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Ladies and Gentlemen, the Phoenix Cinema is screening DUNKIRK on 35mm film
And this... is 35mm film!
But it was actually photographed on this
which is 65mm in the camera
and 70mm if you're actually showing it
(the difference in the width being for the soundtrack)
Now you may wonder how you get something this width onto something this width
You have a lens which compresses the image and expands it
so, on the piece of 35mm the picture looks compressed
from that width to that width
and to get it back to that width
this goes on the front of the projector and expands the image sideways
Now somebody said to us, "ah, but the picture flickers"
Well it does, it always has, and that's why it's called 'the flicks!'
And it works like this:
the film doesn't run continuously through the projector
1/48 of a second, it stops
the film runs at 24 frames per second
and the reason for the difference is this:
there's a shutter and the shutter comes round like that
and the film drops down
and the shutter goes round
and the light shines through
and then the shutter comes round
and the film drops down
and the shutter goes round
and the light shines through
and that's how the picture moves
24 frames per second
for 1/48th of a second the shutter's there
but the human eye doesn't see it
you might see a bit of flicker, but as I've said -
that's why they call it the flicks!
and that little ditty by the way
we wrote for schools
and in fact you can sing it to the tune of "The Wheels on the Bus"
It's 35mm ladies and gentlemen
good old-fashioned 35mm
you know, we love it really
so come back 35mm, all is forgiven
you never go wrong, you never let us down
we love you dearly and you look gorgeous on screen
and so we get the show on the road!
Phoenix Cinema 2017
with thanks to Paul Stanley and Nathan Cable