HOME. I'VE GOT A HEADACHE. I CAN'T TAKE ANYMORE, ALL RIGHT? >> THAT'S GOOD. LET'S DO IT. >> narrator: AS LONG AS CHAPMAN KEEPS PULLING LOGS LIKE THIS ONE, THEY STAND A GOOD CHANCE OF BEATING THE DREADKNOTS, IF THEY DON'T BEAT EACH OTHER FIRST. >> I THINK TODAY IS ONE OF THEM DAYS I NEED ME A BOTTLE OF WHISKEY. >> narrator: IN NORTHERN FLORIDA... >> WHERE DO YOU THINK HE IS? >> HOPEFULLY WRAPPED AROUND A BIG OLD FAT PIECE OF WOOD. >> UH-HUH. >> narrator: CLINT AND KATELYN ARE ON THE HUNT FOR THE KRAKEN. >> WE CANNOT FIND KRAKEN ANYWHERE. I DON'T KNOW WHERE HE CAN BE, BUT WE AIN'T FINDING HIM. >> HEY, CUZ. LOOK BEHIND YOU. TELL ME YOU GOT SOMETHING, SON. >> WELL, WE DOING ALL RIGHT THEN, AIN'T WE? YES! >> narrator: KRAKEN'S SOLO SEARCH PAYS OFF... >> HELL, YES, LOOK AT THAT. >> THERE WE GO. ALL RIGHT. >> narrator: AS THE CREW BAGS TWO 100-YEAR-OLD AX-CUT PINES. >> [laughs] LOOK AT THE AX CUT INTO THIS THING. LOOK AT THAT, SON. >> YOU GOT IT. >> THAT'S A MONEY LOG RIGHT THERE. >> THAT'S PRETTY NICE. >> A FEW MORE DAYS LIKE THIS, OLD GREG CHAPMAN AND THE GERIATRICS, THEY AIN'T GONNA STAND A CHANCE, MAN. >> narrator: ALONG WITH CLINT AND KATELYN'S SCORE, THE DREADKNOTS ARE SUDDENLY CLIPPING ON CHAPMAN'S HEELS. >> HIGH FIVE FOR THE MEDIUM-RARE TEAM. >> IF YOU DON'T KNOCK ME OUT. >> narrator: IN HONOR OF THE TEAM'S FIRST BIG HAUL OF THE SEASON... >> WELL, CAPTAIN CLINT'S GOT A BAG FULL OF STEAKS, MAN. WHERE ARE WE COOKING THIS CRAP AT, MAN? >> narrator: IT'S TIME TO CELEBRATE. >> NOW, I'M GONNA HAVE TO BOY-SCOUT SOME [bleep]. >> SO WHAT ARE WE DOING HERE, MAN? >> I NEED A STICK. YOU NEED SOME LIGHTER FLUID. LET ME SHOW Y'ALL THIS TRICK I LEARNED IN VIETNAM ABOUT HOW TO START A FIRE. I GET THE SHOTGUN SHELL. CUT THE CASING OFF OF IT. TAKE A STICK. YOU GONNA DOUSE THAT STICK DOWN WITH SOME LIGHTER FLUID. ROLL OUT THIS LINE OF GUNPOWDER RIGHT HERE. UNHOOK THE POSITIVE AND THE GROUND FROM THE WINCH. ARC SOME SPARKS INTO THE GUNPOWDER. LIGHT THE GUNPOWDER. LIGHT THE STICK. LIGHT THE FIRE. >> HEY, IS TECHNICALLY SAFE? 'CAUSE I GOT HAIRSPRAY IN MY HAIR. >> NOPE. >> WHOO! >> HELL YES. >> I'M JUST SAYING THAT I AM AWESOME. >> I'LL BE DAMNED. LOOK AT THAT [bleep]. >> [imitates fire igniting] INSTANT FIRE, SON. DREADKNOTS EATING STEAK DINNER TODAY. >> THAT'S A PRETTY GOOD STEAK, MAN. I AIN'T GONNA LIE. >> DREADKNOTS FINALLY HAVE A NORMAL, BADASS DREADKNOT DAY. YOU KNOW, WE'RE GOING OUT THERE. WE'RE KICKING ***. WE'RE GETTING LOGS. WE'RE GETTING THE JOB DONE. >> WE SHOULD EAT STEAK EVERY DAY, MAN. >> WELL, WE KEEP PULLING LOGS LIKE THIS, WE PROBABLY CAN. >> THAT'S IT. >> narrator: NEXT TIME... >> [laughing] >> narrator: ON AX MEN... >> ALL RIGHT, COME ON. LET'S HUSTLE. >> YOU'RE OKAY. >> [crying] >> narrator: THERE'S NO CRYING IN LOGGING. >> N-N-N-N-N-N-NO. HELL NO. >> WHAT ARE YOU EVEN DOING OUT HERE IF YOU CAN'T DO YOUR JOB? >> narrator: BUT WITH PRESSURE BUILDING... >> [groans] >> IF WE DON'T GET IT DONE, I'M DONE. >> HO, HO, HO, HO, HO! WHOA! >> AW! >> HEY! >> narrator: AND SKIES FALLING... >> OH, [bleep]. >> narrator: FOR SOME... >> ALBEY! >> [groans] >> [bleep], I'M BLIND! >> narrator: IT'LL PROVE TOO MUCH.