Tracey emin

My work rarely comes up in secondary market, so it means that my prices stay low.

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It's happened time and time again, but the committee has always decided against it-the work was too conservative or didn't fit within the budget; there are millions of different reasons.

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Women, at 50, are on a plateau with their careers, but later they ascend.

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I've been slagged off completely by the art world.

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The idea that I'm going to have to sit down to write some fiction where I'm going to have to think of a plot would really scare me, because it would come out a mess.

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I'd like to think I inspire young people to be creative.

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In New York, working at the foundry, I was making these little figures. I desperately would like to make big figures, but I just can't do it; my hands don't do it. We were talking about making bronze...

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There is nothing difficult about my work, and people get to hear it from me.

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One thing about an artist, it doesn't matter how much your work sells for in your life, it's going to sell for ten times more than that after you're dead, and that's what you have to protect.

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I'm not trying to find another thing that's wrong with me, but I'm such a nice person, and I have a couple of drinks and I'm really good fun and then I'm really not fun.

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