To us, there was Bob Dylan, and there was dad. As for what he meant to other people, that was never glorified in our house. There were no accolades there, no gold records.
We've all had that experience where we hear a song that we've liked for many years, and we finally hear what the writer tells us what it's about, and you're often disappointed.
It's been said that I formed The Wallflowers to hide my name but, really, I've always wanted to be in a band - right from the day my friends and I soundproofed a garage with bed-covers for our first...
When you're in the middle of writing a song, you can come up with this whole web of stuff only you know how to get through. That's very entertaining for me to do that.
I don't like to sing things that just sound like they're going straight down the tubes, and they're circling the drain, and there's no hope. It doesn't feel good in any way to sing.
If people want to talk about Bob Dylan, I can talk about that. But my dad belongs to me and four other people exclusively. I'm very protective of that. And telling people whether he was affectionate...
If all you were left believing was what you were seeing, it'd be nothing but desperate. To have hope, you're going to have to imagine that there's something behind the curtain.
I think there's always been hope in my songs, no matter how they've first appeared. I think there's always been a shred of hope in everything I've written 'cause I like that balance.
I always saw songwriting as the top of the heap. No matter what else you were going to do creatively - and there were a lot of choices - writing songs was king.