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Nobody knows the movies I've seen... I need that show on YouTube... wait a second! If
I just break out of here, I can review all the films I want. Does anybody have a rock
hammer!? This is Movie Night!
Hello and welcome to the fifth season of Movie Night! Back in a brand new suit and tie, I'm
your host, Jonathan Paula. As with every year, I took the summer off from my film reviewing
to focus on other projects, and enjoy my summer vacation... while the folks here at the TCL
Chinese Theater were hard at work renovating Hollywood's most iconic picture house with
a retrofitted IMAX screen and stadium seating... so welcome to the new home of Movie Night!
To coincide with the release of "The Escape Plan", tonight's theme will be prison films
- an old one, a proper full-review of the best one, and the new one. We begin with,
"The Great Escape".
Released on the 4th of July in 1963, this ensemble adventure drama film tripled its
$4-million dollar budget, and has remained a hit with audiences, 50 years later. Featuring
composite-characters, and taking artistic liberties, the story is otherwise decently
faithful to a real-life escape attempt by dozens of allied forces from a German POW
camp during World War II. The all-star cast features Steve McQueen, who is, as always
- the master of cool, an ambitious and impatient American who spends a majority of the picture
attempting escapes, and getting locked in the "cooler". Also starring is a young James
Garner as the "Scrounger", Donald Pleasance as the prisoners' resident "forger", Charles
Bronson as their chief tunnel digger, Richard Attenborough as the overseer of the escape
endeavor, and a host of other male actors playing both the good guys, and the bad. The
otherwise taleneted cast hardly does more than joke around and deliver exposition though.
When initially detained, the ranking British officer dutifully reminds his captor, "It
is the sworn duty of all officers to try to escape." It's this quaint, civilized understanding
between the allies and the Germans than makes the dynamics of this picture more playful
and lighthearted than other prison films - as everyone maintains their composure and respect
for each other. Director John Sturges stays friendly with slow-moving anamorphic wide-shots,
which although typical for the period, rarely elicits any excitement. Although seldom used,
composer Elmer Bernstein's theme is certainly an iconic one... an upbeat, whimsical tune
that only begins to suggest the amount of mayhem our heroes plan to cause. The prisoners
unashamedly make brazen, and frequent escape attempts... testing the guards response and
weaknesses. Their ingenious solutions to various problems is terrific fun, like shaking dirt
out of their pant legs, to blend it in with the lighter-colored topsoil, to avoid arousing
suspicion. At two hours and fifty two minutes, this picture, much like its mammoth cast is
perhaps larger than necessary - especially considering the lengthy runtime isn't used
to develop any of the main characters beyond a cursory level. Slow-moving, and tame by
today's standards, this film was given the equivalent of a "PG" rating, and is surprisingly
family-friendly for a war picture. With no less than six parallel narratives, the final
act of this movie takes things in a new direction, and is a bit darker in tone than the preceding
material - but remains decidedly enjoyable on multiple viewings. Despite its faults,
this is a fun, and inspirational story for all ages - that holds up remarkably well a
half century later, "The Great Escape" is "Perfect escapist cinema. Fascinating story."
First review of season five down, now let's see what you had to say about it.
And now, with the help of the newest redesign of Movie Night's trademark Rate-o-Matic are
the scores for "The Great Escape"... two EIGHTS. You loved the A-list cast, and World War II
story, you thought it was GREAT. This movie has it where it counts, and is plenty entertaining
because of it... as its name suggests, I thought it was GREAT too. Next up tonight is, "The
Shawshank Redemption".
RIGHT -- Released nationwide in October of 1994, this $25-million dollar drama film directed
by Frank Darabont unfortunately failed to earn much of a profit, and was initially considered
a flop. Thanks to especially strong word of mouth, it became the most rented home video
of 1995 though, and its frequent broadcasts on basic cable have since made the 142-minute
picture an American classic - and IMDb's number one top-rated film of all time. The R-rated
story, based on the novella, "Rita Hayworth and Shawshank Redemption", by acclaimed writer
Stephen King - follows Tim Robbins , an innocent banker from Maine serving consecutive life
sentences in the titular prison. During his decades on the inside, he bonds with the wise
Morgan Freeman (in an Oscar nominated role)... whose booming narration ties together the
lengthy narrative. William Sadler, Gil Bellows, and elderly character actor James Whitmore
round out the unique group of fellow ex-cons. Robbins also faces off against a host of devilish
adversaries; a violent gang of prison rapists led by Mark Rolston, Clancy Brown as uncompromising
and sadistic guard, and Bob Gunton in perhaps his most iconic role; as the positively despicable
and corrupt warden of the penitentiary, who has no issue leveraging Robbins' banking talents
for financial gain, only to turn around and toss him in a dark cell for months at a time.
The portrayal of these inspirational and frightening characters is accomplished with the highest
caliber of skill from all involved, including a particularly poignant scene when Robbins
realizes his mantra for survival, "Get busy living... or get busy dying." Set during the
mid 20th-century, the allegorical tale of hope and freedom organically meanders from
one interesting vignette to the next. It could be argued that many smaller arcs could be
excised for a leaner plot, but it's these personal moments that build such a rich and
moving tapestry; especially a sequence focusing on Whitmore's release from prison as an old
man... struggling to deal with the psychological consequences of being institutionalized his
entire adult life. Or Robbins' small act of defiance when he plays a portion of Mozart's
" Marriage of Figaro" opera over the prison's PA system - facing certain punishment in
the process. The period-authentic vernacular is laced with inventive phrases and colorful
insults, allowing for more than a few lighter moments in an otherwise somber picture. Not
to be understated is Oscar-nominated cinematographer Roger Deakins's work behind the lens... masterfully
filling the 16:9 frame with sweeping shots of the beautiful stone prison, shot on-location
in Mansfield, Ohio. Every shot is so meticulously crafted, showcasing the lights, shadows, and
emotion of every scene so perfectly, it's a wonder production actually finished ahead
of schedule. The strings-heavy soundtrack from Thomas Newman is an atmospheric and moody
one, swelling to full volume during the film's spectacularly glorious final act - one of
the best in cinema history. A marvelous technical accomplishment in every facet, it's a true
shame that this near-flawless piece of storytelling did not win any of its seven Oscar nominations...
losing several of them, including a "Best Picture" nomination to "Forrest Gump", which
as incredible as it is, was perhaps the less deserving film that year. An effortlessly
immersive and satisfying experience, that is enjoyable on every viewing, "The Shawshank
Redemption" is "A triumphant masterpiece of filmmaking." Now let's hear some of your reviews
from the YouTube comments.
Our scores now for "The Shawshank Redemption"... two TENs. No real surprise here, the film
has remained fixed atop IMDd's top-250 list for good reason, this is a remarkable, and
supremely enjoyable movie - praise was unanimous for all points. So rarely does a fictional
story inspire as much as this one, it gets an almost-perfect score from me, an easy AMAZING
- one of my favorite movies. Before tonight's final review, lets take a quick commercial
break.
Following a name change a months of production delays, the movie that finally teamed up Hollywood's
two biggest action stars was finally released nationwide on October 18, 2013. Produced on
a budget of $70-million by Swedish filmmaker Mikael Håfström, I can only hope this picture
does better than similar films these days. Ostensibly nothing more than a 115 minute
vehicle to get Sylvester Stallone and Arnold Schwarzegger on-screen in their first "true"
co-starring role together, this picture honestly accomplishes more than it needed to. Stallone
stars as a professional escape artist who intentionally incarcerates himself for months
a time... only so he can find weaknesses from within maximum security prisons, and report
back to his clients. The unlikely but intriguing premise begins with a cold-open showcasing
Stallone's unique talents in action... before he's kidnapped and sent to -- you guessed
it -- a supposedly escape-proof prison. It's inside this curiously designed, airplane-hangar-sized
prison that he meets and befriends Arnie, and seeing these two old action dinosaurs
duke it out is a true delight, especially when the former Governor chides, "You hit
like a vegetarian!". Never known for their acting chops, the two brawny men still do
a convincing job in the lead roles, and play off each other with ease. Jim Caviezel plays
a sharply-dressed, stereotypical *** warden, Sam Niel is briefly featured as the prison's
conflicted doctor, and Curtis '50 Cent' Jackson attempts to keep his acting career afloat
with a small supporting role as a wise-talking tech guru. Plot holes aplenty, things are
far more confusing and complicated than necessary, but individual sequences actually work really
well here, like Schwarzegger distracting guards by shooting in German so Stallone can slip
out of his solitary confinement cell undetected. From Sly's heavy punches, to Arnold's chain-gun
shooting spree, fans of the old-school action genre will definitely have fun with as the
picture hearkens back to iconic moments of yesteryear. The music, sound effects, and
visuals are hardly noteworthy, but Håfström's directing occasionally impressed; balancing
extreme close-ups with time-ramped wide-shots, and a frantic montage. Although it gets credit
for its original, non-sequel premise... if not for the big-name talent, this is a nothing
more than a leisurely paced action film with few surprises. But that said, I wouldn't mind
watching this again if I caught it on basic cable while flipping channels. "The Escape
Plan", "Shallow excitement for action fans."
Right to the rate-o-matic now... a SIX. For a film that was essentially thirty years in
the making, I was definitely hoping for more, but I still enjoyed the experience for what
it was, I thought it was GOOD. Lastly tonight, let's take a look at other movies currently
playing in theaters with your Tweet Critiques.
If you see a new movie in theaters, Tweet your review with the #JPMN hashtag to have
it featured on the show. And be sure to follow me on Twitter or Facebook for updates between
shows, and to help decide upcoming reviews. Next week, to celebrate Halloween, we'll be
reviewing three slasher classics: 1978's "Halloween", "The Nightmare On Elm Street", and finally
"Friday The 13th". I kicked off this season of Movie NIght a couple weeks early this year
just for this occasion, so I hope you can join me by watching these scary movies.. Once
you've seen them, share your opinion by voting in the polls below, or by leaving a comment
review. And please subscribe to the Movie Night Archive channel for exclusive trailer
commentaries, and an organized library of all our past reviews. Once again, my name
is Jonathan Paula - thank you for watching Movie Night, I hope to see you, right back
here for the next episode!