My name’s Don Paterson. This is a poem inspired by The Death of Actaeon and I guess it is a poem about desire and transgression and the way they’re bound closely together. It’s also about...
This poem is called The Change and it’s about Titian’s great painting The Death of Actaeon. In it, I put words into the mouth of the painter himself. So, imagine that he’s in his studio, taking a...
I felt either you do this immediately or you won’t do it at all. It will be too slow, and you’ll get anxious and it will build up. So, I plunged in with the Actaeon I knew, basically [The Death of...
I had some fantastic reproductions to work from and maybe that stopped me being too concerned about working with this masterpiece [Diana and Actaeon] that I’d had reduced down to A4. Plus I write...
I was really impressed by the way that it was a story about vision for a visual art form. The turning point and the intense drama of that painting [Diana and Actaeon] is about sight and forbidden...
I knew the painting [Diana and Callisto] and I’ve always been very interested in the fact that Callisto is one of those people who get caught up. I’ve always been interested in those characters in...
I have to confess that I’m not terribly drawn to this kind of painting [Diana and Actaeon]. I’m not terribly drawn to paintings on mythological subjects. My favourite paintings are mostly Dutch –...
The painting I chose was Diana and Callisto. I did spend quite a while pondering which one to choose and there was something about Callisto’s belly in the painting which is very strange. Lucian Freud...
Well, originally when someone got in touch with me I said, ‘Oh, I’ll do The Flaying of Marsyas’, which is my favourite Titian. They said, ‘Oh no, that’s not in the exhibition’. So, I looked at the...
I am going to read a poem called Callisto's Song. Callisto was a nymph who was flung up into the heavens and became a constellation. So, in order to write the poem I had to imagine what a...