The Hollywood model is to develop scripts for 10 years, sell them, transfer them, attach this actor, then attach a director. This isn't what I'm about. I'm much more of a creator and a doer.
After I perform 'My Girlfriend's Boyfriend,' it takes a lot out of me emotionally; and, at the end of it, I feel like I know the audience and the audience knows me. It's this weird unspoken bond that...
I just like, when you look at people who have long careers in film, they're able to make films that are far away from themselves, because they're metaphorical. It creates more opportunities, I think.
When I wrote the screenplay for 'Sleepwalk with Me,' I was imagining that another person would direct it. So I was using all my undergraduate film writing amateur expertise of 'don't direct on the...
There's something about small venues that's amazing for developing material. It's almost like you can not only hear people's response, but you can understand it. In bigger venues you lose that, but...
As a comedian, you want people to like you. That's part of why you're there in the first place: You have this unquenchable need to be liked, and then when you divert from that and take a chance at...