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I will make no concessions
to the public in this film.
I believe there are several
good reasons for this decision,
and I am going to state them.
In the first place, it's well known that
I've never made any concessions...
to the dominant ideas or
ruling powers of my era.
Moreover, nothing of importance
has ever been communicated...
by being gentle with a public,
not even one like that
of the age of Pericles;
and in the frozen mirror
of the screen...
the spectators are not looking
at anything that might suggest...
the respectable citizens of a democracy.
But most importantly:
this particular public, which has been
so totally deprived of freedom...
and which has tolerated
every sort of abuse,
deserves less than any
other to be treated gently.
The advertising manipulators,
with the usual impudence of those
who know that people tend to justify
whatever affronts they don’t avenge,
calmly declare that "People who
love life go to the cinema."
But this life and this cinema
are equally paltry,
which is why it hardly matters
if one is substituted for the other.
The movie-going public,
which has never been very bourgeois and
which is scarcely any longer working-class,
is now recruited almost entirely
from a single social stratum,
though one that has been
considerably enlarged —
the stratum of low-level skilled employees
in the various "service" occupations...
that are so necessary to the
present production system:
management, control, maintenance,
research, teaching,
propaganda, entertainment,
and pseudocritique.
Which suffices to give
an idea of what they are.
This public that still goes to
the movies also, of course,
includes the young of the same breed
who are merely at the apprenticeship...
stage for one or another
of these functions.
From the realism and the achievements
of this splendid system,
one could already infer the personal
capacities of the underlings...
it has produced.
Misled about everything,
they can only spout
absurdities based on lies —
these poor wage earners who see
themselves as property owners,
these mystified ignoramuses
who think they’re educated,
these zombies with the delusion
that their votes mean something.
How harshly the mode of
production has treated them!
With all their "upward mobility"
they have lost the little they had
and gained what no one wanted.
They share poverties and humiliations
from all the past systems of exploitation
without sharing in the revolts
against those systems.
In many ways they resemble slaves,
because they are herded
into cramped habitations
that are gloomy, ugly
and unhealthy;
ill-nourished with tasteless
and adulterated food;
poorly treated for their
constantly recurring illnesses;
under constant petty surveillance;
and maintained in the
modernized illiteracy...
and spectacular superstitions...
that reinforce the power
of their masters.
For the convenience of
present-day industry,
they are transplanted far from
their own neighborhoods or regions
and concentrated into new
and hostile environments.
They are nothing but numbers
on charts drawn up by idiots.
They die in droves on the freeways,
and in each flu epidemic...
and each heat wave,
and with each mistake of those
who adulterate their food,
and each technical innovation profitable
to the numerous entrepreneurs...
for whose environmental developments
they serve as guinea pigs.
Their nerve-racking conditions
of existence...
produce physical, intellectual,
and psychological degeneration.
They are always spoken to
like obedient children —
always willing to do
what they’re told...
as long as they’re told
that they "must" do it.
But above all they are treated
like retarded children,
forced to accept the delirious gibberish
of dozens of recently concocted
paternalistic specializations,
which one day tell them one thing...
and the next day
perhaps the very opposite.
Separated from each other
by the general loss of...
any language capable of
describing reality...
(a loss which prevents
any real dialogue),
separated by their
relentless competition...
in the conspicuous
consumption of nothingness
and thus by the most groundless
and eternally frustrated envy,
they are even separated
from their own children,
who in previous eras were the only
property of those possessing nothing.
Control of these children is taken
from them at an early age —
these children who are
already their rivals,
who laugh at their
parents’ blatant failure
Understandably despising their origin,
they feel more like offspring of
the reigning spectacle than of...
the particular servants of the spectacle
who happen to have begotten them,
and think of themselves as
only half-castes of such slaves.
Behind the façade of
simulated rapture...
among these couples
and their progeny...
there is nothing but
looks of hatred.
But these privileged workers of
a totally commodified society
differ from slaves in that they
themselves must provide for...
their own upkeep.
In this regard they are
more like serfs,
because they are exclusively attached to
some particular company and dependent
on its successful functioning, without
receiving anything in return; and...
especially because they are compelled
to reside within a single space:
the same circuit of ever-identical
dwelling units, offices, freeways,
vacation spots, and airports.
But they also resemble
modern proletarians...
in the precariousness of
their means of support,
which conflicts with the continual spending
to which they have been conditioned;
and in the fact that they have to hire
themselves out on an open market
without owning the
instruments of their labor.
They need money to
buy commodities,
because things have been
so arranged that they have...
no enduring access to anything
that has not been commodified.
But in their economic situation
they are more like peons,
in that they are no longer left even the
momentary handling of the money
around which their
entire activity revolves.
They have to spend it immediately
because they don’t receive
enough to save.
But even so, sooner or later they find
themselves obliged to consume on credit;
and the credit they are granted
is docked from their pay,
forcing them to work even more
to free themselves from debt.
Since the distribution of goods
is totally interlinked...
with the organization of
production and the state,
their rations of food and
of space are reduced...
in both quantity and quality.
Though nominally remaining
free workers and consumers,
they are scorned everywhere and
have no real possibility of redress.
I am not going to fall into
the simplistic error...
of equating the condition of these
high-ranking wage slaves...
with previous forms of socio-
economic oppression.
First of all because,
if one leaves aside their surplus
of false consciousness and...
their purchase of two or three times,
as much of the miserable junk that
constitutes virtually the entire market,
it is clear that they share
the same sad life...
as all the other wage
earners of today.
It's, in fact, with the naive hope of distracting
attention from this annoying reality that so...
many of them jabber so much about how
uneasy they feel about living in the lap...
of luxury while people in distant
lands are crushed by destitution.
Another reason not to confuse them
with the unfortunates of the past...
is that their social position has
certain unmistakably modern traits.
For the first time in history,
we are seeing highly specialized
economic professionals who,
outside their work, have to do
everything for themselves.
They drive their own cars,
and are beginning to have to
personally fill them with gasoline;
they do their own shopping and
their own so-called cooking;
they serve themselves
in the supermarkets...
and in the entities that have
replaced railroad dining cars.
It may not have taken
them very long...
to obtain their flimsy
"professional qualifications,"
but after they have put in their
allotted hours of specialized work
they still have to do everything
else with their own hands.
Our era has not yet managed
to supersede the family,
or money, or the division of labor;
yet one could say that these
people have already been...
almost totally deprived of
their practical reality...
through sheer dispossession.
Those who never had any substance
have lost it for the shadow.
The illusory nature of the riches that
the present society claims to distribute
would have been
amply demonstrated...
(had it not already been evident
in so many other respects)
by the simple fact that never
before has a system of tyranny
maintained its lackeys, its experts,
and its court jesters so shabbily.
They work overtime in
the service of emptiness,
and emptiness rewards them
with coinage in its own image.
This is the first time that poor
people have imagined themselves
to be part of an economic elite,
despite all the evidence to the contrary.
Not only do these miserable
spectators work,
nobody else works for them,
least of all the people they pay.
Even their retailers regard themselves
rather as their overseers,
judging whether or not they
are sufficiently fervent...
in snapping up the ersatz goods
they have the duty to buy.
Nothing can hide the built-in
obsolescence of all their possessions
— the rapid deterioration not
only of their material goods,
but even of their legal rights to
the few properties they may own.
They have received
no inheritance,
and they will leave none.
Since the cinema public
needs more than anything...
to face these bitter truths,
which concern it so intimately
but which are so widely repressed,
it cannot be denied that
a film that for once...
renders it the harsh service...
of revealing that its problems are
not so mysterious as it imagines,
nor even perhaps so incurable...
if we ever manage to abolish
classes and the state —
it cannot be denied that such a
film has at least that one virtue.
It will have no other.
This public, which likes to pretend
that it is a connoisseur of everything
while it in fact does nothing but justify
everything it's been forced to undergo,
passively accepting the constantly
increasing repugnance...
of the food it eats,
the air it breathes,
and the dwellings it inhabits —
this public grumbles about change
only when it affects the cinema...
to which it has become accustomed.
And in fact this is the only one of its
habits that seems to have been respected.
For a long time I have been perhaps
the only person to offend it in this domain.
All the other filmmakers,
even those who are up-to-date enough
to echo a few issues already made...
fashionable by the press,
continue to presume the
innocence of this public,
continue to use the same old cinematic
conventions to show it the same sort of
distant adventures enacted by
stars who have lived in its place
— stars whose most intimate affairs
it can ogle through the media keyhole.
The cinema I am
talking about...
is a deranged imitation
of a deranged life,
a production skillfully designed
to communicate nothing.
It serves to while away an hour of boredom
with a reflection of that same boredom.
This craven imitation is
the dupe of the present...
and the false witness
of the future.
Its mass of fictions and
grand spectacles
amounts to nothing but a
useless accumulation...
of images that time sweeps away.
What childish respect for images!
This Vanity Fair is well suited
to these plebeian spectators,
constantly oscillating between
enthusiasm and disappointment;
lacking in taste because they have
had no happy experience of anything,
and refusing to admit their
unhappy experiences...
because they lack courage
as well as taste.
Which is why they never cease being
taken in by every sort of fraud,
general or particular,
that appeals to their
self-interested credulity.
Amazingly enough, despite all the
obvious evidence to the contrary,
there are still some cretins,
among the specialized spectators
...hired to edify their fellow viewers,
who claim that it is "dogmatic"...
to state some truth in a film...
unless it is also proved by images.
The latest fashion in
intellectual lackeydom...
enviously refers to whatever
describes its servitude...
as "the master discourse.
As for the ludicrous dogmas
of its actual bosses,
it identifies with them so completely that
it doesn’t even recognize their existence.
What needs to be proved by images?
Nothing is ever proved except
by the real movement...
that dissolves existing conditions —
that is, the organization of the
existing production relations...
and the forms of false consciousness that've
developed on the basis of those relations.
No error has ever collapsed
for lack of a good image.
For those who believe that the
capitalists are well equipped...
to manage with continually
increasing rationality...
our continually increasing happiness
and the ever more diverse...
pleasures of our purchasing power,
these figures will appear
to be capable statesmen;
and those who believe that Stalinist
bureaucrats constitute the party...
of the proletariat will see these
as fine working-class mugs.
The existing images only
reinforce the existing lies.
Dramatized anecdotes have been
the building blocks of the cinema.
Its perennial characters have been
inherited from the theater and the novel,
though they act on a more
spacious and mobile stage...
with more directly visible
costumes and settings.
It is a particular society,
not a particular technology,
that has made the cinema like this.
It could have consisted of
historical analyzes,
theories, essays, memoirs.
It could have consisted of films like
the one I am making at this moment.
In the present film, for example,
I am simply stating a few truths...
over a background of images
that are all trivial or false.
This film disdains the image-
scraps of which it is composed.
I do not wish to preserve any of
the language of this outdated art,
except perhaps the reverse shot
of the only world it has observed,
and a tracking shot across
the fleeting ideas of an era.
I pride myself on having made a film
out of whatever rubbish was at hand;
and I find it amusing that
people will complain about it...
who have allowed their entire lives
to be dominated by every kind rubbish.
I have merited the universal
hatred of the society of my time,
and I would have been annoyed
to have any other merits...
in the eyes of such a society.
But I have noticed that
it is in the cinema...
that I have aroused the most
extreme and unanimous outrage.
This distaste has been so intense that
I have even been plagiarized much less...
in this domain than elsewhere,
up until now at least.
My very existence as a filmmaker
remains a generally refuted hypothesis.
I thus see myself placed outside
all the laws of the genre.
But as Swift remarked,
"It is no small satisfaction...
to present a work that is beyond all criticism."
What this era has written and filmed is
so utterly contemptible that the only way
anyone in the future will be able to
offer even the slightest justification for it
will be to claim that there
was literally no alternative —
that for some obscure reason
nothing else was possible.
Unfortunately for those who are
reduced to such a clumsy excuse,
my example alone will
suffice to demolish it.
And since this gratifying
accomplishment has required...
relatively little time and trouble
I have seen no reason to forgo it.
Despite what some
would like to believe,
we can hardly expect...
revolutionary innovations from
those whose profession is...
to monopolize the stage under
the present social conditions.
It is obvious that such innovations can
come only from people who have...
received universal hostility
and persecution,
not from those who receive
government funding.
More generally, despite the
conspiracy of silence on this matter,
it can be confidently affirmed...
that no real opposition
can be carried out...
by individuals who become
even slightly more...
socially elevated through
manifesting such opposition
than they would have been
through refraining.
We already have the
well- known example...
of those flourishing political
and labor-union functionaries,
always ready to prolong the
grievances of the proletariat...
for another thousand years...
in order to preserve their
own role as its defender.
For my part, if I have succeeded in
being so deplorable in the cinema,
it is because I have been much
more criminal elsewhere.
From the very beginning I've devoted
myself to overthrowing this society,
and I have acted accordingly.
I took this position at a time
when almost everybody...
believed that this
despicable society
(in its bourgeois or
bureaucratic version)
had the most promising future.
And since then I have not,
like so many others,
changed my views one or several
times with the changing of the times;
it is rather the times that have
changed in accordance with my views.
That's why I've aroused such animosity
on the part of my contemporaries.
Thus, instead of adding one more film
to the thousands of commonplace films,
I prefer to explain why
I shall do nothing of the sort.
I'm going to replace the
frivolous adventures...
typically recounted by the cinema...
with the examination of an
important subject: myself.
I have sometimes been reproached
— wrongly, I believe —
for making difficult films.
Now I am actually
going to make one.
To those who are annoyed that
they can’t understand all the allusions,
or who even admit that they have
no idea of what I’m really getting at,
I will merely reply that they should blame
their own sterility and lack of education...
rather than my methods;
they have wasted
their time at college,
bargain shopping for worn-out
fragments of secondhand knowledge.
Considering the story of my life,
it is obvious to me that I cannot
produce a cinematic "work"...
in the usual sense of the term.
I think the substance and form of
the present communication...
will convince anyone that this is so.
I must first of all repudiate
the most false of legends,
according to which I am some
sort of theoretician of revolutions.
The petty people of the present
age seem to believe...
that I have approached
things by way of theory,
that I am a builder of theory —
a sort of intellectual architecture which
they imagine they need only move in to
as soon as they know
its address,
and which, ten years later,
they might even slightly...
remodel by rearranging
a few sheets of paper,
so as to attain the definitive theoretical
perfection that will assure their salvation.
But theories are only made
to die in the war of time.
Like military units, they must be
sent into battle at the right moment;
and whatever their
merits or insufficiencies,
they can only be used if they are
on hand when they’re needed.
They have to be replaced because they
are constantly being rendered obsolete
by their decisive victories even
more than by their partial defeats.
Moreover, no vital eras were
ever engendered by a theory;
they began with a game,
or a conflict, or a journey.
What Jomini said of war
can also be said of revolution:
"Far from being an exact
or dogmatic science,
it is an art subject to a few
general principles,
and even more than that,
an impassioned drama."
What passions do we have,
and where have they led us?
Most people, most of the time,
have such a tendency to follow
ingrained routines that...
even when they propose to
revolutionize life from top to bottom,
to make a clean slate
and change everything,
they nevertheless see no contradiction
in following the course of studies...
accessible to them...
and then taking up one or
another paid position...
at their level of competence
(or even a little above it).
This is why those who impart to us
their thoughts about revolutions...
usually refrain from letting us
know how they have actually lived.
But I, not being that type of
person, can only tell of...
"the knights and ladies,
the arms and loves,
the gallant conversations
and bold adventures"...
of a unique era.
Others may define and measure
the course of their past...
in relation to their advancement
in some career,
or their acquisition of
various kinds of goods,
or in some cases their accumulation
of socially recognized...
scientific or aesthetic works.
Not having known any
such frame of reference,
I merely see, when I look back on
the passage of this disorderly time,
the elements that
constituted it for me,
or the words and faces
that evoke them —
days and nights,
cities and persons,
and underlying it all,
an incessant war.
I have passed my life in a
few countries in Europe,
and it was in the middle of the
century, when I was nineteen,
that I began to lead a
fully independent life;
and immediately found myself at home
with the most ill-famed of companions.
It was in Paris,
a city that was then so beautiful that
many people preferred to be poor there...
rather than rich anywhere else.
Who, now that nothing of it remains,
will be able to understand this,
apart from those who
remember its glory?
Who else could know the pleasures
and exhaustions we experienced...
in these neighborhoods where
everything has now become so dismal?
"Here was the abode of
the ancient king of Wu.
Grass now grows
peacefully on its ruins.
There, the vast palace of the Tsin,
once so splendid and
so dreaded.
All this is gone forever —
events, people,
everything constantly slips away,
like the ceaseless waves
of the Yangtze...
that vanish into the sea."
The Paris of that time, within the
confines of its twenty districts,
was never entirely asleep;
on any night a bacchanal might shift
from one neighborhood to another.
Its inhabitants had not yet
been driven out and dispersed.
A people remained...
who had barricaded their streets
and routed their kings a dozen times.
They were not content
to subsist on images.
When they lived in their own city,
no one would have dared to make
them eat or drink the sort of products...
that the chemistry of adulteration
had not yet dared to invent.
The houses in the center
were not yet deserted,
or resold to cinema spectators
born elsewhere,
under other exposed-beam roofs.
The modern commodity system
had not yet fully demonstrated...
what can be done to a street.
The city planners had not yet forced
anyone to travel far away to sleep.
Governmental corruption
had not yet...
darkened the clear sky
with the artificial...
fog of pollution which now
permanently blankets...
the mechanical circulation
of things...
in this vale of desolation.
The trees were not yet
dead from suffocation;
the stars were not yet extinguished
by the progress of alienation.
Liars were in power, as always;
but economic development had
not yet given them the means...
to lie about everything,
or to confirm their lies...
by falsifying the actual
content of all production.
One would have been as astonished
then to find printed or built in Paris...
all the books that have since been
composed of cement and asbestos,
and all the buildings that have since
been built out of dull sophisms,
one would be today to see
the sudden reappearance...
of a Donatello or a Thucydides.
Musil, in The Man Without
Qualities, notes that...
"there are intellectual pursuits in
which a man may take more pride...
in writing a brief article
than a thick volume.
If someone were to discover,
for example, that under certain...
hitherto unobserved circumstances
stones were able to speak,
it would require only a few pages...
to describe and explain such a
revolutionary phenomenon."
I shall thus limit myself to a few
words to announce that,
whatever others may say about it,
Paris no longer exists.
The destruction of Paris is only
one striking example...
of the fatal illness that is currently
wiping out all the major cities,
and that illness is in turn only
one of the numerous symptoms
of the material decay of this society.
But Paris had more to
lose than any other.
Bliss it was to be young in this
city when for the last time...
it glowed with so intense a flame.
There was at that time on
the left bank of the river —
you cannot enter the
same river twice,
nor twice touch the same
perishable substance —
a neighborhood where
the negative held court.
It is a commonplace that even in
periods shaken by momentous changes,
even the most innovative
people have a hard time...
freeing themselves from
many outdated ideas...
and tend to retain at
least a few of them,
because they find it
impossible to totally reject,
as false and worthless, assertions
that are universally accepted.
It must be added, however, when one has
practical experience of this type of situation,
that such difficulties cease to matter
the moment a group of people...
begins to base its real existence...
on a deliberate rejection of
what is universally accepted,
and on total indifference to
the possible consequences.
Those who had gathered in this
neighborhood seemed to have...
publicly and from the very beginning
adopted as their sole principle of action...
the secret that the Old Man of the Mountain
was said to divulge only on his deathbed...
to the most loyal lieutenant
among his fanatical followers:
"Nothing is true,
everything is permitted."
They accorded no importance
to those of their contemporaries
who were not among them,
and I think they were right in this;
and if they related to
anyone from the past,
it was Arthur Cravan,
deserter of seventeen nations,
or perhaps also the cultivated
bandit Lacenaire.
In this setting, extremism had declared
itself independent of any particular cause,
and disdained to entangle
itself in any project.
A society which was already tottering,
but which was not yet aware of this
because the old rules were still
respected everywhere else,
had momentarily left the field open
for that ever-present but usually...
repressed sector of society:
the incorrigible riffraff;
the salt of the earth;
people quite sincerely ready
to set the world on fire...
just to make it shine.
"Article 488.
The age of adulthood is 21 years;
a person of that age is capable
of all acts of civil life."
"A science of situations
needs to be created,
which will borrow elements from
psychology, statistics,
urbanism, and ethics.
These elements must be focused
toward a totally new goal:
the conscious creation of situations."
"But no one talks about
Sade in this film."
"Order reigns but doesn’t govern."
"Gun Crazy. You remember.
That’s how it was.
No one was good enough for us.
And yet...
Hailstones striking banners of glass.
We won’t forget this cursed planet."
"Article 489.
An adult who is usually in a
state of imbecility or dementia,
or who has frequent fits of rage,
must be maintained in custody...
even if he has intervals of lucidity."
"Once again, after all
the untimely answers...
and the aging of youth,
night falls from on high."
"Like lost children we live
our unfinished adventures."
A film I made at that time,
which naturally outraged the
most advanced aesthetes,
was like that from
start to finish;
and those pitiful sentences were spoken
over a completely blank screen,
interspersed with extremely long
passages of silence during which...
the screen remained
completely dark.
Some, no doubt, would like to believe
that subsequent experience led to...
a more mature development
of my talents or intentions.
Experience of what, of some improvement
in what I had already rejected?
Don’t make me laugh.
Why should someone
who strove to be...
so intolerable in the cinema
when he was young...
turn out to be more acceptable
once he’s older?
What has been so bad can
never really improve.
People may say, "As he has
aged, he has changed";
but he has also remained the same.
Although the select population
of this momentary...
capital of disturbances included
a certain number of thieves...
and occasionally a few murderers,
our life was primarily characterized
by a prodigious inactivity;
and of all the crimes and offenses
denounced there by the authorities,
it was this that was sensed
as the most threatening.
It was the best possible labyrinth
for ensnaring visitors.
Those who lingered there for two
or three days never left again,
at least not until it had
ceased to exist;
but by then the majority
had already seen the end...
of their none too numerous years.
No one left those few streets
and tables where...
the "highest of time" had
been discovered.
Everyone took pride in
having sustained...
such a magnificently
disastrous challenge;
and in fact I don’t believe that any
of those who passed that way...
ever acquired the slightest
honest reputation in the world.
Each of us had more drinks every
day than the number of lies...
told by a labor union during
an entire wildcat strike.
Gangs of police, guided
by numerous informers,
were constantly launching raids
under every sort of pretext —
most often searching for drugs...
or for girls under eighteen.
I couldn’t help remembering the charming
hooligans and proud young women...
I hung out with in those shady
dives when much later...
I heard a song sung
by prisoners in Italy —
— the years having passed like
our nights back then,
without the slightest renunciation.
"It’s there you find those young
girls who give you everything;
first hello, and then their hand...
There’s a bell in Via Filangieri;
each time it rings, someone
has been condemned...
The flower of youth
dies in prison."
Though they despised all
ideological illusions...
and were quite indifferent to
what might later prove them right,
these reprobates had not disdained
to openly declare what was to come.
Putting an end to art,
announcing right in the middle
of a cathedral that God was dead,
plotting to blow up the Eiffel Tower —
such were the little scandals
sporadically indulged in by those...
whose ongoing way of life
was such a big scandal.
They asked themselves why
certain revolutions had failed;
and whether the proletariat
actually existed;
and if so, what it might be.
When I talk about these people, I may
seem to be making fun of them;
but that is not so.
I drank their wine and
I remain faithful to them.
And I don’t believe that anything
I have done since then...
has made me better in any way
than they were back then.
Considering the overpowering
forces of habit and the law,
which continually
pressured us to disperse,
none of us could be sure we would
still be there at the end of the week.
Yet everything we would
ever love was there.
Time burned more intensely than
elsewhere, and would soon run out.
We felt the earth shake.
Suicide carried off many.
"Drink and the devil have
done for the rest,"
as a song says.
Midway on the journey of real life,
we found ourselves surrounded
by a somber melancholy,
reflected by so much sad banter...
in the cafés of lost youth.
"’Tis all a checkerboard
of nights and days,
where Destiny with
men for pieces plays:
hither and thither moves
and checks and slays,
and one by one back
in the closet lays."
"How many ages...
hence shall this our lofty
scene be acted over,
in states unborn and
accents yet unknown!"
"What is writing?
The guardian of history...
What is man?
A slave of death, a
passing traveler,
a guest on earth...
What is friendship?
The equality of friends."
"Bernard, what do you
want from the world?
Do you see there anything
that can satisfy you?
She vanishes, fleeing
like a ghost which,
having given us some
sort of contentment...
while it remained with us,
leaves nothing but
disquietude in its wake.
Bernard, Bernard,
he used to say,
this green youth will
not last forever."
But nothing expresses this
restless and exitless present
better than this ancient phrase
that turns completely back on itself,
being constructed letter by
letter like an inescapable labyrinth,
thus perfectly uniting the
form and content of perdition:
In girum imus nocte
et consumimur igni.
We turn in the night,
consumed by fire.
"One generation passeth away,
and another one cometh,
but the earth abideth forever.
The sun also ariseth
and goeth down,
and hasteth to his place
where he arose...
All the rivers run into the sea;
yet the sea is not full;
unto the place from
whence the rivers come,
thither they return again.
To every thing there is a season,
and a time to every purpose
under the heavens...
a time to kill and
a time to heal;
a time to break down
and a time to build up;
a time to rend and
a time to sew;
a time to keep silence
and a time to speak...
Better to see what
one desireth...
than to wish for what
one knoweth not:
this also is vanity and
vexation of spirit...
For what purpose doth a man
seek what is above him,
he who knoweth not
what is good for him
during his days on the earth,
during the time that
passeth like a shadow?"
"No, let us cross over the river,
and rest under the
shade of those trees."
It was there that we
acquired the toughness...
that has stayed with us
all the days of our life,
and that has enabled several of us
to remain so lightheartedly at war...
with the whole world.
And as for myself in particular,
I suspect that the circumstances of that
time were the apprenticeship that...
enabled me to make my way so
instinctively through the subsequent...
chain of events, which included so
much violence and so many breaks,
and where so many people
were treated so badly
— passing through all those years
as if with a knife in my hand.
Perhaps we might not have
been quite so ruthless...
if we had found some
already-initiated project...
that seemed to merit
our support.
But there was no
such project.
The only cause we supported...
we had to define and
launch ourselves.
There was nothing above us
that we could respect.
For someone who thinks
and acts in this manner,
there is no point in listening
a moment too long...
to those who find
something good,
or even merely something
worth tolerating,
within the present conditions;
nor to those who stray from the path
they seemed to have intended to follow;
nor even, in some cases, to those who
simply don’t catch on quickly enough.
Other people, years later,
have begun...
advocating the revolution
of everyday life...
with their timid voices
or prostituted pens —
but from a distance...
and with the calm assurance
of astronomical observation.
But someone who has actually
taken part in an endeavor of this kind,
and who has escaped the dazzling
catastrophes that accompany it...
or follow in its wake, is not
in such an easy position.
The heats and chills of such
a time never leave you.
You have to discover how
to live the days ahead...
in a manner worthy of
such a fine beginning.
You want to prolong that
first experience of illegality.
This is how, little by little,
a new era of conflagrations
was set ablaze,
of which none of us alive at
this moment will see the end.
Obedience is dead.
It is wonderful to note
that disturbances...
originating in a lowly and
ephemeral little neighborhood...
have ended up shaking
the entire world order.
(Such methods would obviously
never shake up anything...
in a harmonious society...
that was capable of
controlling all its forces;
but it is now evident that our
society was quite the opposite.)
As for myself, I have never
regretted anything I have done;
and being as I am, I must confess
that I remain completely...
incapable of imagining how
I could have done...
anything any differently.
Despite the harshness of the
first phase of the conflict,
our side tended
toward a static,
purely defensive position.
Our spontaneous experimentation
was not sufficiently aware of itself;
and since it was confined
primarily to its particular locale,
we had also tended to neglect
the significant possibilities...
for subversion in the seemingly
hostile world all around us.
When we saw our defenses
being overwhelmed...
and some of our comrades
beginning to falter,
a few of us felt that we
should take the offensive:
that instead of entrenching ourselves
in the thrilling fortress of a moment,
we should break out into the open,
make a sortie, then hold our ground...
and devote ourselves quite simply to
totally destroying this hostile world —
in order to rebuild it,
if possible, on other bases.
There had been
precedents to this,
but they had been forgotten.
We had to discover where the
course of things was leading,
and to refute that course so
thoroughly that it would eventually...
be compelled to change directions
in line with our own tastes.
As Clausewitz amusingly remarks,
"Whoever has genius
must use it —
that’s one of the
rules of the game."
And Baltasar Gracián:
"You must traverse
the paths of time...
to reach the point
of opportunity."
But can I ever forget the one
whom I see everywhere...
in the greatest moment
of our adventures —
he who in those uncertain
days opened up a new path,
and forged ahead so rapidly,
choosing those who
would accompany him?
No one else was his
equal that year.
It might almost have been said
that he transformed cities and life...
merely by looking at them.
In a single year he discovered enough
material for a century of demands;
the depths and mysteries of
urban space were his conquest.
The powers that be, with their
pitiful falsified information...
that misleads them almost as much
as it bewilders those they administer,
have not yet realized just how
much the rapid passage of this...
man has cost them.
But what does it matter?
The names of shipwreckers
are only writ in water.
We did not seek the formula...
for overturning the
world in books,
but in wandering.
Ceaselessly drifting
for days on end,
none resembling the one before.
Astonishing encounters,
remarkable obstacles,
grandiose betrayals,
perilous enchantments —
nothing was lacking in this quest
for a different, more sinister Grail,
which no one else
had ever sought.
And then one ill-fated day
the finest player of us all...
got lost in the forests
of madness —
But there is no greater madness
than the present organization of life.
Did we eventually find
the object of our quest?
There is reason to believe that we
obtained at least a fleeting glimpse of it;
because it is undeniable
that from that point on,
we found ourselves capable
of understanding...
false life in the light of true life,
and possessed with a very
strange power of seduction:
for no one since then has ever come
near us without wishing to follow us.
We had rediscovered the secret
of dividing what was united.
We did not go on television
to announce our discoveries.
We did not seek grants from
academic foundations...
or praise from the
newspaper intellectuals.
We brought fuel to the fire.
In this manner we enlisted
irrevocably in the Devil’s party —
that is, the "historical evil"...
that leads existing conditions
to their destruction,
the "bad side" that
makes history...
by undermining all
established satisfaction.
Those who have not
yet begun to live...
but who are saving
themselves for a better time,
and who therefore have such
a horror of growing old,
are waiting for nothing less
than a permanent paradise.
Some of them locate this
paradise in a total revolution,
others in a career promotion,
some even in both at once.
In either case they
are waiting to access...
what they have gazed upon...
in the inverted imagery
of the spectacle:
a happy, eternally
present unity.
But those who have chosen
to strike with the time...
know that the time that is their
weapon is also their master.
And they can hardly
complain about this,
because it is an even
harsher master...
to those who have no weapons
If you don’t fall in line with
the deceptive clarity...
of this upside-down world,
you are seen, at least by those
who believe in that world,
as a controversial legend,
an invisible and
malevolent ghost,
a perverse Prince of Darkness.
Which is in fact
a fine title —
more honorable than any the
present system of floodlit...
enlightenment is capable
of bestowing.
We thus became emissaries
of the Prince of Division —
"he who has been wronged" —
and undertook to drive
to despair those...
who identified with humanity.
In the years that followed,
people from twenty countries...
entered into this
obscure conspiracy...
of limitless demands.
How many hurried journeys!
How many long disputes!
How many clandestine meetings
in all the ports of Europe!
Thus was mapped out a program
calculated to undermine...
the credibility of the entire
organization of social life.
Classes and specializations,
work and entertainment,
commodities and urbanism,
ideology and the state —
we showed that it all
needed to be scrapped.
And this program promised
nothing more than...
an autonomy without
rules or restrictions.
These perspectives have
now been widely adopted,
and people everywhere are
fighting for or against them.
But back then they would
certainly have seemed delirious,
if the behavior of modern capitalism
had not been even more delirious.
There were indeed a few
individuals who were...
in more or less practical agreement
with one or another of our critiques;
but there was no one who
recognized them all,
let alone who was capable of articulating
and developing them in practice.
Which is why no other revolutionary
endeavor of this period...
has had the slightest influence
on the transformation of the world.
Our agitators disseminated ideas
that a class society cannot stomach.
The intellectuals in the
service of the system —
themselves even more obviously
in decline than the system itself —
are now cautiously investigating these
poisons to discover some antidotes;
but they won’t succeed.
They used to try just as
hard to ignore them —
but just as vainly,
so great is the power of
a truth spoken in its time.
While our seditious intrigues
spread across Europe...
and even began to
reach other continents,
Paris, where one could
so easily pass unnoticed,
was still at the heart
of all our journeys,
the most frequented of
our meeting places.
But its landscapes
had been ruined and...
everything was deteriorating
and falling apart.
And yet the setting sun of this city
left, in places, a few glimmers...
of light as we watched the
fading of its final days,
finding ourselves within surroundings
that would soon be swept away,
enraptured with beauties
that will never return.
We would soon have to leave it —
this city which for us was so free
but which was going to fall completely
into the hands of our enemies.
Their blind law was already
being relentlessly applied,
reconstructing everything in their own image like a graveyard:
"O wretchedness! O grief!
Paris is trembling."
We would have to leave it,
but not without having made an
attempt to seize it by brute force;
we would finally have to abandon
it like so many other things,
in order to follow the road determined
by the necessities of our strange war,
which has led us so far.
For our aim had been none other
than to provoke a practical...
and public division between those
who still want the existing world...
and those who will
decide to reject it.
Other eras have had their
own great conflicts which...
they didn't choose, but which
forced them to take sides.
Such conflicts dominate
whole generations,
founding or destroying...
empires and their cultures.
The mission is to take Troy —
or to defend it.
There is a certain resemblance
among these moments...
when people are on the verge...
of separating into
opposing camps,
never to see each
other again.
It’s a beautiful moment
when an assault...
against the world order
is set in motion.
From its almost
imperceptible beginning,
you already know that,
whatever happens, very soon,
nothing will ever again
be the same as it was.
The charge begins slowly,
picks up speed,
passes the point of no return,
and irrevocably collides with
what seemed unassailable:
the bulwark which was so
solid and well defended,
but which is also destined
to be shaken...
and thrown into disorder.
That is what we did,
emerging from the night,
raising once again...
the banner of the "good old cause
and marching forward under
the cannon fire of time.
Along the way
many of us died,
or were taken prisoner;
many others were wounded
and permanently put out of action;
and certain elements
even let themselves...
slip to the rear out
of lack of courage;
but I believe I can say that our formation
as a whole never swerved from its line
until it plunged into the very
core of destruction.
I have never quite understood those
who have so often reproached me...
for having squandered
this fine troop...
in a senseless assault,
perhaps even out of some sort
of Neronian self-indulgence.
I admit that I was the one who chose
the moment and direction of the attack,
and I therefore take full responsibility
for everything that happened.
What, were we to refrain
from fighting an enemy...
already on the move against us?
And didn’t I always put myself
several steps ahead of the front line?
Those who never take action
would like to believe that...
you can freely determine the quality
of your fellow combatants and...
the time and place where you can strike
an unstoppable and definitive blow.
But in reality you have to
act with what is at hand,
launching a sudden attack on
one or another realistically...
attackable position the moment you
see a favorable opportunity;
otherwise you fade away
without having done a thing.
The strategist Sun Tzu
recognized long ago that...
"advantage and danger are
both inherent in maneuver."
And Clausewitz notes that "in
war neither side is ever certain...
about the situation of the other.
One must become accustomed
to acting in accordance...
with general probabilities;
it is an illusion to wait for a time
when one will be completely...
aware of everything."
Despite the fantasies of
the spectators of history...
who see everything from
the vantage point of Sirius,
the most sublime theory can
never guarantee an event.
On the contrary, it's the unfolding of an
event that may or may not verify a theory.
Risks must be taken,
and you have to pay up front
to see what comes next.
Other equally distant but
less lofty spectators,
having seen the end of this attack but
not its beginning, have failed to take...
into account the differences
between the two stages,
and have detected some faults in
the alignment of our ranks and...
concluded that by that point our uniforms
were no longer impeccably egalitarian.
I think this can be attributed
to the enemy fire...
that had pounded us
for so long.
As a struggle approaches its
culmination, it becomes more
important to judge the result
than the deportment.
To listen to those
who seem to be...
complaining that the battle was
begun without waiting for them,
the main result was the fact that
an avant-garde was sacrificed...
and completely pulverized
in the collision.
In my opinion that was
precisely its purpose.
Avant-gardes have
only one time;
and the best thing that
can happen to them...
is to have enlivened their
time without outliving it.
After them, operations move
onto a vaster terrain.
Too often have we seen
such elite troops,
after they have accomplished
some valiant exploit,
remain on hand to parade
with their medals...
and then turn against the cause
they previously supported.
Nothing of this sort need
be feared from those...
whose attack has carried them
to the point of dissolution.
I wonder what more some
people had hoped for.
The particular wears
itself out fighting.
A historical project can hardly
expect to preserve an eternal youth,
sheltered from every blow.
Sentimental objections are as vain
as pseudo-strategical quibbles.
"Yet your bones will waste away,
buried in the fields of Troy,
your mission unfulfilled."
On the eve of a battle King
Frederick II of Prussia...
rebuked a hesitant young officer:
"Dog! Were you hoping
to live forever?"
And Sarpedon says to Glaukos
in the Twelfth Book of The Iliad:
"My friend, if you and I
could escape this battle...
and live forever,
ageless and immortal,
I myself would
never fight again...
But a thousand deaths
surround us and...
no man can escape them.
So let us move
in for the attack."
When the smoke clears,
many things appear changed.
An age has passed.
Don’t ask now what good
our weapons were:
they remain in the throat of
the reigning system of lies.
Its air of innocence
will never return.
After this splendid dispersal,
I realized that I had to quickly
conceal myself from a fame...
that threatened to become
far too conspicuous.
It is well known that
this society signs...
a sort of peace treaty with
its most outspoken enemies...
by granting them a
place in its spectacle.
I am, in fact, the only present
day individual with any negative...
or underground notoriety...
whom it has not managed
to get to appear...
on that stage of renunciation.
The difficulties do
not end there.
I would find it just as repugnant
to become an authority...
within the opposition to this society
as to be one within this society itself;
which is not putting
it too mildly.
I have thus refused to
take the lead of all sorts...
of subversive ventures in
several different regions,
each more antihierarchical
than the others...
but whose command I
was nevertheless...
offered on the basis of my talent
and experience in these matters.
I wanted to show that it is
possible for someone...
to achieve some
historical successes,
and yet remain as poor in
power and prestige as before.
(what I had on a personal level from the
beginning was always enough for me).
I have also refused
to polemicize...
about a thousand details with
the numerous interpreters...
and coopters of what
has already been done.
I had no interest in awarding diplomas
in some sort of fantasized orthodoxy,
nor in judging among
diverse naïve ambitions...
that would collapse soon
enough on their own.
They were unaware that time does not
wait; that good intentions are not enough;
and that nothing can be acquired
or held on to from a past...
that can no longer be rectified.
The underlying movement that
will carry our historical struggles...
as far as they may go remains
the sole judge of the past —
insofar as that movement continues
to act in its own time.
I have managed things in such
a way as to prevent any...
pseudo-continuation from falsifying
the history of our operations.
Those who eventually do better...
will be qualified to comment
on their predecessors,
and their comments
will not go unnoticed.
I have found ways of intervening
from farther away,
while being aware that, as
always, the majority...
of observers would have much
preferred that I remain silent.
I have long striven to maintain
an obscure and elusive existence,
and this has enabled me to further
develop my strategical experiments,
which had already
begun so well.
As someone not without
abilities once put it,
this is a field in which no one
can ever become an expert.
The results of these
investigations —
and this is the only good news
in the present communication —
will not be presented
in cinematic form.
But all ideas are
inevitably vain...
when greatness can no longer
be found in each day’s existence —
the complete works of
the kennel-bred thinkers...
marketed at this stage of
commodity decomposition...
cannot disguise the taste of the
fodder they’ve been raised on.
This is why I spent those years living
in a country where I was little known.
The spatial arrangement of one
of the best cities that ever was,
and the company of certain persons,
and what we did with our time —
all this formed a scene much like
the happiest revels of my youth.
Nowhere did I seek a
peaceable society —
which is fortunate, because
I never found one.
I am widely slandered in Italy,
where I am rumored
to be a terrorist.
But I am quite indifferent to
the most diverse accusations,
because it's been my lot to provoke
them wherever I have roamed,
and because I know why.
The only thing of importance to me
is what captivated me in that country,
and what could not have
been found elsewhere.
I see her again, she who was like
a stranger in her own town,
("Each of us is a citizen of the
one true city; but in your meaning,
I am one who passed my
earthly exile in Italy.")
I see again "the banks of
the Arno, full of farewells."
And I too, like
so many others,
have been banished
from Florence.
In any case, one traverses an era like
one passes the Dogana promontory,
that is to say, rather quickly.
At first, as it’s approaching,
you don’t notice it.
Then you discover it as you
come abreast of it,
and you cannot fail to recognize
that it was designed to be seen...
in this particular way
and no other.
But already we are
passing the cape,
and leaving it behind us,
and heading into
unknown waters.
"When we were young
we to a master went,
and took great pride
in learned argument.
But what did all this
lead to in the end?
We came forth like water,
and are gone like the wind."
In a space of twenty years,
you can really live in only
a small number of homes.
These of mine have
all been poor,
but they have always
been well situated.
Those were admitted
who deserved to be;
the rest were turned
away at the door.
Freedom then had few
other such havens.
"Where are those merry
companions of times gone by?"
These are dead;
another lived
even more quickly,
until the iron gates of
insanity snapped shut.
The sensation of the passing of time
has always been vivid for me,
and I have been
attracted by it,
just as others are allured by
dizzying heights or by water.
In this sense I have
loved my era,
which has seen the end
of all existing security...
and the dissolution of everything
that was socially ordained.
These are pleasures that the
practice of the greatest art...
would not have given me.
As for what we have done,
how could the present
outcome be assessed?
The landscape we are now
traversing has been devastated...
by a war this society is
waging against itself,
against its own potentialities.
The uglification of everything...
was probably an inevitable
price of the conflict.
If we have begun to win,
it is because the enemy has
pushed its mistakes so far.
The most fundamental
issue in this war,
for which so many fallacious
explanations have been given,
is that it is no longer a struggle
between conservatism and change;
it is a struggle over which
kind of change it will be.
We, more than anyone else, were the
people of change in a changing time.
The owners of society, in order
to maintain their position,
were obliged to strive for a change
that was the opposite of ours.
We wanted to rebuild
everything and so did they,
but in diametrically
opposed directions.
What they have done is a sufficient
negative demonstration...
of the nature of our own project.
Their immense works have
led them to nothing...
but this corruption.
Their hatred of the dialectic...
has brought them
to this cesspit.
We had to destroy (and we had
good weapons for doing this)...
any illusion of dialogue between
these antagonistic perspectives.
Then the facts would
speak for themselves.
They have.
It has become ungovernable,
this wasteland where...
new sufferings are disguised with
the name of former pleasures...
and where people
are so afraid.
They turn in the night,
consumed by fire.
They wake up in alarm...
and gropingly search for life.
And word is getting around that those
who've been expropriating that life...
have ended up losing
it themselves.
This civilization is on fire;
the whole thing is
capsizing and sinking.
What splendid torpedoing!
And what has
become of me...
amid this appalling collapse -
this shipwreck...
which I believe was necessary,
and which it could even be
said that I have worked for,
since it is certainly true that
I have avoided working...
at anything else?
Could I apply what a poet
of the T’ang period wrote —
"On Parting from a
Traveling Companion" —
to this point in my own history?
"Dismounting from my horse,
I offered him the wine
of farewell...
and asked him the
goal of his journey.
He replied:
‘I have not succeeded
in worldly affairs,
so I am returning to the southern
mountains to seek repose. ’"
But no, I can see quite clearly that
for me there will be no repose;
first of all because nobody
does me the honor of thinking...
that I have not succeeded
in worldly affairs.
But fortunately,
no one could say that
I have been successful, either.
It thus has to be admitted that there
has been neither success nor failure...
for Guy Debord and his
extravagant pretensions.
It was already the dawn
of this exhausting day...
that we are now seeing
draw to a close...
when the young Marx
wrote to Ruge:
"You can hardly claim that I think
too highly of the present time.
If I nevertheless do
not despair of it,
it is because its own
desperate situation...
fills me with hope."
Preparing an era for a voyage
through the cold waters of history...
has in no way dampened
these passions...
of which I have presented
such fine and sad examples.
As these final reflections on
violence continue to demonstrate,
for me there will be no turning
back and no reconciliation.
No wising up and
no settling down.
Subtitles by hellboytr based
on the translation by Ken Knabb