Jazz guitar

Okay, so we've learned kind of how to walk in jazz, we've learned how to shuffle also with the blues. We can use those same things, we can shuffle over jazz lines. But let's...

Now for the upper tension chords, you need to get a little bit more creative. For example in this clip I'm going to discuss the major nine, which would be a major seven chord, with a nine in...

Now, what we're talking about in this lesson today is 'triplets.' And a 'triplet' is when we divide a beat into three instead of two. So far we've...

RYAN LARSON: So, we went over our last two chords and we're going to keep going to the next two, and again make sure you are writing all these down at home so you can go back and play through...

RYAN LARSON: So now we're going over our next two measures. Again, make sure you're writing all these measures down at home so you can reference back to them and play through the tune....

So today we’re going to take a look at A major on the guitar. We’re going to take our A major scale and that is a simple seven note scale. What’s great about this scale is you get all the different...

Now we are going to explore our B Flat Bebop scale. Now the Bebop scale is more of a philosophy behind the scale than an actual notated scale. Now you have seven notes in your major scale. Now the...

Now we are going to take a look at the altered scale which is actually the seventh mode of the harmonic minor, but we are going to look at it a little bit more simple than that. So we start here on B...

RYAN LARSON: Now we're at the 9th and 10th measures, and if you go down to look, we have our D minor chord, which is our ii minor, to our G7 chord, our V7. So we just have a ii to a V7 and we...

RYAN LARSON: So now we've walked through our entire bebop blues form. So I'm going to play through it and count out the actual degrees of the scale as I land on them, and I'll...