I was like, 'Josh Tillman, you are not a songwriter. You are an ape. Stop thinking of yourself as a songwriter.'

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I try to make myself, and subsequently the audience, as uncomfortable as possible, whether it's completely desecrating a song they thought was one thing, or getting too drunk to really do a very good...

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It's a vanity to think that a legitimate shamanistic experience can be purchased.

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You know, there's an economy in lyric-writing that doesn't afford you, or at least me - I usually start off with nine or 10 verses and then boil it down to two or three that are half the length of the...

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I've never taken the steps to be 'successful': I've never had a manager or signed to a publishing house.

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There's a lot of risk in putting what you suspect you really are into your music.

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With sad music, or music that's perceived as sad, there's a sense of solidarity that can be really powerful. My songs are all joyful to me.

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My last album as J. Tillman, 'Singing Ax,' that was really a premeditated death rattle of the aesthetic precedent I had set. I realized I wasn't creating spontaneously; I was enforcing all these...

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When I was young, I had this contrarian thing, and my music for a long time was an extension of that. I didn't want to entertain people; I had too much vanity to be an entertainer. I think that some...

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I've been writing a lot about my encounter with love. Which is the white stag as far as songwriting is concerned because love songs are so banal, and my experience with love is anything but that.

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