Tip:
Highlight text to annotate it
X
This June 2011 superhero effort from Martin Campbell was a high profile disappointment
for DC Comics after the $200 million dollar production only earned $219 million at the
box office. The PG-13 rated story opens with a CGI-heavy prologue which unloads an overbearing
amount of exposition. Those unfamiliar with the film would be forgiven for assuming it's
an animated feature, rather than live-action; the excessive use of overly glossy visual
effects is that bad. The handsome Ryan Reynolds stars as an irresponsible fighter pilot who
is granted a mysterious alien ring that gives him fantastic abilities, and a place among
an intergalactic police force known as the Green Lantern Corps. I've been a fan of Ryan
since his early days on "Two Guys, A Girl, And Pizza Place"... and he's certainly capable
here, playing a reckless womanizer who is baffled at his new gifts. But besides a tragic
childhood event, we don't learn much about him. He shares a few moments of fleeting chemistry
though, with his future off-screen wife, the timelessly beautiful Blake Lively. Elsewhere,
Peter Sarsgaard does convincing work as a misunderstood and menacing villain with telekinetic
powers, while Mark Strong barks his usual bravado as a unforgiving alien co-worker who
reminds Reynolds, "Fear is the enemy of will". Angela Basset, Tim Robbins, Geoffrey Rush,
Clancy Brown, Michael Clarke Duncan, and Jay O. Sanders populate the large supporting cast
- but none have anything substantial to do. In fact, several are abandoned entirely, including
a nephew character, who is never heard from again after his initial introduction. Or Reynold's
best friend, who plays a pivotal role early, but doesn't have a single line of dialogue
after the 60-minute mark. Similarly, no one's motivation is adequately explained, including
a pointless mid-credits tease for a sequel that would never be - which sees one character
ignore the picture's central theme for no discernible reason. When the few action sequences
do arrive however, they're particularly inventive and generally stimulating - especially a climactic
face off against a cloud of evil incarnate that threatens to consume Earth itself. "Green
Lantern"'s extended cut opens with a decently emotional chapter involving the tragic death
of our protagonist's father - but it never should have been re-included, as a shorter
flashback only a few minutes later conveys the same information in a much stronger way.
The scene that separates these two redundant sequences is a arrestingly shot and thrilling
aerial dogfight that feels like a fun, modern-day twist on "Top Gun" - where Reynolds attempts
to out think and out maneuver AI-flown aircraft. When the focus is on Reynolds, the narrative
is compelling, and more importantly: relatable - but frequent cutaways to these purple-skinned
space police ruin the pacing of the lengthy two-hour film. An over reliance on computer
effects sees most of these non-human characters existing decidedly at the bottom of the uncanny
valley - making it hard to take any of their dialogue seriously. The actual shooting style
of the film works well though, framing our actors in wide two-shots with colorful backgrounds,
while the score from James Newton Howard fits the mood appropriately. Much like its central
character, this movie has flashes of greatness - that are unfortunately held back by its
own shortcomings. The concept and imagery is certainly interesting though, which is
why a planned reboot for 2020 might not be a terrible idea. I enjoyed seeing this picture,
even if it wasn't anything special. "Green Lantern" mishandles a flashy character with
inconsistent results. Here's some of your reviews from the YouTube comments.
You were critical of the story, and conflicted on the visuals, rating this a FOUR out of
ten. I thought it was ALRIGHT myself.