Norman maccaig

When I was a teacher, teachers would come into my classroom and admire my desk on which lay nothing whatever, whereas theirs were heaped with papers and books.

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There are some friends you don't meet for twenty years and when you meet them again it's as if no twenty years has happened - you're lucky when that happens. I feel the same about books.

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And some poets are far better read off the page because they're very bad speakers. I'm thinking of one in particular whom I won't name, a good poet, and he reads in such a dry, boring way, your eyes...

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However, I learned something. I thought that if the young person, the student, has poetry in him or her, to offer them help is like offering a propeller to a bird.

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In fact a lot of them I think are absolute baloney. Those Charles Olsens and people like that. At first I was interested in seeing what they were up to, what they were doing, why they were doing it....

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It's like breathing in and out to me. It's like having a conversation with someone who isn't there. Because it has to be addressed to somebody - not a particular person, or very rarely.

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And in a way, that's been a help to me, because I take great passions for a particular poet - sometimes it lasts for many years, sometimes only for a while. This happens to everybody.

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When I talk of hearing a poet's voice speaking, I always think of it as in the presence of the man.

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All I write about is what's happened to me and to people I know, and the better I know them, the more likely they are to be written about.

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If I wrote a play with four characters every single one of them would talk like me regardless of age or sex.

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